Author: Elizabeth A. Swingrover
Publisher: Addison-Wesley Longman
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 260
Book Description
Part of the “Longman Topics” reader series, The Counterculture Reader provides a fascinating look at American culture in the 60's . This brief collection of readings presents an engaging and informed overview of the counterculture movement, challenging students to understand “what happened and why.” Brief apparatus helps students read and write more thoughtfully about the idea of counterculture and think critically about its effects on contemporary culture. “Longman Topics” are brief, attractive readers on a single complex, but compelling, topic. Featuring about 30 full-length selections, these volumes are generally half the size and half the cost of standard composition readers.
The Counterculture Reader
Author: Elizabeth A. Swingrover
Publisher: Addison-Wesley Longman
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 260
Book Description
Part of the “Longman Topics” reader series, The Counterculture Reader provides a fascinating look at American culture in the 60's . This brief collection of readings presents an engaging and informed overview of the counterculture movement, challenging students to understand “what happened and why.” Brief apparatus helps students read and write more thoughtfully about the idea of counterculture and think critically about its effects on contemporary culture. “Longman Topics” are brief, attractive readers on a single complex, but compelling, topic. Featuring about 30 full-length selections, these volumes are generally half the size and half the cost of standard composition readers.
Publisher: Addison-Wesley Longman
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 260
Book Description
Part of the “Longman Topics” reader series, The Counterculture Reader provides a fascinating look at American culture in the 60's . This brief collection of readings presents an engaging and informed overview of the counterculture movement, challenging students to understand “what happened and why.” Brief apparatus helps students read and write more thoughtfully about the idea of counterculture and think critically about its effects on contemporary culture. “Longman Topics” are brief, attractive readers on a single complex, but compelling, topic. Featuring about 30 full-length selections, these volumes are generally half the size and half the cost of standard composition readers.
American Counterculture
Author: Christopher Gair
Publisher: Edinburgh University Press
ISBN: 0748629092
Category : Social Science
Languages : en
Pages : 241
Book Description
The American counterculture played a major role during a pivotal moment in American history. Post-War prosperity combined with the social and political repression characteristic of middle-class life to produce both widespread civil disobedience and artistic creativity in the Baby Boomer generation.This introduction explores the relationship between the counterculture and American popular culture. It looks at the ways in which Hollywood and corporate record labels commodified and adapted countercultural texts, and the extent to which countercultural artists and their texts were appropriated. It offers an interdisciplinary account of the economic and social reasons for the emergence of the counterculture, and an appraisal of the key literary, musical, political and visual texts which were seen to challenge dominant ideologies.
Publisher: Edinburgh University Press
ISBN: 0748629092
Category : Social Science
Languages : en
Pages : 241
Book Description
The American counterculture played a major role during a pivotal moment in American history. Post-War prosperity combined with the social and political repression characteristic of middle-class life to produce both widespread civil disobedience and artistic creativity in the Baby Boomer generation.This introduction explores the relationship between the counterculture and American popular culture. It looks at the ways in which Hollywood and corporate record labels commodified and adapted countercultural texts, and the extent to which countercultural artists and their texts were appropriated. It offers an interdisciplinary account of the economic and social reasons for the emergence of the counterculture, and an appraisal of the key literary, musical, political and visual texts which were seen to challenge dominant ideologies.
Far Out Man
Author: Eric Utne
Publisher: Random House
ISBN: 0812995295
Category : Biography & Autobiography
Languages : en
Pages : 370
Book Description
The founder of Utne Reader chronicles his adventures on the frontlines of American culture—from the Vietnam era to the age of Trump—as a spiritual seeker, antiwar activist, and minor media celebrity. “Fascinating . . . a remarkable piece of social history.”—Bill McKibben, author of Falter: Has the Human Game Begun to Play Itself Out? Far Out Man is the story of a life-long seeker who was occasionally a finder as well. In 1984, Eric Utne founded Utne Reader, a digest of new ideas and fresh perspectives percolating in the arts, culture, politics, business, and spirituality. With the tag line “The Best of the Alternative Press,” the magazine was twice a finalist for a National Magazine Award and grew to more than 300,000 paid circulation. In the nineties, the magazine promoted the Neighborhood Salon Association to revive the endangered art of conversation and start a revolution in people’s living rooms. More than 18,000 people joined, comprising nearly 500 salons across North America. Utne devoted the magazine to bringing people together to help make the world a “little greener and a little kinder.” Far Out Man serves as a chronicle of both an individual life and a generation, covering the conflicts of the Vietnam era, the hopes and excesses of the sexual revolution and the Me Decade, the idealism and depredations of the entrepreneurial eighties and nineties, and the promise and perils of the digital age. Ultimately, Far Out Man is the story of Eric Utne’s lifelong search for hope, how he lost it, and what he found on the other side that sustains him in his darkest moments. It is a book dedicated to helping all seekers become finders.
Publisher: Random House
ISBN: 0812995295
Category : Biography & Autobiography
Languages : en
Pages : 370
Book Description
The founder of Utne Reader chronicles his adventures on the frontlines of American culture—from the Vietnam era to the age of Trump—as a spiritual seeker, antiwar activist, and minor media celebrity. “Fascinating . . . a remarkable piece of social history.”—Bill McKibben, author of Falter: Has the Human Game Begun to Play Itself Out? Far Out Man is the story of a life-long seeker who was occasionally a finder as well. In 1984, Eric Utne founded Utne Reader, a digest of new ideas and fresh perspectives percolating in the arts, culture, politics, business, and spirituality. With the tag line “The Best of the Alternative Press,” the magazine was twice a finalist for a National Magazine Award and grew to more than 300,000 paid circulation. In the nineties, the magazine promoted the Neighborhood Salon Association to revive the endangered art of conversation and start a revolution in people’s living rooms. More than 18,000 people joined, comprising nearly 500 salons across North America. Utne devoted the magazine to bringing people together to help make the world a “little greener and a little kinder.” Far Out Man serves as a chronicle of both an individual life and a generation, covering the conflicts of the Vietnam era, the hopes and excesses of the sexual revolution and the Me Decade, the idealism and depredations of the entrepreneurial eighties and nineties, and the promise and perils of the digital age. Ultimately, Far Out Man is the story of Eric Utne’s lifelong search for hope, how he lost it, and what he found on the other side that sustains him in his darkest moments. It is a book dedicated to helping all seekers become finders.
The Underground Reader
Author: Jeffrey H. Jackson
Publisher: Berghahn Books
ISBN: 9781782387428
Category : History
Languages : en
Pages : 0
Book Description
Every society has rebels, outlaws, troublemakers, and deviants. This collection of primary sources takes readers on a journey through the intellectual and cultural history of the “underground” in the nineteenth and twentieth centuries. It demonstrates how thinkers in the US and Europe have engaged in an ongoing trans-Atlantic dialogue, inspiring one another to challenge the norms of Western society. Through ideas, artistic expression, and cultural practices, these thinkers radically defied the societies of which they were part. The readings chart the historical evolution of challenges to mainstream values -- some of which have themselves become mainstream -- from the beginning of the nineteenth century to the present.
Publisher: Berghahn Books
ISBN: 9781782387428
Category : History
Languages : en
Pages : 0
Book Description
Every society has rebels, outlaws, troublemakers, and deviants. This collection of primary sources takes readers on a journey through the intellectual and cultural history of the “underground” in the nineteenth and twentieth centuries. It demonstrates how thinkers in the US and Europe have engaged in an ongoing trans-Atlantic dialogue, inspiring one another to challenge the norms of Western society. Through ideas, artistic expression, and cultural practices, these thinkers radically defied the societies of which they were part. The readings chart the historical evolution of challenges to mainstream values -- some of which have themselves become mainstream -- from the beginning of the nineteenth century to the present.
What the Dormouse Said
Author: John Markoff
Publisher: Penguin
ISBN: 1101201088
Category : History
Languages : en
Pages : 462
Book Description
“This makes entertaining reading. Many accounts of the birth of personal computing have been written, but this is the first close look at the drug habits of the earliest pioneers.” —New York Times Most histories of the personal computer industry focus on technology or business. John Markoff’s landmark book is about the culture and consciousness behind the first PCs—the culture being counter– and the consciousness expanded, sometimes chemically. It’s a brilliant evocation of Stanford, California, in the 1960s and ’70s, where a group of visionaries set out to turn computers into a means for freeing minds and information. In these pages one encounters Ken Kesey and the phone hacker Cap’n Crunch, est and LSD, The Whole Earth Catalog and the Homebrew Computer Lab. What the Dormouse Said is a poignant, funny, and inspiring book by one of the smartest technology writers around.
Publisher: Penguin
ISBN: 1101201088
Category : History
Languages : en
Pages : 462
Book Description
“This makes entertaining reading. Many accounts of the birth of personal computing have been written, but this is the first close look at the drug habits of the earliest pioneers.” —New York Times Most histories of the personal computer industry focus on technology or business. John Markoff’s landmark book is about the culture and consciousness behind the first PCs—the culture being counter– and the consciousness expanded, sometimes chemically. It’s a brilliant evocation of Stanford, California, in the 1960s and ’70s, where a group of visionaries set out to turn computers into a means for freeing minds and information. In these pages one encounters Ken Kesey and the phone hacker Cap’n Crunch, est and LSD, The Whole Earth Catalog and the Homebrew Computer Lab. What the Dormouse Said is a poignant, funny, and inspiring book by one of the smartest technology writers around.
Jim Crow's Counterculture
Author: R. A. Lawson
Publisher: LSU Press
ISBN: 080713810X
Category : History
Languages : en
Pages : 300
Book Description
In the late nineteenth century, black musicians in the lower Mississippi Valley, chafing under the social, legal, and economic restrictions of Jim Crow, responded with a new musical form -- the blues. In Jim Crow's Counterculture, R. A. Lawson offers a cultural history of blues musicians in the segregation era, explaining how by both accommodating and resisting Jim Crow life, blues musicians created a counterculture to incubate and nurture ideas of black individuality and citizenship. These individuals, Lawson shows, collectively demonstrate the African American struggle during the early twentieth century. Derived from the music of the black working class and popularized by commercially successful songwriter W. C. Handy, early blues provided a counterpoint to white supremacy by focusing on an anti-work ethic that promoted a culture of individual escapism -- even hedonism -- and by celebrating the very culture of sex, drugs, and violence that whites feared. According to Lawson, blues musicians such as Charley Patton and Muddy Waters drew on traditions of southern black music, including call and response forms, but they didn't merely sing of a folk past. Instead, musicians saw blues as a way out of economic subservience. Lawson chronicles the major historical developments that changed the Jim Crow South and thus the attitudes of the working-class blacks who labored in that society. The Great Migration, the Great Depression and New Deal, and two World Wars, he explains, shaped a new consciousness among southern blacks as they moved north, fought overseas, and gained better-paid employment. The "me"-centered mentality of the early blues musicians increasingly became "we"-centered as these musicians sought to enter mainstream American life by promoting hard work and patriotism. Originally drawing the attention of only a few folklorists and music promoters, popular black musicians in the 1940s such as Huddie Ledbetter and Big Bill Broonzy played music that increasingly reached across racial lines, and in the process gained what segregationists had attempted to deny them: the identity of American citizenship. By uncovering the stories of artists who expressed much in their music but left little record in traditional historical sources, Jim Crow's Counterculture offers a fresh perspective on the historical experiences of black Americans and provides a new understanding of the blues: a shared music that offered a message of personal freedom to repressed citizens.
Publisher: LSU Press
ISBN: 080713810X
Category : History
Languages : en
Pages : 300
Book Description
In the late nineteenth century, black musicians in the lower Mississippi Valley, chafing under the social, legal, and economic restrictions of Jim Crow, responded with a new musical form -- the blues. In Jim Crow's Counterculture, R. A. Lawson offers a cultural history of blues musicians in the segregation era, explaining how by both accommodating and resisting Jim Crow life, blues musicians created a counterculture to incubate and nurture ideas of black individuality and citizenship. These individuals, Lawson shows, collectively demonstrate the African American struggle during the early twentieth century. Derived from the music of the black working class and popularized by commercially successful songwriter W. C. Handy, early blues provided a counterpoint to white supremacy by focusing on an anti-work ethic that promoted a culture of individual escapism -- even hedonism -- and by celebrating the very culture of sex, drugs, and violence that whites feared. According to Lawson, blues musicians such as Charley Patton and Muddy Waters drew on traditions of southern black music, including call and response forms, but they didn't merely sing of a folk past. Instead, musicians saw blues as a way out of economic subservience. Lawson chronicles the major historical developments that changed the Jim Crow South and thus the attitudes of the working-class blacks who labored in that society. The Great Migration, the Great Depression and New Deal, and two World Wars, he explains, shaped a new consciousness among southern blacks as they moved north, fought overseas, and gained better-paid employment. The "me"-centered mentality of the early blues musicians increasingly became "we"-centered as these musicians sought to enter mainstream American life by promoting hard work and patriotism. Originally drawing the attention of only a few folklorists and music promoters, popular black musicians in the 1940s such as Huddie Ledbetter and Big Bill Broonzy played music that increasingly reached across racial lines, and in the process gained what segregationists had attempted to deny them: the identity of American citizenship. By uncovering the stories of artists who expressed much in their music but left little record in traditional historical sources, Jim Crow's Counterculture offers a fresh perspective on the historical experiences of black Americans and provides a new understanding of the blues: a shared music that offered a message of personal freedom to repressed citizens.
The Computer Culture Reader
Author: Joseph R. Chaney
Publisher: Cambridge Scholars Publishing
ISBN: 1443806668
Category : Social Science
Languages : en
Pages : 310
Book Description
The Computer Culture Reader brings together a multi-disciplinary group of scholars to probe the underlying structures and overarching implications of the ways in which people and computers collaborate in the production of meaning. The contributors navigate the heady and sometimes terrifying atmosphere surrounding the digital revolution in an attempt to take its measure through examinations of community and modes of communication, representation, information-production, learning, work, and play. The authors address questions of art, reality, literacy, history, heroism, commerce, crime, and death, as well as specific technologies ranging from corporate web portals and computer games to social networking applications and virtual museums. In all, the essayists work around and through the notion that the desire to communicate is at the heart of the digital age, and that the opportunity for private and public expression has taken a commanding hold on the modern imagination. The contributors argue, ultimately, that the reference field for the technological and cultural changes at the root of the digital revolution extends well beyond any specific locality, nationality, discourse, or discipline. Consequently, this volume advocates for an adaptable perspective that delivers new insights about the robust and fragile relationships between computers and people.
Publisher: Cambridge Scholars Publishing
ISBN: 1443806668
Category : Social Science
Languages : en
Pages : 310
Book Description
The Computer Culture Reader brings together a multi-disciplinary group of scholars to probe the underlying structures and overarching implications of the ways in which people and computers collaborate in the production of meaning. The contributors navigate the heady and sometimes terrifying atmosphere surrounding the digital revolution in an attempt to take its measure through examinations of community and modes of communication, representation, information-production, learning, work, and play. The authors address questions of art, reality, literacy, history, heroism, commerce, crime, and death, as well as specific technologies ranging from corporate web portals and computer games to social networking applications and virtual museums. In all, the essayists work around and through the notion that the desire to communicate is at the heart of the digital age, and that the opportunity for private and public expression has taken a commanding hold on the modern imagination. The contributors argue, ultimately, that the reference field for the technological and cultural changes at the root of the digital revolution extends well beyond any specific locality, nationality, discourse, or discipline. Consequently, this volume advocates for an adaptable perspective that delivers new insights about the robust and fragile relationships between computers and people.
Huerfano
Author: Roberta Price
Publisher: Univ of Massachusetts Press
ISBN: 9781558495739
Category : Biography & Autobiography
Languages : en
Pages : 380
Book Description
A "splendid book that beautifully captures the spirit of [commune life] . . ." (Nick Bromell, author of "Tomorrow Never Knows"), Price's memoir is at once comic, poignant, and honest, recapturing the sense of affirmation and experimentation that fueled the counterculture without lapsing into sentimentality or cynicism. 40 illustrations.
Publisher: Univ of Massachusetts Press
ISBN: 9781558495739
Category : Biography & Autobiography
Languages : en
Pages : 380
Book Description
A "splendid book that beautifully captures the spirit of [commune life] . . ." (Nick Bromell, author of "Tomorrow Never Knows"), Price's memoir is at once comic, poignant, and honest, recapturing the sense of affirmation and experimentation that fueled the counterculture without lapsing into sentimentality or cynicism. 40 illustrations.
Imagine Nation
Author: Peter Braunstein
Publisher: Routledge
ISBN: 1136058826
Category : History
Languages : en
Pages : 413
Book Description
Amidst the recent flourishing of Sixties scholarship, Imagine Nation is the first collection to focus solely on the counterculture. Its fourteen provocative essays seek to unearth the complexity and rediscover the society-changing power of significant movements and figures.
Publisher: Routledge
ISBN: 1136058826
Category : History
Languages : en
Pages : 413
Book Description
Amidst the recent flourishing of Sixties scholarship, Imagine Nation is the first collection to focus solely on the counterculture. Its fourteen provocative essays seek to unearth the complexity and rediscover the society-changing power of significant movements and figures.
From Counterculture to Cyberculture
Author: Fred Turner
Publisher: University of Chicago Press
ISBN: 0226817431
Category : History
Languages : en
Pages : 340
Book Description
In the early 1960s, computers haunted the American popular imagination. Bleak tools of the cold war, they embodied the rigid organization and mechanical conformity that made the military-industrial complex possible. But by the 1990s—and the dawn of the Internet—computers started to represent a very different kind of world: a collaborative and digital utopia modeled on the communal ideals of the hippies who so vehemently rebelled against the cold war establishment in the first place. From Counterculture to Cyberculture is the first book to explore this extraordinary and ironic transformation. Fred Turner here traces the previously untold story of a highly influential group of San Francisco Bay–area entrepreneurs: Stewart Brand and the Whole Earth network. Between 1968 and 1998, via such familiar venues as the National Book Award–winning Whole Earth Catalog, the computer conferencing system known as WELL, and, ultimately, the launch of the wildly successful Wired magazine, Brand and his colleagues brokered a long-running collaboration between San Francisco flower power and the emerging technological hub of Silicon Valley. Thanks to their vision, counterculturalists and technologists alike joined together to reimagine computers as tools for personal liberation, the building of virtual and decidedly alternative communities, and the exploration of bold new social frontiers. Shedding new light on how our networked culture came to be, this fascinating book reminds us that the distance between the Grateful Dead and Google, between Ken Kesey and the computer itself, is not as great as we might think.
Publisher: University of Chicago Press
ISBN: 0226817431
Category : History
Languages : en
Pages : 340
Book Description
In the early 1960s, computers haunted the American popular imagination. Bleak tools of the cold war, they embodied the rigid organization and mechanical conformity that made the military-industrial complex possible. But by the 1990s—and the dawn of the Internet—computers started to represent a very different kind of world: a collaborative and digital utopia modeled on the communal ideals of the hippies who so vehemently rebelled against the cold war establishment in the first place. From Counterculture to Cyberculture is the first book to explore this extraordinary and ironic transformation. Fred Turner here traces the previously untold story of a highly influential group of San Francisco Bay–area entrepreneurs: Stewart Brand and the Whole Earth network. Between 1968 and 1998, via such familiar venues as the National Book Award–winning Whole Earth Catalog, the computer conferencing system known as WELL, and, ultimately, the launch of the wildly successful Wired magazine, Brand and his colleagues brokered a long-running collaboration between San Francisco flower power and the emerging technological hub of Silicon Valley. Thanks to their vision, counterculturalists and technologists alike joined together to reimagine computers as tools for personal liberation, the building of virtual and decidedly alternative communities, and the exploration of bold new social frontiers. Shedding new light on how our networked culture came to be, this fascinating book reminds us that the distance between the Grateful Dead and Google, between Ken Kesey and the computer itself, is not as great as we might think.