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Author: Beaumont Newhall
Publisher: New York] : Duell, Sloan & Pearce
ISBN:
Category : Daguerreotype
Languages : en
Pages : 266
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Book Description
Newhall discusses the initial introduction of the daguerreotype in America in 1839, the beginnings of the daguerreotype industry, the entrepreneurs and innovators, the incredible Broadway daguerreotype galleries, the explorers, the quest for a color process, and more. In America, Daguerre's initial technique became greatly modified; the new process that evolved is described in detail in a special chapter. Originally published in 1961, this third edition contains all of the original text and illustrations plus sixteen additional pages of plates, corrections, and minor text revisions.
Author: Beaumont Newhall
Publisher: New York] : Duell, Sloan & Pearce
ISBN:
Category : Daguerreotype
Languages : en
Pages : 266
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Book Description
Newhall discusses the initial introduction of the daguerreotype in America in 1839, the beginnings of the daguerreotype industry, the entrepreneurs and innovators, the incredible Broadway daguerreotype galleries, the explorers, the quest for a color process, and more. In America, Daguerre's initial technique became greatly modified; the new process that evolved is described in detail in a special chapter. Originally published in 1961, this third edition contains all of the original text and illustrations plus sixteen additional pages of plates, corrections, and minor text revisions.
Author: Sarah Kate Gillespie
Publisher: MIT Press
ISBN: 0262034107
Category : Photography
Languages : en
Pages : 227
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Book Description
The American daguerreotype as something completely new: a mechanical invention that produced an image, a hybrid of fine art and science and technology. The daguerreotype, invented in France, came to America in 1839. By 1851, this early photographic method had been improved by American daguerreotypists to such a degree that it was often referred to as “the American process.” The daguerreotype—now perhaps mostly associated with stiffly posed portraits of serious-visaged nineteenth-century personages—was an extremely detailed photographic image, produced though a complicated process involving a copper plate, light-sensitive chemicals, and mercury fumes. It was, as Sarah Kate Gillespie shows in this generously illustrated history, something wholly and remarkably new: a product of science and innovative technology that resulted in a visual object. It was a hybrid, with roots in both fine art and science, and it interacted in reciprocally formative ways with fine art, science, and technology. Gillespie maps the evolution of the daguerreotype, as medium and as profession, from its introduction to the ascendancy of the “American process,” tracing its relationship to other fields and the professionalization of those fields. She does so by recounting the activities of a series of American daguerreotypists, including fine artists, scientists, and mechanical tinkerers. She describes, for example, experiments undertaken by Samuel F. B. Morse as he made the transition from artist to inventor; how artists made use of the daguerreotype, both borrowing conventions from fine art and establishing new ones for a new medium; the use of the daguerreotype in various sciences, particularly astronomy; and technological innovators who drew on their work in the mechanical arts. By the 1860s, the daguerreotype had been supplanted by newer technologies. Its rise (and fall) represents an early instance of the ever-constant stream of emerging visual technologies.
Author: Beaumont Newhall
Publisher: Courier Corporation
ISBN: 9780486233222
Category : Photography
Languages : en
Pages : 276
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Book Description
Wonderful portraits, 1850s towns, landscapes; full text plus 104 photos. Enlarged edition.
Author: Ilisa Barbash
Publisher: Aperture
ISBN: 9781597114783
Category : History
Languages : en
Pages : 0
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Book Description
To Make Their Own Way in the World is a profound consideration of some of the most challenging images in the early history of photography. The fifteen daguerreotypes--made in 1850 by photographer Joseph T. Zealy--portray Alfred, Delia, Drana, Fassena, Jack, Jem, and Renty, men and women of African descent who were enslaved in South Carolina. Since 1976, when the daguerreotypes were rediscovered at Harvard University's Peabody Museum, the photographs have been the subject of intense and widespread study. To Make Their Own Way in the World features essays by prominent scholars who explore everything from the photographs' historical context and the "science" of race to the ways in which photography created a visual narrative of slavery and its effects. Multidisciplinary, deeply collaborative, and with more than two hundred illustrations, including new photography by contemporary artist Carrie Mae Weems, this book frames the Zealy daguerreotypes as works of urgent contemporary inquiry. Copublished by Aperture and Peabody Museum Press
Author: Joan L. Severa
Publisher: Kent State University Press
ISBN: 9780873388375
Category : Design
Languages : en
Pages : 340
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Book Description
During the nineteenth century - a time of great technical and cultural change - fashion was a cultivating force in the development of American society, influenced by one's social status, geographic location, and economic standing. My Likeness Taken is a collection of daguerreotype portraits of men, women, and children taken between 1840 and 1860. Selected from the top collections in the United States, each image is analyzed to clarify datable clothing and fashion components. With subjects from among the best-dressed members of society, these portraits - reproduced in full color - reflect the latest fashion developments, trends, and influences. For students of photographic and costume history, this is extraordinary material. Many of these images have never before been published, and Severa's keen analysis adds immeasurably to our understanding of the importance of dress in American society. Photo archivists and collectors, costume curators, social historians, material culturalists, and theater designers will find My Likeness Taken an invaluable resource.
Author: Janet E. Buerger
Publisher: University of Chicago Press
ISBN: 9780226079851
Category : Art
Languages : en
Pages : 304
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Book Description
Upon its introduction in 1839, the daguerreotype was hailed as a magical reflection of reality. Today, these early examples of the first practical photographic process offer fascinating windows into the past. The daguerreotypes collected here not only document the birth of photography and its aesthetic and historical legacy but also provide insight into French art and culture. Lavishly illustrated, this volume is the first complete catalog of the French daguerreotype collection of the International Museum of Photography at George Eastman House. Janet E. Buerger uses this remarkable collection of images to produce a cultural history of the daguerreotype's most learned following—an elite group of mid-nineteenth-century intellectuals who sought to understand and develop the usefulness, potential, and beauty of this camera image. This varied group, including entrepreneurs, painters, scientists, and historians, enables Buerger to trace the influence of photography into virtually every area of nineteenth-century European intellectual life.
Author: Floyd Rinhart
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 288
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Book Description
Two collectors of 19th-century photographia and a professor of photography, theater, and cinema (Ohio State U.) explore the uniquely American form of photography also known as melainotype and the ferrotype. Developed in Ohio, it flourished between 1861 and 1863 and was faster, cheaper, and more durable than the daguerreotype. It involved reproducing the photographic image on thin sheets of iron instead of glass. A century later they reveal details of hairstyles, clothing, and surroundings and a degree of relaxation that are lost from the more formal daguerreotypes of the time. Annotation copyrighted by Book News, Inc., Portland, OR
Author: Bates Lowry
Publisher: Getty Publications
ISBN: 0892365366
Category : Art
Languages : en
Pages : 258
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Book Description
By the middle of the nineteenth century, the most common method of photography was the daguerreotype—Louis Jacques Mandé Daguerre’s miraculous invention that captured in a camera visual images on a highly polished silver surface through exposure to light. In this book are presented nearly eighty masterpieces—many never previously published—from the J. Paul Getty Museum’s extensive daguerreotype collection.
Author: Alan Trachtenberg
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 360
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Book Description
Analyse: Contributions de Barbara MacAndless, Keith F. Davis, Peter Bacon Hales, Sarah Greenhough.
Author: Sally Pierce
Publisher: Steidl
ISBN: 9783865210661
Category : Daguerreotype
Languages : en
Pages : 0
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Book Description
Essays by Brian Wallis, Grant Romer, Alan Trachtenberg, Wendy Wick Reaves and Sally Pierce.
