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Author: Standish D. Lawder
Publisher: New York : New York University Press
ISBN: 9780814749579
Category : Art and motion pictures
Languages : en
Pages : 265
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Book Description
Author: Standish D. Lawder
Publisher: New York : New York University Press
ISBN: 9780814749579
Category : Art and motion pictures
Languages : en
Pages : 265
Get Book Here
Book Description
Author: Standish Lawder
Publisher: Eyewash Books
ISBN:
Category : Art
Languages : en
Pages : 140
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Book Description
Standish Lawder was a film artist. In November 1965 at the Film-Makers' Cinematheque, he participated in an early “expanded cinema” event organized by Jonas Mekas and the "New American Cinema Group.” Over the following decade, Lawder made a series of provocative, visually ingenious films which are as compelling now as they were a half century ago. Standish Lawder was an art historian. If the activity of Mekas and the New York “underground” have now come to be seen as the beginning of the second major chapter in the history of experimental film, unquestionably the first chapter was the European avant-garde of the 1920s. Lawder was a pioneer in serious art historical research on the subject. This book is an attempt to appreciate Lawder as an artist and make his singular achievement as an art historian more available.
Author: Joseph Garrett Glover
Publisher: Ann Arbor, Mich. : UMI Research Press
ISBN:
Category : Art
Languages : en
Pages : 184
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Book Description
Author: Gene Youngblood
Publisher: Fordham University Press
ISBN: 0823287432
Category : Art
Languages : en
Pages : 485
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Book Description
Fiftieth anniversary reissue of the founding media studies book that helped establish media art as a cultural category. First published in 1970, Gene Youngblood’s influential Expanded Cinema was the first serious treatment of video, computers, and holography as cinematic technologies. Long considered the bible for media artists, Youngblood’s insider account of 1960s counterculture and the birth of cybernetics remains a mainstay reference in today’s hypermediated digital world. This fiftieth anniversary edition includes a new Introduction by the author that offers conceptual tools for understanding the sociocultural and sociopolitical realities of our present world. A unique eyewitness account of burgeoning experimental film and the birth of video art in the late 1960s, this far- ranging study traces the evolution of cinematic language to the end of fiction, drama, and realism. Vast in scope, its prescient formulations include “the paleocybernetic age,” “intermedia,” the “artist as design scientist,” the “artist as ecologist,” “synaesthetics and kinesthetics,” and “the technosphere: man/machine symbiosis.” Outstanding works are analyzed in detail. Methods of production are meticulously described, including interviews with artists and technologists of the period, such as Nam June Paik, Jordan Belson, Andy Warhol, Stan Brakhage, Carolee Schneemann, Stan VanDerBeek, Les Levine, and Frank Gillette. An inspiring Introduction by the celebrated polymath and designer R. Buckminster Fuller—a perfectly cut gem of countercultural thinking in itself—places Youngblood’s radical observations in comprehensive perspective. Providing an unparalleled historical documentation, Expanded Cinema clarifies a chapter of countercultural history that is still not fully represented in the arthistorical record half a century later. The book will also inspire the current generation of artists working in ever-newer expansions of the cinematic environment and will prove invaluable to all who are concerned with the technologies that are reshaping the nature of human communication.
Author: R. Bruce Elder
Publisher: Wilfrid Laurier Univ. Press
ISBN: 1771122722
Category : Performing Arts
Languages : en
Pages : 1075
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Book Description
Cubism and futurism were closely related movements that vied with each other in the economy of renown. Perception, dynamism, and the dynamism of perception—these were the issues that passed back and forth between the two. Cubism and Futurism: Spiritual Machines and the Cinematic Effect shows how movement became, in the traditional visual arts, a central factor with the advent of the cinema: gone were the days when an artwork strived merely to lift experience out the realm of change and flow. The cinema at this time was understood as an electric art, akin to X-rays, coloured light, and sonic energy. In this book, celebrated filmmaker and author Bruce Elder connects the dynamism that the cinema made an essential feature of the new artwork to the new science of electromagnetism. Cubism is a movement on the cusp of the transition from the Cartesian world of standardized Cartesian coordinates and interchangeable machine parts to a Galvanic world of continuities and flows. In contrast, futurism embraced completely the emerging electromagnetic view of reality. Cubism and Futurism examines the similarity and differences between the two movements’ engagement with the new science of energy and shows that the notion of energy made central to the new artwork by the cinema assumed a spiritual dimension, as the cinema itself came to be seen as a pneumatic machine.
Author: Bill Nichols
Publisher: Univ of California Press
ISBN: 9780520054097
Category : Film criticism
Languages : en
Pages : 770
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Book Description
VOLUME 2: "Movies and Methods," Volume II, captures the developments that have given history and genre studies imaginative new models and indicates how feminist, structuralist, and psychoanalytic approaches to film have achieved fresh, valuable insights. In his thoughtful introduction, Nichols provides a context for the paradoxes that confront film studies today. He shows how shared methods and approaches continue to stimulate much of the best writing about film, points to common problems most critics and theorists have tried to resolve, and describes the internal contraditions that have restricted the usefulness of post-structuralism. Mini-introductions place each essay in a larger context and suggest its linkages with other essays in the volume. A great variety of approaches and methods characterize film writing today, and the final part conveys their diversity--from statistical style analysis to phenomenology and from gay criticisms to neoformalism. This concluding part also shows how the rigorous use of a broad range of approaches has helped remove post-structuralist criticism from its position of dominance through most of the seventies and early eighties. -- Publisher description.
Author: David Bordwell
Publisher:
ISBN: 9780674002135
Category : Business & Economics
Languages : en
Pages : 4
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Book Description
This definitive study of Hong Kong cinema examines the work of directors such as Tsui Hark, John Woo, Ringo Lam, Johnnie To, King Hu, and Wong Kar Wai.
Author: Tom Gunning
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 196
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Book Description
Author: Steven Jacobs
Publisher: Aramer
ISBN: 9789491775192
Category : Art in motion pictures
Languages : en
Pages : 0
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Book Description
" ... The Dark Galleries deals with American (and some British) films of the 1940s and 1950s, in which a painted portrait plays an important part in the plot or the mise-en-scène. Particularly noir crime thrillers, gothic melodramas, and ghost stories feature painted portraits that seem to hold magical power over their beholders. In addition to an extensive introductory essay, this museum guide presents about one hundred entries on the artistic and cinematic aspects of noir and gothic painted portraits."--Page 4 of cover.
Author: Bloomsbury Publishing
Publisher: Bloomsbury Publishing
ISBN: 1838718699
Category : Performing Arts
Languages : en
Pages : 626
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Book Description
The Cinema Book is widely recognised as the ultimate guide to cinema. Authoritative and comprehensive, the third edition has been extensively revised, updated and expanded in response to developments in cinema and cinema studies. Lavishly illustrated in colour, this edition features a wealth of exciting new sections and in-depth case studies. Sections address Hollywood and other World cinema histories, key genres in both fiction and non-fiction film, issues such as stars, technology and authorship, and major theoretical approaches to understanding film.
