Author: Anne Marsh
Publisher: Intellect Books
ISBN: 1783204605
Category : Photography
Languages : en
Pages : 196
Book Description
From privacy concerns regarding Google Street View to surveillance photography’s association with terrorism and sexual predators, photography as an art has become complex terrain upon which anxieties about public space have been played out. Yet the photographic threat is not limited to the image alone. A range of social, technological and political issues converge in these rising anxieties and affect the practice, circulation, and consumption of contemporary public photography today. The Culture of Photography in Public Space collects essays and photographs that offer a new response to these restrictions, the events and the anxieties that give rise to them.
The Culture of Photography in Public Space
Author: Anne Marsh
Publisher: Intellect Books
ISBN: 1783204605
Category : Photography
Languages : en
Pages : 196
Book Description
From privacy concerns regarding Google Street View to surveillance photography’s association with terrorism and sexual predators, photography as an art has become complex terrain upon which anxieties about public space have been played out. Yet the photographic threat is not limited to the image alone. A range of social, technological and political issues converge in these rising anxieties and affect the practice, circulation, and consumption of contemporary public photography today. The Culture of Photography in Public Space collects essays and photographs that offer a new response to these restrictions, the events and the anxieties that give rise to them.
Publisher: Intellect Books
ISBN: 1783204605
Category : Photography
Languages : en
Pages : 196
Book Description
From privacy concerns regarding Google Street View to surveillance photography’s association with terrorism and sexual predators, photography as an art has become complex terrain upon which anxieties about public space have been played out. Yet the photographic threat is not limited to the image alone. A range of social, technological and political issues converge in these rising anxieties and affect the practice, circulation, and consumption of contemporary public photography today. The Culture of Photography in Public Space collects essays and photographs that offer a new response to these restrictions, the events and the anxieties that give rise to them.
The Culture of Photography in Public Space
Author: Anne Marsh
Publisher: Intellect (UK)
ISBN:
Category : Photography
Languages : en
Pages : 196
Book Description
From privacy concerns regarding Google Street View to surveillance photography s association with terrorism and sexual predators, photography as an art has become complex terrain upon which anxieties about public space have been played out. Yet the photographic threat is not limited to the image alone. A range of social, technological, and political issues converge in these rising anxieties and affect the practice, circulation, and consumption of contemporary public photography today. "The Culture of Photography in Public Space" collects essays and photographs that offer a new response to these restrictions, the events, and the anxieties that give rise to them."
Publisher: Intellect (UK)
ISBN:
Category : Photography
Languages : en
Pages : 196
Book Description
From privacy concerns regarding Google Street View to surveillance photography s association with terrorism and sexual predators, photography as an art has become complex terrain upon which anxieties about public space have been played out. Yet the photographic threat is not limited to the image alone. A range of social, technological, and political issues converge in these rising anxieties and affect the practice, circulation, and consumption of contemporary public photography today. "The Culture of Photography in Public Space" collects essays and photographs that offer a new response to these restrictions, the events, and the anxieties that give rise to them."
Photography and Its Publics
Author: Melissa Miles
Publisher: Routledge
ISBN: 1000211673
Category : Photography
Languages : en
Pages : 267
Book Description
Photography is a ubiquitous part of the public sphere. Yet we rarely stop to think about the important role that photography plays in helping to define what and who constitute the public. Photography and Its Publics brings together leading experts and emerging thinkers to consider the special role of photography in shaping how the public is addressed, seen and represented.This book responds to a growing body of recent scholarship and flourishing interest in photography's connections to the law, society, culture, politics, social change, the media and visual ethics.Photography and Its Publics presents the public sphere as a vibrant setting where these realms are produced, contested and entwined. Public spheres involve yet exceed the limits of families, interest groups, identities and communities. They are dynamic realms of visibility, discussion, reflection and possible conflict among strangers of different race, age, gender, social and economic status. Through studies of photography in South America, North America, Europe and Australasia, the contributors consider how photography has changed the way we understand and locate the public sphere. As they address key themes including the referential and imaginative qualities of photography, the transnational circulation of photographs, online publics, social change, violence, conflict and the ethics of spectatorship, the authors provide new insight into photography's vital role in defining public life.
Publisher: Routledge
ISBN: 1000211673
Category : Photography
Languages : en
Pages : 267
Book Description
Photography is a ubiquitous part of the public sphere. Yet we rarely stop to think about the important role that photography plays in helping to define what and who constitute the public. Photography and Its Publics brings together leading experts and emerging thinkers to consider the special role of photography in shaping how the public is addressed, seen and represented.This book responds to a growing body of recent scholarship and flourishing interest in photography's connections to the law, society, culture, politics, social change, the media and visual ethics.Photography and Its Publics presents the public sphere as a vibrant setting where these realms are produced, contested and entwined. Public spheres involve yet exceed the limits of families, interest groups, identities and communities. They are dynamic realms of visibility, discussion, reflection and possible conflict among strangers of different race, age, gender, social and economic status. Through studies of photography in South America, North America, Europe and Australasia, the contributors consider how photography has changed the way we understand and locate the public sphere. As they address key themes including the referential and imaginative qualities of photography, the transnational circulation of photographs, online publics, social change, violence, conflict and the ethics of spectatorship, the authors provide new insight into photography's vital role in defining public life.
The Invention of Public Space
Author: Mariana Mogilevich
Publisher: U of Minnesota Press
ISBN: 1452963932
Category : Architecture
Languages : en
Pages : 336
Book Description
The interplay of psychology, design, and politics in experiments with urban open space As suburbanization, racial conflict, and the consequences of urban renewal threatened New York City with “urban crisis,” the administration of Mayor John V. Lindsay (1966–1973) experimented with a broad array of projects in open spaces to affirm the value of city life. Mariana Mogilevich provides a fascinating history of a watershed moment when designers, government administrators, and residents sought to remake the city in the image of a diverse, free, and democratic society. New pedestrian malls, residential plazas, playgrounds in vacant lots, and parks on postindustrial waterfronts promised everyday spaces for play, social interaction, and participation in the life of the city. Whereas designers had long created urban spaces for a broad amorphous public, Mogilevich demonstrates how political pressures and the influence of the psychological sciences led them to a new conception of public space that included diverse publics and encouraged individual flourishing. Drawing on extensive archival research, site work, interviews, and the analysis of film and photographs, The Invention of Public Space considers familiar figures, such as William H. Whyte and Jane Jacobs, in a new light and foregrounds the important work of landscape architects Paul Friedberg and Lawrence Halprin and the architects of New York City’s Urban Design Group. The Invention of Public Space brings together psychology, politics, and design to uncover a critical moment of transformation in our understanding of city life and reveals the emergence of a concept of public space that remains today a powerful, if unrealized, aspiration.
Publisher: U of Minnesota Press
ISBN: 1452963932
Category : Architecture
Languages : en
Pages : 336
Book Description
The interplay of psychology, design, and politics in experiments with urban open space As suburbanization, racial conflict, and the consequences of urban renewal threatened New York City with “urban crisis,” the administration of Mayor John V. Lindsay (1966–1973) experimented with a broad array of projects in open spaces to affirm the value of city life. Mariana Mogilevich provides a fascinating history of a watershed moment when designers, government administrators, and residents sought to remake the city in the image of a diverse, free, and democratic society. New pedestrian malls, residential plazas, playgrounds in vacant lots, and parks on postindustrial waterfronts promised everyday spaces for play, social interaction, and participation in the life of the city. Whereas designers had long created urban spaces for a broad amorphous public, Mogilevich demonstrates how political pressures and the influence of the psychological sciences led them to a new conception of public space that included diverse publics and encouraged individual flourishing. Drawing on extensive archival research, site work, interviews, and the analysis of film and photographs, The Invention of Public Space considers familiar figures, such as William H. Whyte and Jane Jacobs, in a new light and foregrounds the important work of landscape architects Paul Friedberg and Lawrence Halprin and the architects of New York City’s Urban Design Group. The Invention of Public Space brings together psychology, politics, and design to uncover a critical moment of transformation in our understanding of city life and reveals the emergence of a concept of public space that remains today a powerful, if unrealized, aspiration.
Photography and Collaboration
Author: Daniel Palmer
Publisher: Routledge
ISBN: 1000211428
Category : Art
Languages : en
Pages : 232
Book Description
Photography and Collaboration offers a fresh perspective on existing debates in art photography and on the act of photography in general. Unlike conventional accounts that celebrate individual photographers and their personal visions, this book investigates the idea that authorship in photography is often more complex and multiple than we imagine – involving not only various forms of partnership between photographers, but also an astonishing array of relationships with photographed subjects and viewers. Thematic chapters explore the increasing prevalence of collaborative approaches to photography among a broad range of international artists – from conceptual practices in the 1960s to the most recent digital manifestations. Positioning contemporary work in a broader historical and theoretical context, the book reveals that collaboration is an overlooked but essential dimension of the medium’s development and potential.
Publisher: Routledge
ISBN: 1000211428
Category : Art
Languages : en
Pages : 232
Book Description
Photography and Collaboration offers a fresh perspective on existing debates in art photography and on the act of photography in general. Unlike conventional accounts that celebrate individual photographers and their personal visions, this book investigates the idea that authorship in photography is often more complex and multiple than we imagine – involving not only various forms of partnership between photographers, but also an astonishing array of relationships with photographed subjects and viewers. Thematic chapters explore the increasing prevalence of collaborative approaches to photography among a broad range of international artists – from conceptual practices in the 1960s to the most recent digital manifestations. Positioning contemporary work in a broader historical and theoretical context, the book reveals that collaboration is an overlooked but essential dimension of the medium’s development and potential.
Public Space and the Ideology of Place in American Culture
Author: Miles Orvell
Publisher: Rodopi
ISBN: 9042025743
Category : Architecture
Languages : en
Pages : 462
Book Description
We typically take public space for granted, as if it has continuously been there, yet public space has always been the expression of the will of some agency (person or institution) who names the space, gives it purpose, and monitors its existence. And often its use has been contested. These new essays, written for this volume, approach public space through several key questions: Who has the right to define public space? How do such places generate and sustain symbolic meaning? Is public space unchanging, or is it subject to our subjective perception? Do we, given the public nature of public space, have the right to subvert it? These eighteen essays, including several case studies, offer convincing evidence of a spatial turn in American studies. They argue for a re-visioning of American culture as a history of place-making and the instantiation of meaning in structures, boundaries, and spatial configurations. Chronologically the subjects range from Pierre L'Enfant's initial majestic conceptualization of Washington, D.C. to the post-modern realization that public space in the U.S. is increasingly a matter of waste. Topics range from parks to cities to small towns, from open-air museums to airports, encompassing the commercial marketing of place as well as the subversion and re-possession of public space by the disenfranchised. Ultimately, public space is variously imagined as the site of social and political contestation and of aesthetic change.
Publisher: Rodopi
ISBN: 9042025743
Category : Architecture
Languages : en
Pages : 462
Book Description
We typically take public space for granted, as if it has continuously been there, yet public space has always been the expression of the will of some agency (person or institution) who names the space, gives it purpose, and monitors its existence. And often its use has been contested. These new essays, written for this volume, approach public space through several key questions: Who has the right to define public space? How do such places generate and sustain symbolic meaning? Is public space unchanging, or is it subject to our subjective perception? Do we, given the public nature of public space, have the right to subvert it? These eighteen essays, including several case studies, offer convincing evidence of a spatial turn in American studies. They argue for a re-visioning of American culture as a history of place-making and the instantiation of meaning in structures, boundaries, and spatial configurations. Chronologically the subjects range from Pierre L'Enfant's initial majestic conceptualization of Washington, D.C. to the post-modern realization that public space in the U.S. is increasingly a matter of waste. Topics range from parks to cities to small towns, from open-air museums to airports, encompassing the commercial marketing of place as well as the subversion and re-possession of public space by the disenfranchised. Ultimately, public space is variously imagined as the site of social and political contestation and of aesthetic change.
Magazines and Modern Identities
Author: Tim Satterthwaite
Publisher: Bloomsbury Publishing
ISBN: 1350278645
Category : Photography
Languages : en
Pages : 318
Book Description
In the late nineteenth and early twentieth century, ideals of technological progress and mass consumerism shaped the print cultures of countries across the globe. Magazines in Europe, the USA, Latin America, and Asia inflected a shared internationalism and technological optimism. But there were equally powerful countervailing influences, of patriotic or insurgent nationalism, and of traditionalism, that promoted cultural differentiation. In their editorials, images, and advertisements magazines embodied the tensions between these domestic imperatives and the forces of global modernity. Magazines and Modern Identities explores how these tensions played out in the magazine cultures of ten different countries, describing how publications drew on, resisted, and informed the ideals and visual forms of global modernism. Chapters take in the magazines of Australia, Europe and North America, as well as China, The Soviet Turkic states, and Mexico. With contributions from leading international scholars, the book considers the pioneering developments in European and North American periodicals in the modernist period, whilst expanding the field of enquiry to take in the vibrant magazine cultures of east Asia and Latin America. The construction of these magazines' modern ideals was a complex, dialectical process: in dialogue with international modernism, but equally responsive to their local cultures, and the beliefs and expectations of their readers. Magazines and Modern Identities captures the diversity of these ideals, in periodicals that both embraced and criticised the globalised culture of the technological era.
Publisher: Bloomsbury Publishing
ISBN: 1350278645
Category : Photography
Languages : en
Pages : 318
Book Description
In the late nineteenth and early twentieth century, ideals of technological progress and mass consumerism shaped the print cultures of countries across the globe. Magazines in Europe, the USA, Latin America, and Asia inflected a shared internationalism and technological optimism. But there were equally powerful countervailing influences, of patriotic or insurgent nationalism, and of traditionalism, that promoted cultural differentiation. In their editorials, images, and advertisements magazines embodied the tensions between these domestic imperatives and the forces of global modernity. Magazines and Modern Identities explores how these tensions played out in the magazine cultures of ten different countries, describing how publications drew on, resisted, and informed the ideals and visual forms of global modernism. Chapters take in the magazines of Australia, Europe and North America, as well as China, The Soviet Turkic states, and Mexico. With contributions from leading international scholars, the book considers the pioneering developments in European and North American periodicals in the modernist period, whilst expanding the field of enquiry to take in the vibrant magazine cultures of east Asia and Latin America. The construction of these magazines' modern ideals was a complex, dialectical process: in dialogue with international modernism, but equally responsive to their local cultures, and the beliefs and expectations of their readers. Magazines and Modern Identities captures the diversity of these ideals, in periodicals that both embraced and criticised the globalised culture of the technological era.
Gender Violence, Social Media, and Online Environments
Author: Lisa M. Cuklanz
Publisher: Taylor & Francis
ISBN: 1000825485
Category : Social Science
Languages : en
Pages : 197
Book Description
This book examines contexts, practices, and activism on issues of gender violence at the intersections of online and public spaces. Through individual case studies, the volume considers the interplay between the virtual worlds of online spaces including social media, physical spaces and bodies, and the ways in which offline and online dimensions of experience can serve as motivators for, extensions of, or limitations to each other. Examining both problems and potential solutions, chapters explore the impacts of, and potential resistance to, the intersections of gender violence, social media, and our complex lived environments across national boundaries. Throughout the volume, close attention is paid to the difficult issues highlighted when prior conceptions of basic foundations such as public space, individual rights, and professional responsibility are confronted by new examples that further trouble the boundaries of long-held frameworks of legal, social, professional understanding, and even our comprehension of the "real." Each chapter grapples with a difficult reality related to gender violence, underscores possible ways forward, and highlights limitations, resisting easy answers to complex and persistent questions about rights, personal integrity, and social responsibility. Offering clear insights into a critical issue, this book will be of interest to scholars and students in the areas of media studies, social media, gender and women's studies, sociology and criminology, digital humanities, and politics.
Publisher: Taylor & Francis
ISBN: 1000825485
Category : Social Science
Languages : en
Pages : 197
Book Description
This book examines contexts, practices, and activism on issues of gender violence at the intersections of online and public spaces. Through individual case studies, the volume considers the interplay between the virtual worlds of online spaces including social media, physical spaces and bodies, and the ways in which offline and online dimensions of experience can serve as motivators for, extensions of, or limitations to each other. Examining both problems and potential solutions, chapters explore the impacts of, and potential resistance to, the intersections of gender violence, social media, and our complex lived environments across national boundaries. Throughout the volume, close attention is paid to the difficult issues highlighted when prior conceptions of basic foundations such as public space, individual rights, and professional responsibility are confronted by new examples that further trouble the boundaries of long-held frameworks of legal, social, professional understanding, and even our comprehension of the "real." Each chapter grapples with a difficult reality related to gender violence, underscores possible ways forward, and highlights limitations, resisting easy answers to complex and persistent questions about rights, personal integrity, and social responsibility. Offering clear insights into a critical issue, this book will be of interest to scholars and students in the areas of media studies, social media, gender and women's studies, sociology and criminology, digital humanities, and politics.
Doing Family Photography
Author: Professor Gillian Rose
Publisher: Ashgate Publishing, Ltd.
ISBN: 1409488535
Category : Science
Languages : en
Pages : 170
Book Description
Family photography, a ubiquitous domestic tradition in the developed world, is now more popular than ever thanks to the development of digital photography. Once uploaded to PCs and other gadgets, photographs may be stored, deleted, put in albums, sent to relatives and friends, retouched, or put on display. Moreover, in recent years family photographs are more frequently appearing in public media: on posters, in newspapers and on the Internet, particularly in the wake of disasters like 9/11, and in cases of missing children. Here, case study material drawn from the UK offers a deeper understanding of both domestic family photographs and their public display. Recent work in material culture studies, geography, and anthropology is used to approach photographs as objects embedded in social practices, which produce specific social positions, relations and effects. Also explored are the complex economies of gifting and exchange amongst families, and the rich geographies of domestic and public spaces into which family photography offers an insight.
Publisher: Ashgate Publishing, Ltd.
ISBN: 1409488535
Category : Science
Languages : en
Pages : 170
Book Description
Family photography, a ubiquitous domestic tradition in the developed world, is now more popular than ever thanks to the development of digital photography. Once uploaded to PCs and other gadgets, photographs may be stored, deleted, put in albums, sent to relatives and friends, retouched, or put on display. Moreover, in recent years family photographs are more frequently appearing in public media: on posters, in newspapers and on the Internet, particularly in the wake of disasters like 9/11, and in cases of missing children. Here, case study material drawn from the UK offers a deeper understanding of both domestic family photographs and their public display. Recent work in material culture studies, geography, and anthropology is used to approach photographs as objects embedded in social practices, which produce specific social positions, relations and effects. Also explored are the complex economies of gifting and exchange amongst families, and the rich geographies of domestic and public spaces into which family photography offers an insight.
The Routledge Companion to Photography and Visual Culture
Author: Moritz Neumüller
Publisher: Routledge
ISBN: 1317212363
Category : Photography
Languages : en
Pages : 466
Book Description
The Routledge Companion to Photography and Visual Culture is a seminal reference source for the ever-changing field of photography. Comprising an impressive range of essays and interviews by experts and scholars from across the globe, this book examines the medium’s history, its central issues and emerging trends, and its much-discussed future. The collected essays and interviews explore the current debates surrounding the photograph as object, art, document, propaganda, truth, selling tool, and universal language; the perception of photography archives as burdens, rather than treasures; the continual technological development reshaping the field; photography as a tool of representation and control, and more. One of the most comprehensive volumes of its kind, this companion is essential reading for photographers and historians alike.
Publisher: Routledge
ISBN: 1317212363
Category : Photography
Languages : en
Pages : 466
Book Description
The Routledge Companion to Photography and Visual Culture is a seminal reference source for the ever-changing field of photography. Comprising an impressive range of essays and interviews by experts and scholars from across the globe, this book examines the medium’s history, its central issues and emerging trends, and its much-discussed future. The collected essays and interviews explore the current debates surrounding the photograph as object, art, document, propaganda, truth, selling tool, and universal language; the perception of photography archives as burdens, rather than treasures; the continual technological development reshaping the field; photography as a tool of representation and control, and more. One of the most comprehensive volumes of its kind, this companion is essential reading for photographers and historians alike.