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Author: Alexander Silbiger
Publisher: Routledge
ISBN: 1135924236
Category : Music
Languages : en
Pages : 421
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Book Description
Keyboard Music Before 1700 begins with an overview of the development of keyboard music in Europe. Then, individual chapters by noted authorities in the field cover the key composers and repertory before 1700 in England, France, Germany and the Netherlands, Italy, and Spain and Portugal. The book concludes with a chapter on performance practice, which addresses current issues in the interpretation and revival of this music.
Author: Alexander Silbiger
Publisher: Routledge
ISBN: 1135924236
Category : Music
Languages : en
Pages : 421
Get Book Here
Book Description
Keyboard Music Before 1700 begins with an overview of the development of keyboard music in Europe. Then, individual chapters by noted authorities in the field cover the key composers and repertory before 1700 in England, France, Germany and the Netherlands, Italy, and Spain and Portugal. The book concludes with a chapter on performance practice, which addresses current issues in the interpretation and revival of this music.
Author: Willi Apel
Publisher: Bloomington : Indiana University Press
ISBN:
Category : Harpsichord music
Languages : en
Pages : 902
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Book Description
Author: Gilles Comeau
Publisher: Routledge
ISBN: 0415955750
Category : Music
Languages : en
Pages : 282
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Book Description
No further information has been provided for this title.
Author:
Publisher: New York : R.R. Bowker Company
ISBN:
Category : Performing Arts
Languages : en
Pages : 1728
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Book Description
Author: Nicholas J. Giordano
Publisher: Oxford University Press
ISBN: 0191030147
Category : Science
Languages : en
Pages : 183
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Book Description
Why does a piano sound like a piano? A similar question can be asked of virtually all musical instruments. A particular note-such as middle C-can be produced by a piano, a violin, a clarinet, and many other instruments, yet it is easy for even a musically untrained listener to distinguish between these different instruments. A central quest in the study of musical instruments is to understand why the sound of the "same" note depends greatly on the instrument, and to elucidate which aspects of an instrument are most critical in producing the musical tones characteristic of the instrument. The primary goal of this book is to investigate these questions for the piano. The explanations in this book use a minimum of mathematics, and are intended for anyone who is interested in music and musical instruments. At the same time, there are many insights relating physics and the piano that will likely be interesting and perhaps surprising for many physicists.
Author: Igor Kipnis
Publisher: Routledge
ISBN: 1135949786
Category : Music
Languages : en
Pages : 571
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Book Description
The Harpsichord and Clavichord, An Encyclopedia includes articles on this family of instruments, including famous players, composers, instruments builders, the construction of the instruments, and related terminology. It is the first complete reference on this important family of keyboard instruments. The contributors include major scholars of music and musical instrument history from around the world. It completes the three-volume Encyclopedia of Keyboard Instruments.
Author: Alan Edgar Frederic Dickinson
Publisher: Praeger
ISBN:
Category : Music
Languages : en
Pages : 306
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Book Description
A comprehensive study of Bach's fugues as a body of practical composition the chief, perhaps the sole, landmark of fugal expression.
Author: Mark Kroll
Publisher: Cambridge University Press
ISBN: 1107156076
Category : Music
Languages : en
Pages : 407
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Book Description
Covers every aspect of the harpsichord and its music, including composers, genres, national styles, tuning, and the art of harpsichord building.
Author: University of Virginia
Publisher:
ISBN:
Category :
Languages : en
Pages : 972
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Book Description
Author: F. E. Kirby
Publisher: Rowman & Littlefield
ISBN: 149308285X
Category : Music
Languages : en
Pages : 467
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Book Description
This historical survey focuses on music for piano solo but also includes important compositions for piano duet and two pianos. Scholarly yet readable, it covers the entire repertoire from the Renaissance to the late 20th century and incorporates a bibliography of 1 100 sources for further study.
