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Author: Donald C. Mullin
Publisher: Univ of California Press
ISBN: 0520327055
Category : Architecture
Languages : en
Pages : 404
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Book Description
Author: Donald C. Mullin
Publisher: Univ of California Press
ISBN: 0520327055
Category : Architecture
Languages : en
Pages : 404
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Book Description
Author: Allardyce Nicoll M.A.
Publisher:
ISBN:
Category :
Languages : en
Pages : 248
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Book Description
Author: Allardyce Nicoll
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 258
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Book Description
Author: Richard Leacroft
Publisher:
ISBN: 9780413288202
Category : Theater
Languages : en
Pages : 354
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Book Description
Author: Deborah Payne Fisk
Publisher: Cambridge University Press
ISBN: 9780521588126
Category : Drama
Languages : en
Pages : 326
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Book Description
Fourteen specially commissioned essays provide essential information about staging, playwrights, themes and genres in the drama of the Restoration.
Author: Dawn Lewcock
Publisher: Cambria Press
ISBN: 1604975784
Category : Drama
Languages : en
Pages : 370
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Book Description
This book examines why, when, how and where the scenic stage began in England. Little has been written about the development of theatrical scenery and how it was used in England in the seventeenth century, and what is known about the response to this innovation is fragmentary and uncertain. Unlike in Italy and France where scenery had been in use since the sixteenth century, the general public in England did not see plays presented against a painted location until Sir William Davenant presented The Siege of Rhodes at Lincoln's Inn Fields in 1661. Painted landscapes or seascapes, perspective views of cities or palaces, lighting effects, gods or goddesses flying down on to the stage in a chariot, all these had only been seen before on the masque stage at court or in the occasional private play performance. This study argues that Sir William Davenant (1606-1668) was involved almost from the beginning of the process and that his influence continued after his death; that, although painted scenery as such would undoubtedly have appeared on the public stage after 1660, it would not have been in the same way, for Davenant made particular positive contributions which brought about certain changes in both the presentation and reception of plays which would not have happened as they did without his work and influence. This is new work which uses dramaturgical and scenographical analysis of selected plays and masques, against known theatrical history, to discover how the staging of painted settings was organised from c1605 to c1700. This kind of investigation into the links between masque staging and the staging of plays has not been done in quite this way before. The study begins with Davenant's involvement with Inigo Jones and John Webb. It analyses the staging of the court masques and discusses what Davenant took from this and how he used the information. It suggests that the move towards verisimilitude in the drama on the scenic stage was due in part to Davenant's imaginative use of certain of the physical components of masque staging in presentations by the Duke's Company. It argues that he encouraged dramatists to integrate the scenery into their plots, particularly to provide for disclosures and discoveries, in ways not possible before. How, in so doing, he implicitly changed the stage conventions of time and place which audiences had accepted from the platform stage. It also argues that the parallel development of operatic spectacle derived mainly from the use by Killgrew and the King's Company of the techniques for engineering the spectacular effects of the transformation scenes of the masque stage to embellish the heroic drama by Dryden and others. It suggests that the two staging methods combined in the later seventeenth century to give more sophisticated ways of using the scenery and thus involved the scenic stage with the dialogue and the action in all genres, but that such experimentation ended when financial and commercial considerations made it no longer viable. Nevertheless it concludes that, by the eighteenth century, theatre practitioners had learnt to use the stage craft and mechanical techniques of the masque stage to integrate the visual with the aural aspects of a production, and that dramatists, once concerned solely with the aural expression of their theme, had become playwrights who allowed for the visual elements in their texts. Over fifty illustrations exemplify the discussion. This is an important book in the history of theatre, essential background for the staging of the court masque, and for the scenography of the Restoration theatre.
Author: New York Public Library
Publisher:
ISBN:
Category : Theater architecture
Languages : en
Pages : 136
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Book Description
Author: Callan Davies
Publisher: Routledge
ISBN: 9781032138077
Category : Architecture and recreation
Languages : en
Pages : 0
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Book Description
Introduction -- Archetypes -- Multipurpose Spaces -- Crowd Capacities -- Community Hubs -- Businesses -- Coda.
Author: Darryll Grantley
Publisher: Scarecrow Press
ISBN: 0810880288
Category : Performing Arts
Languages : en
Pages : 549
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Book Description
British theatre has a greater tradition than any other, having started all the way back in 1311 and still going strong today. But that is too much for one book to cover, so this volume deals with early theatre and has a cut-off date in 1899. Still, this is almost six centuries, centuries during which British theatre not only developed but produced some of the greatest playwrights of all time and anywhere, including obviously Shakespeare but also Marlowe and Shaw. And they wrote some of the finest plays ever, which are known around the world. So there is plenty for this book to cover, just with the playwrights, plays and actors, but it also has information on stagecraft and theatres, as well as the historical and political background. This book has over 1,183 entries in the dictionary section, these being mainly on playwrights and plays, but others as well including managers and critics, and also on specific theatres, legislative acts and some technical jargon. Then there are entries on the different genres, from comedy to tragedy and everything in between. Inevitably, the chronology is quite long as it has a long period to cover and the introduction provides the necessary overview. The Historical Dictionary of Early British Theatre concludes with a pretty massive bibliography. That will be of use to particularly assiduous researchers, but this book itself is a good place to start any research since it covers periods that are far less well-known and documented, and ordinary theatre-goers will also find useful information.
Author: D. Hughes
Publisher: Springer
ISBN: 023059770X
Category : Literary Criticism
Languages : en
Pages : 239
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Book Description
During the nineteen years of her play-writing career, Aphra Behn had far more new plays staged than anyone else. This book is the first to examine all her theatrical work. It explains her often dominant place in the complex theatrical culture of Charles II's reign, her divided political sympathies, and her interests as a free-thinking intellectual. It also reveals her as a brilliant theatrical practitioner, who used the seen as richly and significantly as the spoken.
