The defence of Guenevere, with illustr. by J.M. King

The defence of Guenevere, with illustr. by J.M. King PDF Author: William Morris
Publisher:
ISBN:
Category :
Languages : en
Pages : 60

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The defence of Guenevere, with illustr. by J.M. King

The defence of Guenevere, with illustr. by J.M. King PDF Author: William Morris
Publisher:
ISBN:
Category :
Languages : en
Pages : 60

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Book Description


General Catalogue of Printed Books

General Catalogue of Printed Books PDF Author: British Museum. Department of Printed Books
Publisher:
ISBN:
Category : English imprints
Languages : en
Pages : 440

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General catalogue of printed books

General catalogue of printed books PDF Author: British museum. Dept. of printed books
Publisher:
ISBN:
Category :
Languages : en
Pages : 444

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The Illustrator and the Book in England from 1790 to 1914

The Illustrator and the Book in England from 1790 to 1914 PDF Author: Gordon Norton Ray
Publisher: Courier Corporation
ISBN: 9780486269559
Category : Art
Languages : en
Pages : 390

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Book Description
Combines essays, bibliographical descriptions, and 295 illustrations to chronicle a golden era in the art of the illustrated book. Artists range from Blake, Turner, Rowlandson, and Morris to Caldecott, Greenaway, Beardsley, and Rackham.

The Illustrated Gift Book, 1880-1930

The Illustrated Gift Book, 1880-1930 PDF Author: Michael Felmingham
Publisher:
ISBN:
Category : Design
Languages : en
Pages : 204

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Book Description
The history of book illustration is the story of a mechanical process releasing a great flowering of talent, a revolution in which photomechancial methods of reproduction provided a medium for a new scholl of illustrators. This book examines the methods and looks at the illustrators as well as their books describing their markets, training, tehcniques, remuneration and professional and social lives. It includes a chronologically arranged checklist of the illustrated books of over seventy artists, ranging from Aubrey Beardsley, Edmund Dulac, Arthur Rackham, Howard Pyle to the little known John Batten, Vernon Hill, Reginald Birch and Willy Pogány. It also includes contributions made to the genre by female artists as Mabel Lucie Attwell, Gwynedd Hudson, Margaret Tarrant, Millicent Sowerby, Mary Wheelhouse and many others.

The Arthurian Revival in Victorian Art

The Arthurian Revival in Victorian Art PDF Author: Debra N. Mancoff
Publisher: Scholarly Title
ISBN:
Category : Art
Languages : en
Pages : 502

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The Enchanted World of Jessie M. King

The Enchanted World of Jessie M. King PDF Author: Colin White
Publisher: Canongate Books
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 184

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Book Description
Jessie M. King.

General Catalogue of Printed Books to 1955

General Catalogue of Printed Books to 1955 PDF Author: British Museum. Dept. of Printed Books
Publisher:
ISBN:
Category : English imprints
Languages : en
Pages : 1290

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The Studio

The Studio PDF Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 436

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A Bibliography of Modern Arthuriana (1500-2000)

A Bibliography of Modern Arthuriana (1500-2000) PDF Author: Ann F. Howey
Publisher: Boydell & Brewer
ISBN: 1843840685
Category : History
Languages : en
Pages : 806

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Book Description
Annotated bibliography of the Arthurian legend in modern English-language fiction, not only in literary texts, but in television, music, and art. The legend of Arthur has been a source of fascination for writers and artists in English since the fifteenth century, when Thomas Malory drew together for the first time in English a variety of Arthurian stories from a number of sources to form the Morte Darthur. It increased in popularity during the Victorian era, when after Tennyson's treatment of the legend, not only authors and dramatists, but painters, musicians, and film-makers found a sourceof inspiration in the Arthurian material. This interdisciplinary, annotated bibliography lists the Arthurian legend in modern English-language fiction, from 1500 to 2000, including literary texts, film, television, music, visual art, and games. It will prove an invaluable source of reference for students of literary and visual arts, general readers, collectors, librarians, and cultural historians--indeed, by anyone interested in the history of the waysin which Camelot has figured in post-medieval English-speaking cultures. ANN F. HOWEY is Assistant Professor at Brock University, Canada; STEPHEN R. REIMER is Associate Professor at the University of Alberta, Canada