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Author: Napoleon Hill
Publisher: Sharon Lechter
ISBN:
Category : Self-Help
Languages : en
Pages : 30
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Book Description
Originally written in 1938 but never published due to its controversial nature, an insightful guide reveals the seven principles of good that will allow anyone to triumph over the obstacles that must be faced in reaching personal goals.
Author: Napoleon Hill
Publisher: Sharon Lechter
ISBN:
Category : Self-Help
Languages : en
Pages : 30
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Book Description
Originally written in 1938 but never published due to its controversial nature, an insightful guide reveals the seven principles of good that will allow anyone to triumph over the obstacles that must be faced in reaching personal goals.
Author: Robert Lima
Publisher: University Press of Kentucky
ISBN: 0813137462
Category : Literary Criticism
Languages : en
Pages : 344
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Book Description
"The evil that men do" has been chronicled for thousands of years on the European stage, and perhaps nowhere else is human fear of our own evil more detailed than in its personifications in theater. Early writers used theater to communicate human experiences and to display reverence for the gods governing daily life. Playwrights from Euripides onward sought inspiration from this interplay between the worldly and the occult, using human belief in the divine to govern characters' actions within a dramatic arena. The constant adherence to the supernatural, despite changing religious ideologies over the centuries, testifies to a deep and continuing belief in the ability of a higher power to interfere in human life. Stages of Evil is the first book to examine the representation and relationship of evil and the occult from the prehistoric origins of drama through to the present day. Drawing on examples of magic, astronomy, demonology, possession, exorcism, fairies, vampires, witchcraft, hauntings, and voodoo, author Robert Lima explores how theater shaped American and European perceptions of the occult and how the dramatic works studied here reflect society back upon itself at different points in history. From representations of Dionysian rites in ancient Greece, to the Mouth of Hell in the Middle Ages, to the mystical cabalistic life of the Hasidic Jews, to the witchcraft and magic of the Elizabethan and Jacobean stage, Lima traces the recurrence of supernatural motifs in pivotal plays and performance works of the Western tradition. Considering numerous myths and cultural artifacts, such as the "wild man," he describes the evolution and continual representation of supernatural archetypes on the modern stage. He also discusses the sociohistorical implications of Christian and pagan representations of evil and the theatrical creativity that occultism has engendered. Delving into his own theatrical, literary, folkloric, and travel experiences to enhance his observations, Lima assays the complex world of occultism and examines diverse works of Western theater and drama. A unique and comprehensive bibliography of European and American plays concludes the study and facilitates further research into the realm of the social and literary impact of the occult.
Author: Janet Hill
Publisher: McGill-Queen's Press - MQUP
ISBN: 9780773522732
Category : Drama
Languages : en
Pages : 266
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Book Description
Stages and Playgoers demonstrates the long, vital tradition of dialogue between stage and audience from medieval, through Tudor, to Jacobean drama. Janet Hill offers new insights into techniques of addressing playgoers from the stage and how they might have operated under particular staging conditions. Hill calls this dialogue "open address," a term that takes in a range of speeches often called "asides," "monologues," and "soliloquies." She argues that open address is a strategy that challenges playgoers, asking for answers that lie outside the stage in the playgoer/playhouse world.
Author: John T. Soister
Publisher: McFarland
ISBN: 0786487909
Category : Performing Arts
Languages : en
Pages : 831
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Book Description
During the Silent Era, when most films dealt with dramatic or comedic takes on the "boy meets girl, boy loses girl" theme, other motion pictures dared to tackle such topics as rejuvenation, revivication, mesmerism, the supernatural and the grotesque. A Daughter of the Gods (1916), The Phantom of the Opera (1925), The Magician (1926) and Seven Footprints to Satan (1929) were among the unusual and startling films containing story elements that went far beyond the realm of "highly unlikely." Using surviving documentation and their combined expertise, the authors catalog and discuss these departures from the norm in this encyclopedic guide to American horror, science fiction and fantasy in the years from 1913 through 1929.
Author: Victor Emanuel Albright
Publisher:
ISBN:
Category : Theaters
Languages : en
Pages : 252
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Book Description
This study is an investigation of the structure of a typical stage and of the general method of play-production in the Elizabethan period. The materials which have been used are mainly of four kinds: 1. Contemporary statements and records bearing on the stage. 2. Four drawings which have usually been considered as presentments of interiors of Shaksperian theaters. 3. Pre-Elizabethan and Restoration stage conditions. 4. The Elizabethan drama. -- Introduction.
Author: David Wood
Publisher: Routledge
ISBN: 1136652574
Category : Performing Arts
Languages : en
Pages : 290
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Book Description
The revolution that happened in the American dance world between 1932 until 1992 was as great, or even greater, than the earlier movement revolution instigated by the Ballets Russes. In his revealing book David Wood evokes this exciting period of change and describes the roles of the key creative personalities with whom he worked: Martha Graham, Doris Humphrey, Charles Weidman, Jose Limon, Hanya Holm, Alwin Nikolais, Helen Tamiris, Sophie Maslow, Jane Dudley, and William Bales. David Wood has been a key figure in the American dance world for nearly 50 years, making numerous appearances on television as an actor/dancer and in Broadway musicals. He began working with Martha Graham in 1953, as a soloist, touring the world, performing roles in all the famous productions, especially Secular Games which Graham created for him. He has his own company BARD (Bay Area Repertory Dance) which has toured the United States and Europe. The choreography of Wood's signature work, Lorca's House of B
Author: Berta Joncus
Publisher: Rutgers University Press
ISBN: 1644531259
Category : Biography & Autobiography
Languages : en
Pages : 723
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Book Description
John Rich (1692-1761) was a profoundly influential figure of the eighteenth-century London stage. As producer, manager, and performer, he transformed the urban entertainment market, creating genres and promotional methods still with us today. This volume gives the first comprehensive overview of Rich’s multifaceted career, appreciation of which has suffered from his performing identity as Lun, London’s most celebrated Harlequin. Far from the lightweight buffoon that this stereotype has suggested, Rich—the first producer of The Beggar’s Opera, the founder of Covent Garden, the dauntless backer of Handel, and the promoter of the principal dancers from the Parisian opera—is revealed as an agent of changes much more enduring than those of his younger contemporary, David Garrick. Contributions by leading scholars from a range of disciplines—theatre, dance, music, art, and cultural history—provide detailed analyses of Rich’s productions and representations. These findings complement Robert D. Hume’s lead article, a study that radically alters our perception of Rich. Published by University of Delaware Press. Distributed worldwide by Rutgers University Press.
Author: John D. Cox
Publisher: Cambridge University Press
ISBN: 1139426958
Category : Literary Criticism
Languages : en
Pages : 271
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Book Description
John Cox tells the intriguing story of stage devils from their earliest appearance in English plays to the closing of the theatres by parliamentary order in 1642. The book represents a major revision of E. K. Chambers' ideas of stage devils in The Medieval Stage (1903), arguing that this is not a history of gradual secularization, as scholarship has maintained for the last century, but rather that stage devils were profoundly shaped from the outset by the assumptions of sacred drama and retained this shape virtually unchanged until the advent of permanent commercial theatres near London. The book spans both medieval and Renaissance drama including the medieval Mystery cycles on the one hand, through to plays by Greene, Marlowe, Shakespeare (1 and 2 Henry VI), Jonson, Middleton and Davenant. An appendix lists all known devil plays in English from the beginning to 1642.
Author: Alida Degeler
Publisher:
ISBN:
Category : Devil in literature
Languages : en
Pages : 302
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Book Description
Author: Kurt E. Koch
Publisher: Kregel Publications
ISBN: 9780825497025
Category : Religion
Languages : en
Pages : 164
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Book Description
Formerly entitled "Devil's Alphabet," this work provides a review of 47 forms of occult superstition, magic, fortune-telling, and spiritism.
