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Author: Elizabeth Wayland Barber
Publisher: W. W. Norton & Company
ISBN: 0393089215
Category : Social Science
Languages : en
Pages : 590
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Book Description
A fascinating exploration of an ancient system of beliefs and its links to the evolution of dance. From Southern Greece to northern Russia, people living in agrarian communities have long believed in “dancing goddesses,” mystical female spirits who spend their nights and days dancing in the fields and forests. In The Dancing Goddesses, archaeologist, linguist, and lifelong folkdancer Elizabeth Wayland Barber follows the trail of these spirit maidens—long associated with fertility, marriage customs, and domestic pursuits—from their early appearance in traditional folktales and harvest rituals to their more recent incarnations in fairytales and present-day dance. Illustrated with photographs, maps, and line drawings, the result is a brilliantly original work that stands at the intersection of archaeology and folk traditions—at once a rich portrait of our rich agrarian ancestry and an enchanting reminder of the human need to dance.
Author: E. J. W. Barber
Publisher: W. W. Norton & Company
ISBN: 0393065367
Category : History
Languages : en
Pages : 444
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Book Description
An ethnographic and archaeological exploration of ancient traditions and folklore pertaining to "dancing goddesses" traces their roots in early Roman, Greek, and European cultures to reveal the origins of modern customs.
Author: Audrey Gouy
Publisher: Oxbow Books
ISBN: 1789257999
Category : Social Science
Languages : en
Pages : 462
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Book Description
Dress is at the core of dance. It adorns dancers, defines various roles and forms symbolic expressions that, for example, either bind people together or opposes them. It is a communicative tool that gives crucial information for understanding the dance as well as the culture and the sociological effects of a group of people. As such, dress transcends how it is seen visually to address what is being communicated. Nonetheless, studies in ancient dance have rarely taken clothing into consideration. Therefore, this publication gathers articles that give new perspectives and insights on ancient dances and their ancient textiles. Comprehension of ancient dance benefits from investigations undertaken through the lens of dress. And research on ancient dress is understood through its relation to body movement and performative rituals, thus reinforcing the progressive integration of an anthropological and sociological dimension into historical analysis of ancient textiles. For the first time, the two-way transfer of knowledge between dance studies and costume studies is connected via an innovative approach. Among the issues that are specifically addressed are the movement design of dress for dance, its sensory experience, gender and identity, reenactment and reception. The chronological range of the publication is limited to the ancient world (3rd millennium BC to 5th century AD), and the geographical definition is meant to be broad in order to promote a comparative approach and cross-cultural dialogue, as well as discourse between fields and disciplines.
Author: Ronesa Aveela
Publisher: Bendideia Publishing
ISBN: 194939798X
Category : Social Science
Languages : en
Pages : 305
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Book Description
Seductive. Beautiful. Dangerous! Or are they innocent and looking for love? Discover the allure of Slavic mermaids - Rusalki. If Henry Wadsworth Longfellow had grown up in Eastern Europe, his soul would have longed for the secrets of the rivers, lakes, and marshes, rather than the sea. And the pale, beautiful maidens residing there would have been the ones who sent “a thrilling pulse” through him, instead of the heart of the great ocean. And who are these lovely maidens? … Rusalki, a Slavic version of mermaids. If only the modern-day Ariel from “The Little Mermaid” had been born one of them. She would already have had legs, and not a fish tail, and wouldn’t have had to give up her voice! Well, maybe. It’s more than legs that makes the Rusalki different from what you know about mermaids. · Discover their origins. · Learn how to protect yourself from their enchantments. · Read about terrifying encounters. Through folklore, literature, music, videos, and illustrations, you’ll uncover the secrets of these spirits who have haunted Eastern Europe for centuries. The “Spirits and Creatures” series has been called “brilliant,” “fascinating,” “well researched,” “humorous,” “intriguing,” “engaging,” “lyrically written,” “beautifully organized,” and “informative.” It’s the perfect book for those who want to learn about Eastern European folklore, but don’t want to read a dry, academic book.
Author: Tim Rayborn
Publisher: Simon and Schuster
ISBN: 1510731059
Category : Performing Arts
Languages : en
Pages : 327
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Book Description
Attend a grand ball of the bizarre and never look at dance the same way again! Weird Dance processes through the odd, grim, and unintentionally humorous history of dance, uncovering strange stories and weird facts. These dark tales of murder, rivalry, insanity, and more reveal all sorts of grim goings-on, proving that—for dancers—life was not just one grand plié. Stories include: An elderly woman who stepped out of her Strasbourg home one summer day in 1518 and began to dance furiously; nothing and no one could stop her. Soon, dozens more joined her, and so began another strange epidemic of the deadly dancing plague. The horrific fate of a young ballerina who had a run-in with a gaslight and saw her career go up in smoke. The medieval Dance of Death that reminded all of their inevitable doom. The controversial ballet that sparked a riot. The strange and macabre fate of the infamous Mata Hari’s head after her execution. The grotesque scarf accident that led to Isadora Duncan’s demise. From Roman Bacchanals to medieval and Renaissance dancing plagues, from the bloody world of ballet to scandals, ghosts, spirit possessions, superstitions, and more, you will attend a grand ball of the bizarre that shows just how awful dancers, choreographers, and even audience members have been to each other over the centuries.
Author: Barbara Alice Mann
Publisher: Oxford University Press
ISBN: 0197655440
Category : Social Science
Languages : en
Pages : 297
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Book Description
Stories of the primordial woman who married a bear, appear in matriarchal traditions across the global North from Indigenous North America and Scandinavia to Russia and Korea. In The Woman Who Married the Bear, authors Barbara Alice Mann, a scholar of Indigenous American culture, and Kaarina Kailo, who specializes in the cultures of Northern Europe, join forces to examine these Woman-Bear stories, their common elements, and their meanings in the context of matriarchal culture. The authors reach back 35,000 years to tease out different threads of Indigenous Woman-Bear traditions, using the lens of bear spirituality to uncover the ancient matriarchies found in rock art, caves, ceremonies, rituals, and traditions. Across cultures, in the earliest known traditions, women and bears are shown to collaborate through star configurations and winter cave-dwelling, symbolized by the spring awakening from hibernation followed by the birth of "cubs." By the Bronze Age, however, the story of the Woman-Bear marriage had changed: it had become a hunting tale, refocused on the male hunter. Throughout the book, Mann and Kailo offer interpretations of this earliest known Bear religion in both its original and its later forms. Together, they uncover the maternal cultural symbolism behind the bear marriage and the Original Instructions given by Bear to Woman on sustainable ecology and lifeways free of patriarchy and social stratification.
Author: Laurel Victoria Gray
Publisher: Bloomsbury Publishing
ISBN: 1350249483
Category : Performing Arts
Languages : en
Pages : 273
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Book Description
The first comprehensive work in English on the three major regional styles of Uzbek women's dance – Ferghana, Khiva and Bukhara – and their broader Silk Road cultural connections, from folklore roots to contemporary stage dance. The book surveys the remarkable development from the earliest manifestations in ancient civilizations to a sequestered existence under Islam; from patronage under Soviet power to a place of pride for Uzbek nationhood. It considers the role that immigration had to play on the development of the dances; how women boldly challenged societal gender roles to perform in public; how both material culture and the natural world manifest in the dance; and it illuminates the innovations of pioneering choreographers who drew from Central Asian folk traditions, gestures and aesthetics – not Russian ballet – to first shape modern Uzbek stage dance. Written by the first American dancer invited to study in Uzbekistan, this book offers insight into the once-hidden world of Uzbek women's dance.
Author: Evelyn Juers
Publisher: Giramondo Publishing
ISBN: 1925818888
Category : Biography & Autobiography
Languages : en
Pages : 584
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Book Description
The new book by prize-winning biographer Evelyn Juers, author of The House of Exile and The Recluse, portrays the life and background of a pioneering Australian dancer who died at the age of twenty-five in a remote town in India. A uniquely talented dancer and choreographer, Philippa Cullen grew up in Australia in the 1950s and 60s. In the 1970s, driven by the idea of dancing her own music, she was at the forefront of the new electronic music movement, working internationally with performers, avant-garde composers, engineers and mathematicians to build and experiment with theremins and movement-sensitive floors, which she called body-instruments. She had a unique sense of purpose, read widely, travelled the world, and danced at opera houses, art galleries and festivals, on streets and bridges, trains, clifftops, rooftops. She wrote, I would define dance as an outer manifestation of inner energy in an articulation more lucid than language. An embodiment of the artistic aspirations of her age, she died alone in a remote hill town in southern India in 1975. With detailed reference to Cullen’s personal papers and the recollections of those who knew her, and with her characteristic flair for drawing connections to bring in larger perspectives, Evelyn Juers’ The Dancer is at once an intimate and wide-ranging biography, a portrait of the artist as a young woman.
Author: Nancy Mandeville Caciola
Publisher: Cornell University Press
ISBN: 1501703463
Category : History
Languages : en
Pages : 382
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Book Description
Simultaneously real and unreal, the dead are people, yet they are not. The society of medieval Europe developed a rich set of imaginative traditions about death and the afterlife, using the dead as a point of entry for thinking about the self, regeneration, and loss. These macabre preoccupations are evident in the widespread popularity of stories about the returned dead, who interacted with the living both as disembodied spirits and as living corpses or revenants. In Afterlives, Nancy Mandeville Caciola explores this extraordinary phenomenon of the living's relationship with the dead in Europe during the five hundred years after the year 1000.Caciola considers both Christian and pagan beliefs, showing how certain traditions survived and evolved over time, and how attitudes both diverged and overlapped through different contexts and social strata. As she shows, the intersection of Christian eschatology with various pagan afterlife imaginings—from the classical paganisms of the Mediterranean to the Germanic, Celtic, Slavic, and Scandinavian paganisms indigenous to northern Europe—brought new cultural values about the dead into the Christian fold as Christianity spread across Europe. Indeed, the Church proved surprisingly open to these influences, absorbing new images of death and afterlife in unpredictable fashion. Over time, however, the persistence of regional cultures and beliefs would be counterbalanced by the effects of an increasingly centralized Church hierarchy. Through it all, one thing remained constant: the deep desire in medieval people to bring together the living and the dead into a single community enduring across the generations.
Author: Mats Melin
Publisher: Routledge
ISBN: 1000334333
Category : Performing Arts
Languages : en
Pages : 271
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Book Description
Dance Legacies of Scotland compiles a collage of references portraying percussive Scottish dancing and explains what influenced a wide disappearance of hard-shoe steps from contemporary Scottish practices. Mats Melin and Jennifer Schoonover explore the historical references describing percussive dancing to illustrate how widespread the practice was, giving some glimpses of what it looked and sounded like. The authors also explain what influenced a wide disappearance of hard-shoe steps from Scottish dancing practices. Their research draws together fieldwork, references from historical sources in English, Scots, and Scottish Gaelic, and insights drawn from the authors’ practical knowledge of dances. They portray the complex network of dance dialects that existed in parallel across Scotland, and share how remnants of this vibrant tradition have endured in Scotland and the Scottish diaspora to the present day. This book will be of interest to scholars and students of Dance and Music and its relationship to the history and culture of Scotland.
Author: Karlene Jones-Bley
Publisher: Pen and Sword History
ISBN: 1399068938
Category : Biography & Autobiography
Languages : en
Pages : 359
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Book Description
Explores mythological, legendary, archaeological, and historical evidence of women in a military setting. Women and Warfare in the Ancient World presents a broad view of women and female figures involved in war in the ancient world, incorporating mythological, legendary, archaeological, and historical evidence for women in a military setting. Within this context are found not only fighters but also strategists, trainers, and leaders who may not have been on the actual battlefield. Exploring women and war within the Indo-European and Near Eastern worlds, this title seeks to challenge the view that women do not fight and that war is completely a male occupation – a view expressed as early as Xenophon and as late as the end of the 20th century. Karlene Jones-Bley begins her study by defining Virgins, Viragos, and Amazons, going on to explore war goddesses, legendary, and historical women giving insights into different cultures, their attitudes towards women and how these have developed over time. Recent archaeological evidence supports her conclusions that women have always been a part of warfare.
