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Author: William Cleaver Wilkinson
Publisher:
ISBN:
Category : Dance
Languages : en
Pages : 90
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Book Description
Unlike many other nineteenth-century antidance writers who base their arguments on Scripture, Wilkinson asks that his readers formulate their opinions on reason, conscience, and common sense. In fact, Wilkinson argues that he is not an enemy of dance and declares it to be perfectly innocent. His argument is against the "modern manner of dancing" that requires expensive clothing and the "massing together of a jostling crowd of mute or merely gibbering animals." Thus, he summarizes, dancing does nothing to "enhance the intellectual improvement of society."
Author: Aminata Cairo
Publisher: Cambridge Scholars Publishing
ISBN: 1527541169
Category : Social Science
Languages : en
Pages : 295
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Book Description
This volume examines the theme of fusion in Caribbean dance from a wide range of perspectives, including its socio-cultural-historical formation. The contributions are drawn from a conference entitled “Caribbean Fusion Dance Works: Rituals of Modern Society”, which focused primarily on the Caribbean as a unique locale. However, chapters on dance fusions in other diasporic locations and the sustainability of dance as an art form are also included here in order to offer a sense of an inevitable and, in some instances, desirable evolution due to the globalizing forces that continue to influence dance.
Author: William Cleaver Wilkinson
Publisher:
ISBN:
Category : Dance
Languages : en
Pages : 90
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Book Description
Unlike many other nineteenth-century antidance writers who base their arguments on Scripture, Wilkinson asks that his readers formulate their opinions on reason, conscience, and common sense. In fact, Wilkinson argues that he is not an enemy of dance and declares it to be perfectly innocent. His argument is against the "modern manner of dancing" that requires expensive clothing and the "massing together of a jostling crowd of mute or merely gibbering animals." Thus, he summarizes, dancing does nothing to "enhance the intellectual improvement of society."
Author: William Cleaver Wilkinson
Publisher:
ISBN:
Category : Dance
Languages : en
Pages : 86
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Book Description
Author: William C. Wilkinson
Publisher:
ISBN: 9783337904838
Category :
Languages : en
Pages : 84
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Book Description
Author: William Cleaver Wilkinson
Publisher:
ISBN:
Category : Dance
Languages : en
Pages : 78
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Book Description
Author: William Cleaver 1833-1920 Wilkinson
Publisher: Wentworth Press
ISBN: 9781361690482
Category : History
Languages : en
Pages : 92
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Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: William Cleaver Wilkinson
Publisher: Forgotten Books
ISBN: 9781330040409
Category : Self-Help
Languages : en
Pages : 87
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Book Description
Excerpt from The Dance of Modern Society Since first propounding, in another form, to a local and limited public, the views set forth in the following pages, I have seen no reason for seriously modifying the expression in which, under the stimulus of a particular occasion, I then uttered my mind, my conscience, and my heart on the subject discussed. The particular occasion, I may say, was the occurrence of an evening party at which, very unexpectedly to some of those in attendance, the customary decorum of the old-style quadrille - that, I think, was the dance - was disturbed by the introduction into it of what may perhaps be called a new 'figure,' consisting in an encirclement the lady by her partner with has arms thrown about her. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Doris Humphrey
Publisher:
ISBN:
Category : Performing Arts
Languages : en
Pages : 152
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Book Description
"This collection of essays, lectures and notes reveals the inspiration behind the creation of the choreography of modern dance founder Doris Humphrey. The fundamentals of her composition: form, content and execution are expressed in her own spirited words, providing an intimate look at the creative process"--Dust jacket.
Author: Julia L. Foulkes
Publisher: Univ of North Carolina Press
ISBN: 0807862029
Category : Performing Arts
Languages : en
Pages : 272
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Book Description
In 1930, dancer and choreographer Martha Graham proclaimed the arrival of "dance as an art of and from America." Dancers such as Doris Humphrey, Ted Shawn, Katherine Dunham, and Helen Tamiris joined Graham in creating a new form of dance, and, like other modernists, they experimented with and argued over their aesthetic innovations, to which they assigned great meaning. Their innovations, however, went beyond aesthetics. While modern dancers devised new ways of moving bodies in accordance with many modernist principles, their artistry was indelibly shaped by their place in society. Modern dance was distinct from other artistic genres in terms of the people it attracted: white women (many of whom were Jewish), gay men, and African American men and women. Women held leading roles in the development of modern dance on stage and off; gay men recast the effeminacy often associated with dance into a hardened, heroic, American athleticism; and African Americans contributed elements of social, African, and Caribbean dance, even as their undervalued role defined the limits of modern dancers' communal visions. Through their art, modern dancers challenged conventional roles and images of gender, sexuality, race, class, and regionalism with a view of American democracy that was confrontational and participatory, authorial and populist. Modern Bodies exposes the social dynamics that shaped American modernism and moved modern dance to the edges of society, a place both provocative and perilous.
Author: William W. Gardner
Publisher:
ISBN:
Category :
Languages : en
Pages : 112
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Book Description
