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Category : Motion pictures
Languages : en
Pages : 594
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Author:
Publisher:
ISBN:
Category : Motion pictures
Languages : en
Pages : 594
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Book Description
Author:
Publisher:
ISBN:
Category : Motion pictures
Languages : en
Pages : 490
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Category : English newspapers
Languages : en
Pages : 522
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Book Description
"A guide to the press of the United Kingdom and to the principal publications of Europe, Australia, the Far East, Gulf States, and the U.S.A.
Author:
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Category : Motion picture industry
Languages : en
Pages : 1020
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Author:
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ISBN:
Category : Motion picture industry
Languages : en
Pages : 1296
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Author:
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ISBN:
Category : English newspapers
Languages : en
Pages : 500
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Author:
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ISBN:
Category : Motion picture industry
Languages : en
Pages : 448
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Author: Sarah Street
Publisher: Bloomsbury Publishing
ISBN: 1838715142
Category : Performing Arts
Languages : en
Pages : 595
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Book Description
How did the coming of colour change the British film industry? Unlike sound, the arrival of colour did not revolutionise the industry overnight. For British film-makers and enthusiasts, colour was a controversial topic. While it was greeted by some as an exciting development – with scope for developing a uniquely British aesthetic – others were deeply concerned. How would audiences accustomed to seeing black-and-white films – which were commonly regarded as being superior to their garish colour counterparts – react? Yet despite this initial trepidation, colour captivated many British inventors and film-makers. Using different colour processes, these innovators produced films that demonstrated remarkable experimentation and quality. Sarah Street's illuminating study is the first to trace the history of colour in British cinema, and analyses the use of colour in a range of films, both fiction and non-fiction, including The Open Road, The Glorious Adventure, This is Colour, Blithe Spirit, This Happy Breed, Black Narcissus, The Red Shoes, The Tales of Hoffmann and Moulin Rouge. Beautifully illustrated with full colour film stills, this important study provides fascinating insights into the complex process whereby the challenges and opportunities of new technologies are negotiated within creative practice. The book also includes a Technical Appendix by Simon Brown (Kingston University, UK), which provides further details of the range of colour processes used by British film-makers.
Author: Simon Brown
Publisher: Routledge
ISBN: 1136307893
Category : Performing Arts
Languages : en
Pages : 289
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Book Description
This new AFI Film Reader is the first comprehensive collection of original essays on the use of color in film. Contributors from diverse film studies backgrounds consider the importance of color throughout the history of the medium, assessing not only the theoretical implications of color on the screen, but also the ways in which developments in cinematographic technologies transformed the aesthetics of color and the nature of film archiving and restoration. Color and the Moving Image includes new writing on key directors whose work is already associated with color—such as Hitchcock, Jarman and Sirk—as well as others whose use of color has not yet been explored in such detail—including Eric Rohmer and the Coen Brothers. This volume is an excellent resource for a variety of film studies courses and the global film archiving community at large.
Author:
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Category : Motion pictures
Languages : en
Pages : 880
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