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Author: Charles Waddell Chesnutt
Publisher: Duke University Press
ISBN: 9780822313878
Category : Fiction
Languages : en
Pages : 220
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Book Description
The stories in The Conjure Woman were Charles W. Chesnutt's first great literary success, and since their initial publication in 1899 they have come to be seen as some of the most remarkable works of African American literature from the Emancipation through the Harlem Renaissance. Lesser known, though, is that the The Conjure Woman, as first published by Houghton Mifflin, was not wholly Chesnutt's creation but a work shaped and selected by his editors. This edition reassembles for the first time all of Chesnutt's work in the conjure tale genre, the entire imaginative feat of which the published Conjure Woman forms a part. It allows the reader to see how the original volume was created, how an African American author negotiated with the tastes of the dominant literary culture of the late nineteenth century, and how that culture both promoted and delimited his work. In the tradition of Uncle Remus, the conjure tale listens in on a poor black southerner, speaking strong dialect, as he recounts a local incident to a transplanted northerner for the northerner's enlightenment and edification. But in Chesnutt's hands the tradition is transformed. No longer a reactionary flight of nostalgia for the antebellum South, the stories in this book celebrate and at the same time question the folk culture they so pungently portray, and ultimately convey the pleasures and anxieties of a world in transition. Written in the late nineteenth century, a time of enormous growth and change for a country only recently reunited in peace, these stories act as the uneasy meeting ground for the culture of northern capitalism, professionalism, and Christianity and the underdeveloped southern economy, a kind of colonial Third World whose power is manifest in life charms, magic spells, and ha'nts, all embodied by the ruling figure of the conjure woman. Humorous, heart-breaking, lyrical, and wise, these stories make clear why the fiction of Charles W. Chesnutt has continued to captivate audiences for a century.
Author: Charles Waddell Chesnutt
Publisher: Duke University Press
ISBN: 9780822313878
Category : Fiction
Languages : en
Pages : 220
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Book Description
The stories in The Conjure Woman were Charles W. Chesnutt's first great literary success, and since their initial publication in 1899 they have come to be seen as some of the most remarkable works of African American literature from the Emancipation through the Harlem Renaissance. Lesser known, though, is that the The Conjure Woman, as first published by Houghton Mifflin, was not wholly Chesnutt's creation but a work shaped and selected by his editors. This edition reassembles for the first time all of Chesnutt's work in the conjure tale genre, the entire imaginative feat of which the published Conjure Woman forms a part. It allows the reader to see how the original volume was created, how an African American author negotiated with the tastes of the dominant literary culture of the late nineteenth century, and how that culture both promoted and delimited his work. In the tradition of Uncle Remus, the conjure tale listens in on a poor black southerner, speaking strong dialect, as he recounts a local incident to a transplanted northerner for the northerner's enlightenment and edification. But in Chesnutt's hands the tradition is transformed. No longer a reactionary flight of nostalgia for the antebellum South, the stories in this book celebrate and at the same time question the folk culture they so pungently portray, and ultimately convey the pleasures and anxieties of a world in transition. Written in the late nineteenth century, a time of enormous growth and change for a country only recently reunited in peace, these stories act as the uneasy meeting ground for the culture of northern capitalism, professionalism, and Christianity and the underdeveloped southern economy, a kind of colonial Third World whose power is manifest in life charms, magic spells, and ha'nts, all embodied by the ruling figure of the conjure woman. Humorous, heart-breaking, lyrical, and wise, these stories make clear why the fiction of Charles W. Chesnutt has continued to captivate audiences for a century.
Author: Charles W. Chestnutt
Publisher: Graphic Arts Books
ISBN: 1513274171
Category : Fiction
Languages : en
Pages : 106
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Book Description
The Conjure Woman (1899) is a collection of stories by African American author, lawyer, and political activist Charles Chesnutt. “The Goophered Grapevine,” the collection’s opening story, was originally published in The Atlantic in 1887, making Chesnutt the first African American to have a story published in the magazine. The Conjure Woman is now considered a masterpiece of African American fiction for its use of folklore and exploration of racist stereotypes of Black Americans, especially those living in the South. In “The Goophered Grapevine,” an old ex-slave named Julius McAdoo—a coachman hired by a white Northerner named John—warns his employer about the land he has decided to purchase. He tells him the story of the vineyard’s previous owner, who hired a woman named Aunt Peggy to put a curse on his famous scuppernong grapes in order to stop his slaves from eating them. Each story in The Conjure Woman follows a similar formula, beginning with a narrative situation involving John and his wife, Annie, before leading to a story from Uncle Julius. “Po’ Sandy,” one of Chesnutt’s most acclaimed tales—and a loose adaptation of Ovid’s Metamorphoses—opens with John deciding to build a new kitchen for his wife. Uncle Julius drives him to the saw mill, where, while watching the saw cut through a log, he is reminded of the story of Sandy, a local man who was turned into a tree by a conjurer in order to escape slavery. The Conjure Woman is a powerful collection of folk takes and stories exploring themes of race, identity, and class in the nineteenth century South. With a beautifully designed cover and professionally typeset manuscript, this edition of Charles Chesnutt’s The Conjure Woman is a classic of African American literature reimagined for modern readers.
Author: Afia Atakora
Publisher: Random House
ISBN: 0525511490
Category : Fiction
Languages : en
Pages : 416
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Book Description
A mother and daughter with a shared talent for healing—and for the conjuring of curses—are at the heart of this dazzling first novel WINNER OF THE SOCIETY OF AMERICAN HISTORIANS PRIZE • NAMED ONE OF THE BEST BOOKS OF THE YEAR BY The New York Times • NPR • Parade • Book Riot • PopMatters “Lush, irresistible . . . It took me into the hearts of women I could otherwise never know. I was transported.”—Amy Bloom, New York Times bestselling author of White Houses and Away Conjure Women is a sweeping story that brings the world of the South before and after the Civil War vividly to life. Spanning eras and generations, it tells of the lives of three unforgettable women: Miss May Belle, a wise healing woman; her precocious and observant daughter Rue, who is reluctant to follow in her mother’s footsteps as a midwife; and their master’s daughter Varina. The secrets and bonds among these women and their community come to a head at the beginning of a war and at the birth of an accursed child, who sets the townspeople alight with fear and a spreading superstition that threatens their newly won, tenuous freedom. Magnificently written, brilliantly researched, richly imagined, Conjure Women moves back and forth in time to tell the haunting story of Rue, Varina, and May Belle, their passions and friendships, and the lengths they will go to save themselves and those they love. LONGLISTED FOR THE CENTER FOR FICTION FIRST NOVEL PRIZE “[A] haunting, promising debut . . . Through complex characters and bewitching prose, Atakora offers a stirring portrait of the power conferred between the enslaved women. This powerful tale of moral ambiguity amid inarguable injustice stands with Esi Edugyan’s Washington Black.”—Publishers Weekly (starred review) “An engrossing debut . . . Atakora structures a plot with plenty of satisfying twists. Life in the immediate aftermath of slavery is powerfully rendered in this impressive first novel.”—Kirkus Reviews (starred review)
Author: Charles Waddell Chesnutt
Publisher:
ISBN:
Category : African Americans
Languages : en
Pages : 0
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : fr
Pages :
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Book Description
Author: Charles Waddell Chesnutt
Publisher: Courier Corporation
ISBN: 0486114295
Category : Fiction
Languages : en
Pages : 131
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Book Description
Ten wonderful stories by pioneer of African-American fiction: "The Goophered Grapevine," "Po' Sandy," "Sis' Becky's Pickaninny," "The Wife of His Youth," "Dave's Neckliss," "The Passing of Grandison," more. Witty, charming, insightful.
Author: Charles Waddell Chesnutt
Publisher: W. W. Norton
ISBN: 9780393927801
Category : Literary Criticism
Languages : en
Pages : 344
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Book Description
Fourteen conjure tales by one of America's most influential African American fiction writers. This Norton Critical Edition of The Conjure Stories arranges the tales chronologically by composition date, allowing readers to discern how Chesnutt experimented with plots and characters and with the idea of the conjure story over time. With one exception, the text of each tale is that of the original publication. (The text of "The Dumb Witness" was established from two typescripts held at the archives of Fisk University.) The stories are accompanied by a thorough and thought-provoking introduction, detailed explanatory annotations, and illustrative materials. "Contexts" presents a wealth of materials chosen by the editors to enrich the reader's understanding of these canonical stories, including a map of the landscape of the conjure tales, Chesnutt's journal entry as he began writing fiction of the South, as well as writings by Chesnutt, William Wells Brown, and Paul Laurence Dunbar, among others, on the stories' central motifs-folklore, superstition, voodoo, race, and social identity in the South following the Civil War. "Criticism" is divided into two parts. "Early Criticism" collects critical notices for The Conjure Woman that suggest the volume's initial reception, assessments by William Dean Howells and Benjamin Brawley, and a biographical excerpt by the author's daughter, Helen Chesnutt. "Modern Criticism" demonstrates rich and enduring interest in The Conjure Stories with ten important essays by Robert Hemenway, William L. Andrews, Robert B. Stepto, John Edgar Wideman, Werner Sollors, Houston A. Baker, Eric J. Sundquist, Richard H. Brodhead, Candace J. Waid, and Glenda Carpio. A Chronology of Chesnutt's life and work and a Selected Bibliography are also included.
Author: Charles Chestnutt
Publisher: CreateSpace
ISBN: 9781481862073
Category : Fiction
Languages : en
Pages : 112
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Book Description
The stories in The Conjure Woman were Charles W. Chesnutt's first great literary success, and since their initial publication in 1899 they have come to be seen as some of the most remarkable works of African American literature from the Emancipation through the Harlem Renaissance. Lesser known, though, is that the The Conjure Woman, as first published by Houghton Mifflin, was not wholly Chesnutt's creation but a work shaped and selected by his editors. This edition reassembles for the first time all of Chesnutt's work in the conjure tale genre, the entire imaginative feat of which the published Conjure Woman forms a part. It allows the reader to see how the original volume was created, how an African American author negotiated with the tastes of the dominant literary culture of the late nineteenth century, and how that culture both promoted and delimited his work. In the tradition of Uncle Remus, the conjure tale listens in on a poor black southerner, speaking strong dialect, as he recounts a local incident to a transplanted northerner for the northerner's enlightenment and edification. But in Chesnutt's hands the tradition is transformed. No longer a reactionary flight of nostalgia for the antebellum South, the stories in this book celebrate and at the same time question the folk culture they so pungently portray, and ultimately convey the pleasures and anxieties of a world in transition. Written in the late nineteenth century, a time of enormous growth and change for a country only recently reunited in peace, these stories act as the uneasy meeting ground for the culture of northern capitalism, professionalism, and Christianity and the underdeveloped southern economy, a kind of colonial Third World whose power is manifest in life charms, magic spells, and ha'nts, all embodied by the ruling figure of the conjure woman. Humorous, heart-breaking, lyrical, and wise, these stories make clear why the fiction of Charles W. Chesnutt has continued to captivate audiences for a century.
Author: Fritz Leiber
Publisher: Macmillan
ISBN: 9780312869724
Category : Fiction
Languages : en
Pages : 398
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Book Description
In Conjure wife, Norman Saylor learns that his wife is a sorceress. In Our Lady of Darkness, horror writer Franz Westen searches for the paranormal in San Francisco.
Author: Charles W. Chesnutt
Publisher:
ISBN: 9781699601785
Category :
Languages : en
Pages : 82
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Book Description
The Conjure Woman is a collection of short stories by African-American fiction writer, essayist, and activist Charles W. Chesnutt. First published in 1899, The Conjure Woman[1] is considered a seminal work of African-American literature.Chesnutt wrote the collection's first story, "The Gophered Grapevine," in 1887 and published it in The Atlantic Monthly. Later that year, Chesnutt traveled to Boston and met with Walter Hines Page, an editor at the Houghton Mifflin Company. Page asked Chesnutt to forward some of his writing, which was the beginning of a multiple-year correspondence between the two.Chesnutt wrote three more of the stories between 1887 and 1889 he called "Conjure Tales," two of which would eventually appear in The Conjure Woman. The stories were "Po' Sandy" published in The Atlantic Monthly in 1888, and "The Conjurer's Revenge" published in Overland Monthly in June 1889. In March of 1898, Page wrote Chesnutt to inform him that Houghton Mifflin would consider publishing a short-story collection with "the same original quality" as "The Gophered Grapevine" and "Po' Sandy." Over the next two months, Chesnutt wrote six additional stories, four of which were selected by Page and other editors at Houghton Mifflin to appear in The Conjure Woman, including "Mars Jeems's Nightmare," "Sis' Becky's Pickaninny," "The Gray Wolf's Ha'nt," and "Hot-Foot Hannibal.
