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Author: Julia Krause
Publisher: GRIN Verlag
ISBN: 3640513886
Category : Foreign Language Study
Languages : en
Pages : 97
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Book Description
Thesis (M.A.) from the year 2009 in the subject Didactics for the subject English - Literature, Works, grade: 1,15, University of Göttingen, language: English, abstract: We are told about the world before we see it. We imagine most things before we experience them. And those preconceptions, unless education has made us acutely aware, govern deeply the whole process of perception (Lippmann: 90). In defining the nature of stereotypes Walter Lippmann in 1922 explained one of the governing principles of human perception and human relationships. Although his theory on Public Opinion did not exclusively allude to the relationship between coloniser and colonised, his work laid the foundation of the historical, cultural and literary investigation and understanding of the mechanisms of colonial control through the power of stereotyping. By shaping the world they perceived according to their beliefs, moral codes and attitudes, including those concerning the people and lands they occupied, colonisers have ever since dominated their colonies not only through military strength and physical violence but also through their views. [...] The aim of my work will partly be to demonstrate the major tropes of colonial stereotypes and their functioning in some selected literary pieces of High Imperialism, which approximately stretches from the reign of Queen Victoria (1837-1901) to the end of the First World War (1918). As the “jewel in the crown” (Laisram: vii), India has long caught the most attention of all the British colonies, and even fascinated politicians, writers, and philosophers of other European nations. Due to this fact, I have chosen to focus on literary pieces that refer to this richest colony of the British Empire only. [...] However, the main part of my work will concentrate on the aftermath of colonialism, i.e. the dealings of colonial stereotypes in contemporary English fiction. [...] The basic question will thereby be whether the selected writers William Sutcliffe, Pankaj Mishra, Ruth Jhabvala and Anita Desai succeed in questioning and finally reversing colonial stereotypes in their narratives of East-West encounters – or whether they fall back on the images of the colonial legacy. Are Orient and Occident still two opposite poles in the perception of today’s world? Is there still an East-West divide between those formerly colonised and those formerly colonising as Edward W. Said stated in his 1978 published and highly influential theory on Orientalism?
Author: Julia Krause
Publisher: GRIN Verlag
ISBN: 3640513886
Category : Foreign Language Study
Languages : en
Pages : 97
Get Book Here
Book Description
Thesis (M.A.) from the year 2009 in the subject Didactics for the subject English - Literature, Works, grade: 1,15, University of Göttingen, language: English, abstract: We are told about the world before we see it. We imagine most things before we experience them. And those preconceptions, unless education has made us acutely aware, govern deeply the whole process of perception (Lippmann: 90). In defining the nature of stereotypes Walter Lippmann in 1922 explained one of the governing principles of human perception and human relationships. Although his theory on Public Opinion did not exclusively allude to the relationship between coloniser and colonised, his work laid the foundation of the historical, cultural and literary investigation and understanding of the mechanisms of colonial control through the power of stereotyping. By shaping the world they perceived according to their beliefs, moral codes and attitudes, including those concerning the people and lands they occupied, colonisers have ever since dominated their colonies not only through military strength and physical violence but also through their views. [...] The aim of my work will partly be to demonstrate the major tropes of colonial stereotypes and their functioning in some selected literary pieces of High Imperialism, which approximately stretches from the reign of Queen Victoria (1837-1901) to the end of the First World War (1918). As the “jewel in the crown” (Laisram: vii), India has long caught the most attention of all the British colonies, and even fascinated politicians, writers, and philosophers of other European nations. Due to this fact, I have chosen to focus on literary pieces that refer to this richest colony of the British Empire only. [...] However, the main part of my work will concentrate on the aftermath of colonialism, i.e. the dealings of colonial stereotypes in contemporary English fiction. [...] The basic question will thereby be whether the selected writers William Sutcliffe, Pankaj Mishra, Ruth Jhabvala and Anita Desai succeed in questioning and finally reversing colonial stereotypes in their narratives of East-West encounters – or whether they fall back on the images of the colonial legacy. Are Orient and Occident still two opposite poles in the perception of today’s world? Is there still an East-West divide between those formerly colonised and those formerly colonising as Edward W. Said stated in his 1978 published and highly influential theory on Orientalism?
Author: Julia Krause
Publisher: GRIN Verlag
ISBN: 364051145X
Category : Language Arts & Disciplines
Languages : en
Pages : 101
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Book Description
Thesis (M.A.) from the year 2009 in the subject Didactics for the subject English - Literature, Works, grade: 1,15, University of Göttingen, language: English, abstract: We are told about the world before we see it. We imagine most things before we experience them. And those preconceptions, unless education has made us acutely aware, govern deeply the whole process of perception (Lippmann: 90). In defining the nature of stereotypes Walter Lippmann in 1922 explained one of the governing principles of human perception and human relationships. Although his theory on Public Opinion did not exclusively allude to the relationship between coloniser and colonised, his work laid the foundation of the historical, cultural and literary investigation and understanding of the mechanisms of colonial control through the power of stereotyping. By shaping the world they perceived according to their beliefs, moral codes and attitudes, including those concerning the people and lands they occupied, colonisers have ever since dominated their colonies not only through military strength and physical violence but also through their views. [...] The aim of my work will partly be to demonstrate the major tropes of colonial stereotypes and their functioning in some selected literary pieces of High Imperialism, which approximately stretches from the reign of Queen Victoria (1837-1901) to the end of the First World War (1918). As the "jewel in the crown" (Laisram: vii), India has long caught the most attention of all the British colonies, and even fascinated politicians, writers, and philosophers of other European nations. Due to this fact, I have chosen to focus on literary pieces that refer to this richest colony of the British Empire only. [...] However, the main part of my work will concentrate on the aftermath of colonialism, i.e. the dealings of colonial stereotypes in contemporary English fiction. [...] The basic question will thereby be whether the selected writers William Sutcliffe,
Author: Hannes Krehan
Publisher: Anchor Academic Publishing (aap_verlag)
ISBN: 3954896850
Category : Language Arts & Disciplines
Languages : en
Pages : 93
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Book Description
The author analyzes three books on escapism and the various ways in which it is represented in them. He focuses on Alex Garland’s backpacker cult novel 'The Beach' and William Sutcliffe’s satire of the gap-year traveler 'Are You Experienced?' as well as Jon Krakauer’s non-fiction book 'Into the Wild'.The first part of the analysis deals with the influence of literary genres like the Bildungsroman and travel literature. Unreliable narration as a narrative strategy is taken into consideration, as well as the colonial subtext of 'The Beach' and 'Are You Experienced?'. In 'Into the Wild' nature writing and road narratives are an integral part of the narrative.The second part deals with cultural aspects such as questions of authenticity that are raised during the narratives, the role of drugs as a means of escape, and also the problematic relationship between travelers and tourists. Finally, the author compares two film adaptations, Danny Boyle’s 'The Beach' (2000) and Sean Penn’s 'Into the Wild' (2007), with their corresponding literary source texts.
Author: DR SANA. RAHIM
Publisher: Oxford University Press
ISBN: 0198902158
Category :
Languages : en
Pages : 209
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Book Description
Developed over six chapters, Pakistan's Nuclear Exclusion provides an account of how orientalism is a lived experience of post-colonial racism, injustice, and inequality amongst members of the nuclear community in Pakistan. The account is produced through interviews with members of the community consisting of students, academics, and physicists in Pakistan. Rahim offers unique insights into how Pakistan's nuclear community is not only perceived and represented but also how it seeks to operate in a wider nuclear community dominated by Western nuclear powers. The provision of such highly contextualised insights is enabled by the book setting out to both (a) provide analytical space for and (b) 'give voice' to how orientalism is experienced in the everyday of their lives. Consequently, the work provides (1) an analysis of how 'dominant discourses' of nuclear management and their 'pictures of reason' are exclusionary, (2) an analysis of the core features of orientalism as they pertain to Pakistan's nuclear community; and (3) empirical findings which produce categories of the experience of orientalism into areas of the everyday âe" exclusion, making a career, Islamophobia, technology denial and self-reliance. Pakistan's Nuclear Exclusion is enormously valuable to the research community as well as extremely well-conceived and researched. In addition, much of the methodology chapter offers a level of sophistication and self-reflection that translates well in the interview material and its subsequent analysis.
Author: Antonio Ballesteros González
Publisher: Univ de Castilla La Mancha
ISBN: 9788484271260
Category : Foreign Language Study
Languages : en
Pages : 414
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Book Description
This book comprises a collection of articles devoted to the academic study of popular texts in English. Authors analyse genres which had been habitually looked down on by canonical approaches to literature and art. They take into serious consideration forms like horror literature, the gothic, fantasy, de-tective fiction, science fiction, best-sellers, films and television series of different kinds... among some other representations of what conservative scholars had been considering as marginal. The referential richness of the perspectives reflected here demonstrates that popular texts can be enjoyable for readers and audiences, at the same time that they can be significant in order to reach a better understanding of our culture and ourselves at the beginning of a new millennium.
Author: Ann Clayton
Publisher: Lulu.com
ISBN: 192817163X
Category : Education
Languages : en
Pages : 192
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Book Description
POSTCOLONIAL PERSPECTIVES explores South African fiction written under apartheid, including works by Peter Abrahams, Nadine Gordimer, Alex La Guma, Lauretta Ngcobo, Alan Paton, Sol Plaatje, Olive Schreiner, Sydney Sepamla, Mongane Wally Serote, and Pauline Smith. It is written by ANN CLAYTON, the author of several works of literary criticism, including Olive Schreiner: A Casebook (McGraw-Hill), Women and Writing in South Africa: A Critical Anthology (Heinemann), Olive Schreiner (Twayne), and Speaking of Writing: Conversations with Canadian Novelists (Vocamus Community Publications).
Author: Geoffrey P. Nash
Publisher: Cambridge University Press
ISBN: 1108585566
Category : Literary Criticism
Languages : en
Pages : 674
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Book Description
Orientalism and Literature discusses a key critical concept in literary studies and how it assists our reading of literature. It reviews the concept's evolution: how it has been explored, imagined and narrated in literature. Part I considers Orientalism's origins and its geographical and multidisciplinary scope, then considers the major genres and trends Orientalism inspired in the literary-critical field such as the eighteenth-century Oriental tale, reading the Bible, and Victorian Oriental fiction. Part II recaptures specific aspects of Edward Said's Orientalism: the multidisciplinary contexts and scholarly discussions it has inspired (such as colonial discourse, race, resistance, feminism and travel writing). Part III deliberates upon recent and possible future applications of Orientalism, probing its currency and effectiveness in the twenty-first century, the role it has played and continues to play in the operation of power, and how in new forms, neo-Orientalism and Islamophobia, it feeds into various genres, from migrant writing to journalism.
Author: Sherman Alexie
Publisher: Open Road Media
ISBN: 1480457205
Category : Fiction
Languages : en
Pages : 300
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Book Description
Los Angeles Times Book Prize Finalist: A “stellar collection” of stories about navigating life off the reservation, filled with laughter and heartbreak (People). In these lyrical, affectionate tales from the author of The Absolutely True Diary of a Part-Time Indian and The Lone Ranger and Tonto Fistfight in Heaven, characters navigate the crossroads of culture, battle stereotypes, and find themselves through everything from politics to basketball. Richard, the narrator of “Lawyer’s League,” grows up in Seattle, the son of “an African American giant who played defensive end for the University of Washington Huskies” and “a petite Spokane Indian ballerina.” A woman is caught in a restaurant when a suicide bomb goes off in “Can I Get a Witness.” And Estelle Walks Above (née Estelle Miller), studies her way off the Spokane Indian Reservation and goes on to both enjoy and resent the company of the white women of Seattle—who see her as a shamanic genius, and look to her for guidance on everything from sex and fashion to spirituality. These and the other “warm, revealing, invitingly roundabout stories” in Ten Little Indians run the gamut from earthy wit to sobering emotional truth, mapping the outer reaches of the human heart (The New York Times Book Review). From a New York Times–bestselling and National Book Award–winning author, these tales, “rambunctious and exuberant, bristle with an edgy and mordant humor” (Chicago Tribune). This ebook features an illustrated biography including rare photos from the author’s personal collection.
Author: Bernard Wilson
Publisher: Springer Nature
ISBN: 9811526311
Category : Literary Criticism
Languages : en
Pages : 410
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Book Description
This volume provides a key analysis of Asian children’s literature and film and creates a dialogue between East and West and between the cultures from which they emerge, within the complex symbiosis of their local, national and transnational frameworks. In terms of location and content the book embraces a broad scope, including contributions related to the Asian-American diaspora, China, India, Indonesia, Iran, Japan, Malaysia, the Philippines, South Korea, Sri Lanka, and Taiwan. Individually and collectively, these essays broach crucial questions: What elements of Asian literature and film make them distinctive, both within their own specific culture and within the broader Asian area? What aspects link them to these genres in other parts of the world? How have they represented and shaped the societies and cultures they inhabit? What moral codes do they address, underpin, or contest? The volume provides further voice to the increasingly diverse and fascinating output of the region and emphasises the importance of Asian art forms as depictions of specific cultures but also of their connection to broader themes in children’s texts, and scholarship within this field.
Author: Efraim Sicher
Publisher: U of Nebraska Press
ISBN: 0803245300
Category : Literary Criticism
Languages : en
Pages : 318
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Book Description
In the Western literary tradition, the "jew" has long been a figure of ethnic exclusion and social isolation--the wanderer, the scapegoat, the alien. But it is no longer clear where a perennial outsider belongs. This provocative study of contemporary British writing points to the figure of the "jew" as the litmus test of multicultural society. Efraim Sicher and Linda Weinhouse examine the "jew" as a cultural construction distinct from the "Jewishness" of literary characters in novels by, among others, Salman Rushdie, Anita Desai, Doris Lessing, Monica Ali, Caryl Philips, and Zadie Smith, as well as contemporary art and film. Here the image of the "jew" emerges in all its ambivalence, from postcolonial migrant and modern everyman to more traditional representations of the conspirator and malefactor. The multicultural discourses of ethnic and racial hybridity reflect dissolution of national and personal identities, yet the search for transnational, cultural forms conceals both the acceptance of marginal South Asian, Caribbean, and Jewish voices as well as the danger of resurgent antisemitic tropes. Innovative in its contextualization of the "jew" in the multiculturalism debate in contemporary Britain, Under Postcolonial Eyes: Figuring the "jew" in Contemporary British Writing analyzes the narrative of identities in a globalized culture and offers new interpretations of postmodern classics.
