Author: Robert Lee Adams
Publisher:
ISBN:
Category : Harpsichord music
Languages : en
Pages : 1278
Book Description
Five Centuries of Keyboard Music
Author: John Gillespie
Publisher: Courier Corporation
ISBN: 0486318796
Category : Music
Languages : en
Pages : 514
Book Description
Gillespie discusses 350 composers and their works for harpsichord and piano, including Bach, Handel, Mozart, Beethoven, and Debussy. Includes 116 musical examples, illustrations, and a glossary of musical terms.
Publisher: Courier Corporation
ISBN: 0486318796
Category : Music
Languages : en
Pages : 514
Book Description
Gillespie discusses 350 composers and their works for harpsichord and piano, including Bach, Handel, Mozart, Beethoven, and Debussy. Includes 116 musical examples, illustrations, and a glossary of musical terms.
A Transcription and Critical Commentary of the Anonymous Keyboard Piece Uppon la Mi Re
Author: Eileen Hadidian
Publisher:
ISBN:
Category : Keyboard instrument music
Languages : en
Pages : 164
Book Description
Publisher:
ISBN:
Category : Keyboard instrument music
Languages : en
Pages : 164
Book Description
English Keyboard Music, C1625-1680
Author: Candace Bailey
Publisher:
ISBN:
Category : Keyboard instrument music
Languages : en
Pages : 596
Book Description
Publisher:
ISBN:
Category : Keyboard instrument music
Languages : en
Pages : 596
Book Description
The Pianist's Reference Guide
Author: Maurice Hinson
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 368
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 368
Book Description
From Renaissance to Baroque
Author: Jonathan Wainwright
Publisher: Routledge
ISBN: 1351566253
Category : Music
Languages : en
Pages : 507
Book Description
Historians of instruments and instrumental music have long recognised that there was a period of profound change in the seventeenth century, when the consorts or families of instruments developed during the Renaissance were replaced by the new models of the Baroque period. Yet the process is still poorly understood, in part because each instrument has traditionally been considered in isolation, and changes in design have rarely been related to changes in the way instruments were used, or what they played. The essays in this book are by distinguished international authors that include specialists in particular instruments together with those interested in such topics as the early history of the orchestra, iconography, pitch and continuo practice. The book will appeal to instrument makers and academics who have an interest in achieving a better understanding of the process of change in the seventeenth century, but the book also raises questions that any historically aware performer ought to be asking about the performance of Baroque music. What sorts of instruments should be used? At what pitch? In which temperament? In what numbers and/or combinations? For this reason, the book will be invaluable to performers, academics, instrument makers and anyone interested in the fascinating period of change from the 'Renaissance' to the 'Baroque'.
Publisher: Routledge
ISBN: 1351566253
Category : Music
Languages : en
Pages : 507
Book Description
Historians of instruments and instrumental music have long recognised that there was a period of profound change in the seventeenth century, when the consorts or families of instruments developed during the Renaissance were replaced by the new models of the Baroque period. Yet the process is still poorly understood, in part because each instrument has traditionally been considered in isolation, and changes in design have rarely been related to changes in the way instruments were used, or what they played. The essays in this book are by distinguished international authors that include specialists in particular instruments together with those interested in such topics as the early history of the orchestra, iconography, pitch and continuo practice. The book will appeal to instrument makers and academics who have an interest in achieving a better understanding of the process of change in the seventeenth century, but the book also raises questions that any historically aware performer ought to be asking about the performance of Baroque music. What sorts of instruments should be used? At what pitch? In which temperament? In what numbers and/or combinations? For this reason, the book will be invaluable to performers, academics, instrument makers and anyone interested in the fascinating period of change from the 'Renaissance' to the 'Baroque'.
The Keyboard Music of John Bull
Author: Walker Evans Cunningham
Publisher:
ISBN:
Category :
Languages : en
Pages : 538
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 538
Book Description
Notes
Author: Music Library Association
Publisher:
ISBN:
Category : Electronic journals
Languages : en
Pages : 752
Book Description
Publisher:
ISBN:
Category : Electronic journals
Languages : en
Pages : 752
Book Description
The Keyboard Music of John Bull
Author: Walker Cunningham
Publisher:
ISBN:
Category : Composers
Languages : en
Pages : 304
Book Description
Publisher:
ISBN:
Category : Composers
Languages : en
Pages : 304
Book Description
National Union Catalog
Author:
Publisher:
ISBN:
Category : Union catalogs
Languages : en
Pages : 648
Book Description
Includes entries for maps and atlases.
Publisher:
ISBN:
Category : Union catalogs
Languages : en
Pages : 648
Book Description
Includes entries for maps and atlases.
The Elizabethan Galliard
Author: Nancy Sue Beagle
Publisher:
ISBN:
Category :
Languages : en
Pages : 214
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 214
Book Description