The Creation of Religious Identities by English Women Poets from the Seventeenth to the Early Twentieth Century PDF Download
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Author: Ingrid Hotz-Davies
Publisher:
ISBN: 9780889465497
Category : Christian poetry, English
Languages : en
Pages : 402
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Book Description
Author: Ingrid Hotz-Davies
Publisher:
ISBN: 9780889465497
Category : Christian poetry, English
Languages : en
Pages : 402
Get Book Here
Book Description
Author: Ingrid Hotz-Davies
Publisher: Edwin Mellen Press
ISBN:
Category : Literary Criticism
Languages : en
Pages : 432
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Book Description
Author: Janet Wootton
Publisher: Wipf and Stock Publishers
ISBN: 1725231379
Category : Religion
Languages : en
Pages : 392
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Book Description
Women have made an amazing, creative, and prolific contribution to hymnody through the centuries of Christian worship. Excluded from liturgical commissions and denied other opportunities for involvement in the worship of the churches, women were able to express and influence spirituality in the writing of hymns. This influence spreads across the whole range of hymn-writing, including writing for children, which was at one time seen as women's natural place, but also the introduction of new voices through translations; engagement in social campaigns such as temperance and the abolition of slavery; mission and evangelism; and the general development of worshipping life. However, with the exception of the nineteenth century, the voices of women have been largely silenced or marginalized. The "Hymn Explosion" of the 1960s onward almost completely ignored women's writing, and there has only recently been something of a recovery. There is much more to Our Song than people think! This book opens up women's writing from the beginnings of Christianity, through the Middle Ages, the development of printing and the rise of popular hymnody to the present day. Living hymn-writers add their voices in a series of biographical "stories," which complete the overarching story of Our Song.
Author: Karen Dieleman
Publisher: Ohio University Press
ISBN: 0821444344
Category : Literary Collections
Languages : en
Pages : 325
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Book Description
Explores liturgical practice as formative for how three Victorian women poets imagined the world and their place in it and, consequently, for how they developed their creative and critical religious poetics. This new study rethinks several assumptions in the field: that Victorian women’s faith commitments tended to limit creativity; that the contours of church experiences matter little for understanding religious poetry; and that gender is more significant than liturgy in shaping women’s religious poetry. Exploring the import of bodily experience for spiritual, emotional, and cognitive forms of knowing, Karen Dieleman explains and clarifies the deep orientations of different strands of nineteenth-century Christianity, such as Congregationalism’s high regard for verbal proclamation, Anglicanism’s and Anglo-Catholicism’s valuation of manifestation, and revivalist Roman Catholicism’s recuperation of an affective aesthetic. Looking specifically at Elizabeth Barrett Browning, Christina Rossetti, and Adelaide Procter as astute participants in their chosen strands of Christianity, Dieleman reveals the subtle textures of these women’s religious poetry: the different voices, genres, and aesthetics they create in response to their worship experiences. Part recuperation, part reinterpretation, Dieleman’s readings highlight each poet’s innovative religious poetics. Dieleman devotes two chapters to each of the three poets: the first chapter in each pair delineates the poet’s denominational practices and commitments; the second reads the corresponding poetry. Religious Imaginaries has appeal for scholars of Victorian literary criticism and scholars of Victorian religion, supporting its theoretical paradigm by digging deeply into primary sources associated with the actual churches in which the poets worshipped, detailing not only the liturgical practices but also the architectural environments that influenced the worshipper’s formation. By going far beyond descriptions of various doctrinal positions, this research significantly deepens our critical understanding of Victorian Christianity and the culture it influenced.
Author: Miriam Wallraven
Publisher: Routledge
ISBN: 1317581393
Category : Literary Criticism
Languages : en
Pages : 249
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Book Description
This book visits the occult in literature from the 1880s to the 20th century, analyzing work by women occultists such as Alice Bailey, Dion Fortune, and Starhawk, and revisiting texts with occult motifs by canonical authors. It covers movements such as Theosophy, Spiritualism, Golden Dawn, Wicca, and Goddess spirituality, engaging with how literature creates occult worlds and identities, namely the female Lucifer, witch, priestess, and Goddess. The occult in literature incorporates topical discourses including psychoanalysis, feminism, pacifism, and ecology, hence this book will be of interest to scholars of literary and cultural studies, religious studies, sociology, and gender studies.
Author: María José Alvarez Faedo
Publisher: University of Plymouth Press
ISBN:
Category : Architecture
Languages : en
Pages : 166
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Book Description
This is a reference work which rescues from oblivion the names and literary production of women who, far from belonging to what is generally considered as the canon, emerged either from the spiritual solitude of Spanish Catholic nuns' cells or from the religious meetings, evangelizing travels or austere lives of Anglicans, Protestants, Quakers, Wesleyans, Baptists or Dissenting Presbyterians. This book offers a different insight into the works of those religious women from that of the women-writer guides and dictionaries published so far. In this sense, rather than discussing authors alphabetically, in terms of their biographies, this work is structured in four sections which correspond to four inclusive literary genres - prose, poetry, drama and translation. Each of those sections is, in its turn, subdivided into different subgenres.
Author: M. Suzuki
Publisher: Springer
ISBN: 0230305504
Category : Literary Criticism
Languages : en
Pages : 232
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Book Description
During the seventeenth century, in response to political and social upheavals such as the English Civil Wars, women produced writings in both manuscript and print. This volume represents recent scholarship that has uncovered new texts as well as introduced new paradigms to further our understanding of women's literary history during this period.
Author:
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 496
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Book Description
Author: Cynthia Scheinberg
Publisher: Cambridge University Press
ISBN: 1139434225
Category : Literary Criticism
Languages : en
Pages : 292
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Book Description
Victorian women poets lived in a time when religion was a vital aspect of their identities. Cynthia Scheinberg examines Anglo-Jewish (Grace Aguilar and Amy Levy) and Christian (Elizabeth Barrett Browning and Christina Rossetti) women poets, and argues that there are important connections between the discourses of nineteenth-century poetry, gender and religious identity. Further, Scheinberg argues that Jewish and Christian women poets had a special interest in Jewish discourse; calling on images from Judaism and the Hebrew Scriptures, their poetry created complex arguments about the relationships between Jewish and female artistic identity. She suggests that Jewish and Christian women used poetry as a site for creative and original theological interpretation, and that they entered into dialogue through their poetry about their own and each other's religious and artistic identities. This book's interdisciplinary methodology calls on poetics, religious studies, feminist literary criticism, and little read Anglo-Jewish primary sources.
Author: M. Joannou
Publisher: Springer
ISBN: 1137292172
Category : Social Science
Languages : en
Pages : 366
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Book Description
Featuring sixteen contributions from recognized authorities in their respective fields, this superb new mapping of women's writing ranges from feminine middlebrow novels to Virginia Woolf's modernist aesthetics, from women's literary journalism to crime fiction, and from West End drama to the literature of Scotland, Ireland and Wales.
