The Consort Music of William Lawes, 1602-1645

The Consort Music of William Lawes, 1602-1645 PDF Author: John Patrick Cunningham
Publisher: Boydell & Brewer
ISBN: 0954680979
Category : Music
Languages : en
Pages : 378

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Book Description
This book looks at the work of one of England's finest composers, William Lawes. It provides a contextual examination of music at the court of Charles I, a detailed study of Lawes's autograph sources and an examination of his consort music.

The Consort Music of William Lawes, 1602-1645

The Consort Music of William Lawes, 1602-1645 PDF Author: John Patrick Cunningham
Publisher: Boydell & Brewer
ISBN: 0954680979
Category : Music
Languages : en
Pages : 378

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Book Description
This book looks at the work of one of England's finest composers, William Lawes. It provides a contextual examination of music at the court of Charles I, a detailed study of Lawes's autograph sources and an examination of his consort music.

William Lawes (1602-1645)

William Lawes (1602-1645) PDF Author: Andrew Ashbee
Publisher: Routledge
ISBN: 0429766076
Category : Music
Languages : en
Pages : 375

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Book Description
First published in 1998, this volume comprises papers given at a conference on Lawes and his music held at Oxford in September 1995 to commemorate the 350th anniversary of his death. They examine not only Lawes’s music but the milieu in which he worked. Part One examines the musical life of the English Court in Lawes’s day, noting his activities there and his involvement with companies of players. Manuscript studies and a detailed account of the fatal battle are also included. Part Two comprises seven essays exploring the wide range of his instrumental and vocal music. William Lawes is acknowledged as the most exciting and innovative composer working in England during the reign of Charles I. His tragic early death at the Siege of Chester in 1645 only served to heighten his reputation among his contemporaries, lending him also the cloak of martyrdom in the service of his king.

Chamber Music

Chamber Music PDF Author: John H Baron
Publisher: Routledge
ISBN: 1135848270
Category : Music
Languages : en
Pages : 1059

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Book Description
Chamber Music: A Research and Information Guide is a reference tool for anyone interested in chamber music. It is not a history or an encyclopedia but a guide to where to find answers to questions about chamber music. The third edition adds nearly 600 new entries to cover new research since publication of the previous edition in 2002. Most of the literature is books, articles in journals and magazines, dissertations and theses, and essays or chapters in Festschriften, treatises, and biographies. In addition to the core literature obscure citations are also included when they are the only studies in a particular field. In addition to being printed, this volume is also for the first time available online. The online environment allows for information to be updated as new research is introduced. This database of information is a "live" resource, fully searchable, and with active links. Users will have unlimited access, annual revisions will be made and a limited number of pages can be downloaded for printing.

The Ashgate Research Companion to Henry Purcell

The Ashgate Research Companion to Henry Purcell PDF Author: Rebecca Herissone
Publisher: Routledge
ISBN: 1317043278
Category : Music
Languages : en
Pages : 439

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Book Description
The Ashgate Research Companion to Henry Purcell provides a comprehensive and authoritative review of current research into Purcell and the environment of Restoration music, with contributions from leading experts in the field. Seen from the perspective of modern, interdisciplinary approaches to scholarship, the companion allows the reader to develop a rounded view of the environment in which Purcell lived, the people with whom he worked, the social conditions that influenced his activities, and the ways in which the modern perception of him has been affected by reception of his music after his death. In this sense the contributions do not privilege the individual over the environment: rather, they use the modern reader's familiarity with Purcell's music as a gateway into the broader Restoration world. Topics include a reassessment of our understanding of Purcell's sources and the transmission of his music; new ways of approaching the study of his creative methods; performance practice; the multi-faceted theatre environment in which his work was focused in the last five years of his life; the importance of the political and social contexts of late seventeenth-century England; and the ways in which the performance history and reception of his music have influenced modern appreciation of the composer. The book will be essential reading for anyone studying the music and culture of the seventeenth century.

British Music, Musicians and Institutions, C. 1630-1800

British Music, Musicians and Institutions, C. 1630-1800 PDF Author: Julian Rushton
Publisher: Boydell & Brewer
ISBN: 1783276479
Category : Music
Languages : en
Pages : 317

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Book Description
Building upon the developing picture of the importance of British music, musicians and institutions during the eighteenth century, this book investigates the themes of composition, performance (amateur and professional) and music-printing, within the wider context of social, religious and secular institutions. British music in the era from the death of Henry Purcell to the so-called 'Musical Renaissance' of the late nineteenth century was once considered barren. This view has been overturned in recent years through a better-informed historical perspective, able to recognise that all kinds of British musical institutions continued to flourish, and not only in London. The publication, performance and recording of music by seventeenth- and eighteenth-century British composers, supplemented by critical source-studies and scholarly editions, shows forms of music that developed in parallel with those of Britain's near neighbours. Indigenous musicians mingled with migrant musicians from elsewhere, yet there remained strands of British musical culture that had no continental equivalent. Music, vocal and instrumental, sacred and secular, flourished continuously throughout the Stuart and Hanoverian monarchies. Composers such as Eccles, Boyce, Greene, Croft, Arne and Hayes were not wholly overshadowed by European imports such as Handel and J. C. Bach. The present volume builds on this developing picture of the importance of British music, musicians and institutions during the period. Leading musicologists investigate themes such as composition, performance (amateur and professional), and music-printing, within the wider context of social, religious and secular institutions.

The Viola da Gamba Society Index of Manuscripts Containing Consort Music

The Viola da Gamba Society Index of Manuscripts Containing Consort Music PDF Author: Robert Thompson
Publisher: Routledge
ISBN: 1351144839
Category : Music
Languages : en
Pages : 438

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Book Description
Volume II of The Viola da Gamba Society Index of Manuscripts Containing Consort Music includes manuscripts associated with John Browne (Clerk of the Parliaments), Philip Falle (prebendary at Durham), Sir Gabriel Roberts, John St Barbe of Broadlands, the Withy family of Worcester and Oxford and an anonymous late-seventeenth century scribe. As well as a detailed inventory of every manuscript (with anonymous works identified where possible), the descriptions include information on date, size, binding, paper, rastra, watermarks, collations, scripts, inscriptions and provenance, together with bibliographical references. Brief notes on the owners and copyists are provided. Of particular importance is the inclusion of facsimiles of all hands.

The Rough Guide to Classical Music

The Rough Guide to Classical Music PDF Author: Joe Staines
Publisher: Penguin
ISBN: 1405383216
Category : Music
Languages : en
Pages : 691

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Book Description
This expanded and completely revised fifth edition is a unique ebook, spanning a thousand years of music from Gregorian chant via Bach and Beethoven to current leading lights such as Thomas Adès and Kaija Saariaho. There are concise biographical profiles of more than 200 composers and informative summaries of the major compositions in all genres, from chamber works to operatic epics. Topics such as the influence of jazz, notation, conducting, the madrigal, and why Stradivarius made such great violins are covered fully in feature boxes. The Rough Guide to Classical Music in a new ebook (PDF) fromat has been praised for its mix of well-known composers with more obscure, but interesting, figures (like Antoine Brumel and Barbara Strozzi), and for the way it takes contemporary music seriously.

The Complete Poetry of Robert Herrick

The Complete Poetry of Robert Herrick PDF Author: Robert Herrick
Publisher:
ISBN: 0199212848
Category : Literary Collections
Languages : en
Pages : 581

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Book Description
This first volume of the new edition of Robert Herrick's poetry contains Herrick's only published collection, Hesperides (1648).

The Cambridge Companion to the Harpsichord

The Cambridge Companion to the Harpsichord PDF Author: Mark Kroll
Publisher: Cambridge University Press
ISBN: 1107156076
Category : Music
Languages : en
Pages : 407

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Book Description
Covers every aspect of the harpsichord and its music, including composers, genres, national styles, tuning, and the art of harpsichord building.

Early English Viols: Instruments, Makers and Music

Early English Viols: Instruments, Makers and Music PDF Author: Michael Fleming
Publisher: Taylor & Francis
ISBN: 1317147162
Category : Music
Languages : en
Pages : 422

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Book Description
Winner of the Nicholas Bessaraboff Prize Musical repertory of great importance and quality was performed on viols in sixteenth- and early seventeenth-century England. This is reported by Thomas Mace (1676) who says that ’Your Best Provision’ for playing such music is a chest of old English viols, and he names five early English viol makers than which ’there are no Better in the World’. Enlightened scholars and performers (both professional and amateur) who aim to understand and play this music require reliable historical information and need suitable viols, but so little is known about the instruments and their makers that we cannot specify appropriate instruments with much precision. Our ignorance cannot be remedied exclusively by the scrutiny or use of surviving antique viols because they are extremely rare, they are not accessible to performers and the information they embody is crucially compromised by degradation and alteration. Drawing on a wide variety of evidence including the surviving instruments, music composed for those instruments, and the documentary evidence surrounding the trade of instrument making, Fleming and Bryan draw significant conclusions about the changing nature and varieties of viol in early modern England.