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Author: Mary Anneeta Mann
Publisher: Mary A. Mann
ISBN: 1414016263
Category : Mimesis in literature
Languages : en
Pages : 230
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Book Description
This book contains a true story of a woman who, from childhood, learned the value of money, hustled, and went into adulthood through an abundance of trials, tribulations, and even a tragedy to have money. Only to discover that the path she chose to get what she wanted was a path of destruction and trouble, with high stakes and everything to lose, including her life. An action-packed novel that is educational, provocative, and inspirational, offering knowledge to all its readers.
Author: Mary Anneeta Mann
Publisher: Mary A. Mann
ISBN: 1414016263
Category : Mimesis in literature
Languages : en
Pages : 230
Get Book Here
Book Description
This book contains a true story of a woman who, from childhood, learned the value of money, hustled, and went into adulthood through an abundance of trials, tribulations, and even a tragedy to have money. Only to discover that the path she chose to get what she wanted was a path of destruction and trouble, with high stakes and everything to lose, including her life. An action-packed novel that is educational, provocative, and inspirational, offering knowledge to all its readers.
Author: Aristotle
Publisher: Createspace Independent Publishing Platform
ISBN: 9781544217574
Category :
Languages : en
Pages : 82
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Book Description
In it, Aristotle offers an account of what he calls "poetry" (a term which in Greek literally means "making" and in this context includes drama - comedy, tragedy, and the satyr play - as well as lyric poetry and epic poetry). They are similar in the fact that they are all imitations but different in the three ways that Aristotle describes: 1. Differences in music rhythm, harmony, meter and melody. 2. Difference of goodness in the characters. 3. Difference in how the narrative is presented: telling a story or acting it out. In examining its "first principles," Aristotle finds two: 1) imitation and 2) genres and other concepts by which that of truth is applied/revealed in the poesis. His analysis of tragedy constitutes the core of the discussion. Although Aristotle's Poetics is universally acknowledged in the Western critical tradition, "almost every detail about his seminal work has aroused divergent opinions."
Author: Aristotle
Publisher:
ISBN:
Category : Aesthetics
Languages : en
Pages : 148
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Book Description
Author: Averroës
Publisher:
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 192
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Book Description
Aristotle's Poetics has held the attention of scholars and authors through the ages, and Averroes has long been known as "the commentator" on Aristotle. His Middle Commentary on Aristotle's Poetics is important because of its striking content. Here, an author steeped in Aristotle's thought and highly familiar with an entirely different poetical tradition shows in careful detail what is commendable about Greek poetics and commendable as well as blameworthy about Arabic poetics.
Author: Samuel Henry Butcher
Publisher:
ISBN:
Category : Aesthetics
Languages : en
Pages : 496
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Book Description
Author: Thomas G. Pavel
Publisher: Manchester University Press
ISBN: 9780719014734
Category : Literary Criticism
Languages : en
Pages : 198
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Book Description
Author: Mario Telò
Publisher:
ISBN: 9780814257739
Category :
Languages : en
Pages : 0
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Book Description
Using classic Greek texts and modern theory, Telò forges a new model of tragic aesthetics.
Author: Gregory Michael Sifakis
Publisher:
ISBN: 9789605241322
Category : Greek drama (Tragedy)
Languages : en
Pages : 216
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Book Description
Author: Andrew Cecil Bradley
Publisher:
ISBN:
Category :
Languages : en
Pages : 510
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Book Description
Author: Mario Telò
Publisher: Bloomsbury Publishing
ISBN: 1350028800
Category : Drama
Languages : en
Pages : 318
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Book Description
Situated within contemporary posthumanism, this volume offers theoretical and practical approaches to materiality in Greek tragedy. Established and emerging scholars explore how works of the three major Greek tragedians problematize objects and affect, providing fresh readings of some of the masterpieces of Aeschylus, Sophocles, and Euripides. The so-called new materialisms have complemented the study of objects as signifiers or symbols with an interest in their agency and vitality, their sensuous force and psychosomatic impact-and conversely their resistance and irreducible aloofness. At the same time, emotion has been recast as material “affect,” an intense flow of energies between bodies, animate and inanimate. Powerfully contributing to the current critical debate on materiality, the essays collected here destabilize established interpretations, suggesting alternative approaches and pointing toward a newly robust sense of the physicality of Greek tragedy.
