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Author: John A. Richardson
Publisher: University of Delaware Press
ISBN: 9780874134193
Category : Literary Criticism
Languages : en
Pages : 202
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Book Description
The similar casts of the imagination shared by these three poems can be traced back to the similar cultural conditions under which the poets wrote. Each stood in, and indeed stood for, a cultural tradition that was exhausted and dying. Skelton was arguably the last medieval poet, Pope the last Renaissance poet, and Eliot the last romantic. One important pattern of conflict that can be seen in all three poems is between age and youth. Each poet speaks with an aged voice. Skelton's parrot is a very old bird and the poet himself is not very far behind him; Pope is present behind The Dunciad in the character he publicly cultivated in the 1730s of the wise old philosopher; and Eliot's speaker in The Waste Land, who is probably much like Eliot himself, is implicitly aged. The speakers' worlds are dominated by youth, a motif that is quite marked in each of the poems.
Author: John A. Richardson
Publisher: University of Delaware Press
ISBN: 9780874134193
Category : Literary Criticism
Languages : en
Pages : 202
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Book Description
The similar casts of the imagination shared by these three poems can be traced back to the similar cultural conditions under which the poets wrote. Each stood in, and indeed stood for, a cultural tradition that was exhausted and dying. Skelton was arguably the last medieval poet, Pope the last Renaissance poet, and Eliot the last romantic. One important pattern of conflict that can be seen in all three poems is between age and youth. Each poet speaks with an aged voice. Skelton's parrot is a very old bird and the poet himself is not very far behind him; Pope is present behind The Dunciad in the character he publicly cultivated in the 1730s of the wise old philosopher; and Eliot's speaker in The Waste Land, who is probably much like Eliot himself, is implicitly aged. The speakers' worlds are dominated by youth, a motif that is quite marked in each of the poems.
Author: Marina Belozerskaya
Publisher: Getty Publications
ISBN: 0892367857
Category : Art
Languages : en
Pages : 292
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Book Description
Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.
Author: JOHN BOHN
Publisher:
ISBN:
Category :
Languages : en
Pages : 292
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Book Description
Author: Arie Wallert
Publisher: Getty Publications
ISBN: 0892363223
Category : Art
Languages : en
Pages : 241
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Book Description
Bridging the fields of conservation, art history, and museum curating, this volume contains the principal papers from an international symposium titled "Historical Painting Techniques, Materials, and Studio Practice" at the University of Leiden in Amsterdam, Netherlands, from June 26 to 29, 1995. The symposium—designed for art historians, conservators, conservation scientists, and museum curators worldwide—was organized by the Department of Art History at the University of Leiden and the Art History Department of the Central Research Laboratory for Objects of Art and Science in Amsterdam. Twenty-five contributors representing museums and conservation institutions throughout the world provide recent research on historical painting techniques, including wall painting and polychrome sculpture. Topics cover the latest art historical research and scientific analyses of original techniques and materials, as well as historical sources, such as medieval treatises and descriptions of painting techniques in historical literature. Chapters include the painting methods of Rembrandt and Vermeer, Dutch 17th-century landscape painting, wall paintings in English churches, Chinese paintings on paper and canvas, and Tibetan thangkas. Color plates and black-and-white photographs illustrate works from the Middle Ages to the 20th century.
Author:
Publisher:
ISBN:
Category : Criticism
Languages : en
Pages : 572
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Book Description
Author: J E Gordon
Publisher: Penguin UK
ISBN: 0140136282
Category : Science
Languages : en
Pages : 411
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Book Description
In "The New Science of Strong Materials" the author made plain the secrets of materials science. In this volume he explains the importance and properties of different structures.
Author: Jayne Elizabeth Lewis
Publisher: Cambridge University Press
ISBN: 9780521481113
Category : Literary Criticism
Languages : en
Pages : 248
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Book Description
Between 1651 and 1740 hundreds of fables, fable collections, and biographies of the ancient Greek slave Aesop were published in England. In The English Fable, Jayne Elizabeth Lewis describes the national obsession with Aesop's fables during this period as both a figural response to sociopolitical crises, and an antidote to emerging anxieties about authorship. Lewis traces the role that fable collections, Augustan fable theory, and debates about the figure of Aesop played in the formation of a modern, literate, and self-consciously English culture, and shows how three Augustan writers - John Dryden, Anne Finch, and John Gay - experimented with the seemingly marginal symbolic form of fable to gain access to new centres of English culture. Often interpreted as a discourse of the dispossessed, the fable in fact offered Augustan writers access to a unique form of cultural authority.
Author: Benjamin A. Elman
Publisher: Harvard University Press
ISBN: 0674036476
Category : History
Languages : en
Pages : 606
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Book Description
In On Their Own Terms, Benjamin A. Elman offers a much-needed synthesis of early Chinese science during the Jesuit period (1600-1800) and the modern sciences as they evolved in China under Protestant influence (1840s-1900). By 1600 Europe was ahead of Asia in producing basic machines, such as clocks, levers, and pulleys, that would be necessary for the mechanization of agriculture and industry. In the seventeenth and eighteenth centuries, Elman shows, Europeans still sought from the Chinese their secrets of producing silk, fine textiles, and porcelain, as well as large-scale tea cultivation. Chinese literati borrowed in turn new algebraic notations of Hindu-Arabic origin, Tychonic cosmology, Euclidian geometry, and various computational advances. Since the middle of the nineteenth century, imperial reformers, early Republicans, Guomindang party cadres, and Chinese Communists have all prioritized science and technology. In this book, Elman gives a nuanced account of the ways in which native Chinese science evolved over four centuries, under the influence of both Jesuit and Protestant missionaries. In the end, he argues, the Chinese produced modern science on their own terms.
Author: Valerie Dorge
Publisher: Getty Publications
ISBN: 0892365013
Category : Art
Languages : en
Pages : 549
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Book Description
The function of the painted wooden object ranges from the practical to the profound. These objects may perform utilitarian tasks, convey artistic whimsy, connote noble aspirations, and embody the highest spiritual expressions. This volume, illustrated in color throughout, presents the proceedings of a conference organized by the Wooden Artifacts Group of the American Institute for Conservation of Historic and Artistic Works (AIC) and held in November 1994 at the Colonial Williamsburg Foundation in Williamsburg, Virginia. The book includes 40 articles that explore the history and conservation of a wide range of painted wooden objects, from polychrome sculpture and altarpieces to carousel horses, tobacconist figures, Native American totems, Victorian garden furniture, French cabinets, architectural elements, and horse-drawn carriages. Contributors include Ian C. Bristow, an architect and historic-building consultant in London; Myriam Serck-Dewaide, head of the Sculpture Workshop, Institut Royal du Patrimoine Artistique, Brussels; and Frances Gruber Safford, associate curator of American decorative arts at the Metropolitan Museum of Art in New York. A broad range of professionals—including art historians, curators, scientists, and conservators—will be interested in this volume and in the multidisciplinary nature of its articles.
Author: Jerome Rothenberg
Publisher: Univ of California Press
ISBN: 0520273850
Category : Literary Criticism
Languages : en
Pages : 792
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Book Description
"Global anthology of twentieth-century poetry"--Back cover.
