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Author: CRAIG HERBERTSON
Publisher: Lulu.com
ISBN: 1326182366
Category : Fiction
Languages : en
Pages : 290
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Book Description
THE DEATH TABLEAU is a discomforting excursion into the seediness and tedium of real and terrifying 'evil'. Using word pictures that hit you like a brick wall, Herbertson tests his lady hero to the limit and beyond. At times touching on the brilliance of Lewis and Priestley with his descriptions of things beyond description, Herbertson takes his readers beyond the wardrobe of fantastical psychic outfits necessary for the performance of our daily masques of mundanity, showing how the true ashlar is wrought only through being hit quite hard with sharp objects.
Author: CRAIG HERBERTSON
Publisher: Lulu.com
ISBN: 1326182366
Category : Fiction
Languages : en
Pages : 290
Get Book Here
Book Description
THE DEATH TABLEAU is a discomforting excursion into the seediness and tedium of real and terrifying 'evil'. Using word pictures that hit you like a brick wall, Herbertson tests his lady hero to the limit and beyond. At times touching on the brilliance of Lewis and Priestley with his descriptions of things beyond description, Herbertson takes his readers beyond the wardrobe of fantastical psychic outfits necessary for the performance of our daily masques of mundanity, showing how the true ashlar is wrought only through being hit quite hard with sharp objects.
Author: W. J. T. Mitchell
Publisher: University of Chicago Press
ISBN: 022669609X
Category : Biography & Autobiography
Languages : en
Pages : 189
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Book Description
How does a parent make sense of a child’s severe mental illness? How does a father meet the daily challenges of caring for his gifted but delusional son, while seeking to overcome the stigma of madness and the limits of psychiatry? W. J. T. Mitchell’s memoir tells the story—at once representative and unique—of one family’s encounter with mental illness and bears witness to the life of the talented young man who was his son. Gabriel Mitchell was diagnosed with schizophrenia at age twenty-one and died by suicide eighteen years later. He left behind a remarkable archive of creative work and a father determined to honor his son’s attempts to conquer his own illness. Before his death, Gabe had been working on a film that would show madness from inside and out, as media stereotype and spectacle, symptom and stigma, malady and minority status, disability and gateway to insight. He was convinced that madness is an extreme form of subjective experience that we all endure at some point in our lives, whether in moments of ecstasy or melancholy, or in the enduring trauma of a broken heart. Gabe’s declared ambition was to transform schizophrenia from a death sentence to a learning experience, and madness from a curse to a critical perspective. Shot through with love and pain, Mental Traveler shows how Gabe drew his father into his quest for enlightenment within madness. It is a book that will touch anyone struggling to cope with mental illness, and especially for parents and caregivers of those caught in its grasp.
Author: C. Scott Combs
Publisher: Columbia University Press
ISBN: 0231163460
Category : Performing Arts
Languages : en
Pages : 290
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Book Description
While cinema is a medium with a unique ability to Òwatch lifeÓ and Òwrite movement,Ó it is equally singular in its portrayal of death. The first study to unpack American cinemaÕs long history of representing death, this book considers movie sequences in which the process of dying becomes an exercise in legibility and exploration for the camera and connects the slow or static process of dying to formal film innovation throughout the twentieth century. C. Scott Combs analyzes films that stretch from cinemaÕs origins to the end of the twentieth century, looking at attractions-based cinema, narrative films, early sound cinema, and films using voiceover or images of medical technology. Through films such as Thomas EdisonÕs Electrocuting an Elephant (1903), D. W. GriffithÕs The Country Doctor (1909), John FordÕs How Green Was My Valley (1941), Billy WilderÕs Sunset Boulevard (1950), Stanley KubrickÕs 2001: A Space Odyssey (1968), and Clint EastwoodÕs Million Dollar Baby (2004), Combs argues that the end of dying occurs more than once, in more than one place. Working against the notion that film cannot capture the end of life because it cannot stop moving forward, that it cannot induce the photographic fixity of the death instant, this book argues that the place of death in cinema is persistently in flux, wedged between technological precision and embodied perception. Along the way, Combs consolidates and reconceptualizes old and new debates in film theory.
Author: Clayton G. MacKenzie
Publisher: University Press of America
ISBN: 9780761816607
Category : Art
Languages : en
Pages : 216
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Book Description
In our own age, the engagement with death has been discretely narrowed into a brief process of formal commemoration and burial, but in Shakespeare's time it was ritualized into the very fabric of everyday life, where the reminders of death, the journey to the grave, and the moment of expiry were all central to the cultural engagement with mortality in post-Reformation England. Inevitably, this way of seeing the world impacted the writing of Shakespeare and his contemporaries, not only in relation to the intellectual content of the drama but with regard to its visual impressions as well. Emblems of Mortality explores the relationship between Shakespeare's theatre and popular memento mori and funereal iconography of the Renaissance, combining cultural studies and historicism with semiotic analysis of period iconography. Through close reading of Elizabethan signs and sign systems with attention to historical context, the work seeks to demonstrate the quality and intention of some of Shakespeare's theatrical designs in a way that will appeal to scholars of drama and students of Shakespeare's work.
Author: Igor Djordjevic
Publisher: Routledge
ISBN: 1317109066
Category : Literary Criticism
Languages : en
Pages : 217
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Book Description
King John’s evil reputation has outlasted and proved more enduring than that of Richard III, whose notoriety seemed ensured thanks to Shakespeare’s portrayal of him. The paradox is even greater when we realize that this portrait of John endures despite Shakespeare’s portrait of him in the play King John, where he hardly comes off as a villain at all. Here Igor Djordjevic argues that the story of John’s transformation in cultural memory has never been told completely, perhaps because the crucial moment in John’s change back to villainy is a literary one: it occurs at the point when the 'historiographic' trajectory of John’s character-development intersects with the 'literary' evolution of Robin Hood. But as Djordjevic reveals, John’s second fall in cultural memory became irredeemable as the largely unintended result of the work of three men - John Stow, Michael Drayton, Anthony Munday - who knew each other and who all read a significant passage in a little known book (the Chronicle of Dunmow), while a fourth man’s money (Philip Henslowe) helped move the story from page to stage. The rest, as they say, is history. Paying particular attention to the work of Michael Drayton and Anthony Munday who wrote for the Lord Admiral’s Men, Djordjevic traces the cultural ripples their works created until the end of the seventeenth century, in various familiar as well as previously ignored historical, poetic, and dramatic works by numerous authors. Djordjevic’s analysis of the playtexts’ source, and the personal and working relationship between the playwright-poets and John Stow as the antiquarian disseminator of the source text, sheds a brighter light on a moment that proves to have a greater significance outside theatrical history; it has profound repercussions for literary history and a nation’s cultural memory.
Author: Amelia Faye Rauser
Publisher: Associated University Presse
ISBN: 9780874139860
Category : Art
Languages : en
Pages : 168
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Book Description
"This book is the first to examine the meaning encoded in the very form of caricature, and to explain its rise as a consequence of the emergence of modernity, especially the modern self."--BOOK JACKET.
Author: William Thomas Stead
Publisher:
ISBN:
Category : Passion-plays
Languages : en
Pages : 148
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Book Description
Author: Louisiana
Publisher:
ISBN:
Category : Law
Languages : en
Pages : 266
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Book Description
Author: Snoo Wilson
Publisher: A&C Black
ISBN: 1408148404
Category : Drama
Languages : en
Pages : 241
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Book Description
A second collection of plays from one of Britain's most original dramatists This second volume of plays includes Vampire: 'The height of comedy, a manic, hellzapoppin of invention, sliding from verbal frolics to pure slapstick' (The Times); The Glad Hand: 'A full-blooded theatrical experience which is also - praise be - good fun to watch. Its energetic, imaginative nonsense spills out ideas, situations, crises, comedy and political harangue in a fire-work display of non-sequitur, whiz-bang high spirits' (Sunday Telegraph); The Grass Widow: 'Hilariously confirms that Mr Wilson is the liveliest and most enlivening English dramatists of his generation' (Sunday Telegraph); Sabina: A typically surreal and unrestrained work ... wonderfully theatrical.' (Tribune) "Snoo Wilson tackles dark pockets of human endeavour with an original wit and a savage humour" (Financial Times).
Author: Mary Chapman
Publisher: Univ of California Press
ISBN: 9780520216228
Category : History
Languages : en
Pages : 308
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Book Description
This text analyses cultural forms to demonstrate the centrality of masculine sentiment in American literary and cultural history. They analyze sentimentalism not just as a literary game but as a structure of feeling manifested in many areas.
