The Complete Works of Percy Bysshe Shelley: Letters, 1803-1818 PDF Download
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Author: Percy Bysshe Shelley
Publisher:
ISBN:
Category :
Languages : en
Pages : 416
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Book Description
Author: Percy Bysshe Shelley
Publisher:
ISBN:
Category :
Languages : en
Pages : 416
Get Book Here
Book Description
Author: Percy Bysshe Shelley
Publisher:
ISBN:
Category :
Languages : en
Pages : 480
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Book Description
Author: Percy Bysshe Shelley
Publisher:
ISBN:
Category :
Languages : en
Pages : 478
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Book Description
Author: Andrew Warren
Publisher: Cambridge University Press
ISBN: 1107071909
Category : Literary Criticism
Languages : en
Pages : 295
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Book Description
This book explores how the Romantic poetry of Byron, Shelley, and Keats engages with tales and themes of the Orient.
Author: Percy Bysshe Shelley
Publisher: JHU Press
ISBN: 1421437848
Category : Literary Criticism
Languages : en
Pages : 1009
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Book Description
This new volume of JHU Press's landmark Shelley edition contains posthumous poems edited from original manuscripts. "The world will surely one day feel what it has lost," wrote Mary Shelley after Percy Bysshe Shelley's premature death in July 1822. Determined to hasten that day, she recovered his unpublished and uncollected poems and sifted through his surviving notebooks and papers. In Genoa during the winter of 1822–23, she painstakingly transcribed poetry "interlined and broken into fragments, so that the sense could only be deciphered and joined by guesses." Blasphemy and sedition laws prevented her from including her husband's most outspoken radical works, but the resulting volume, Posthumous Poems of Percy Bysshe Shelley (1824), was a magnificent display of Shelley's versatility and craftsmanship between 1816 and 1822. Few such volumes have made more difference to an author's reputation. The seventh volume of the acclaimed Complete Poetry of Percy Bysshe Shelley extracts from Posthumous Poems those original poems and fragments Mary Shelley edited. The collection opens with Shelley's enigmatic dream vision The Triumph of Life, the last major poem he began—and, in the opinion of T. S. Eliot, the finest thing he ever wrote. There follow some of the most famous and beautiful of Shelley's short lyrics, narrative fragments, two unfinished plays, and other previously unreleased pieces. Upholding the standards of accuracy and comprehensiveness set by previous volumes, every item in Volume 7 has been newly edited from the original manuscripts, in some cases superseding texts that have stood since 1870. Extensive appendixes contain Mary Shelley's preface to Posthumous Poems, Shelley's source for "Ginevra," and preparatory material for his play Charles the First. Wide-ranging discussions of the poems' composition, influences, publication, circulation, reception, and critical history accompany detailed records of textual variants for each work. The editorial overview and commentaries offer insights into Mary Shelley's editorial strategies while proposing surprising new contexts and redatings. Volumes 4 to 6 are in preparation.
Author: Library Resources, inc
Publisher:
ISBN:
Category : Books on microfilm
Languages : en
Pages : 258
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Book Description
Author: New York Public Library. Research Libraries
Publisher:
ISBN:
Category : Library catalogs
Languages : en
Pages : 552
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Book Description
Author: Kathryn Chittick
Publisher: Routledge
ISBN: 131731641X
Category : History
Languages : en
Pages : 271
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Book Description
The premise of Chittick's study is that the national discourse found in British periodical literature of 1802-30 is crucial to an understanding of the literary language of the era.
Author: Allen Ahearn
Publisher: eBookIt.com
ISBN: 1883060141
Category : Antiques & Collectibles
Languages : en
Pages : 517
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Book Description
An introduction to and advice on book collecting with a glossary of terms and tips on how to identify first editions and estimated values for over 20,000 collectible books published in English (including translations) over the last three centuries-about half are literary titles in the broadest sense (novels, poetry, plays, mysteries, science fiction, and children's books); and the other half are non-fiction (Americana, travel and exploration, finance, cookbooks, color plate, medicine, science, photography, Mormonism, sports, et al).
Author: J. B. Bullen
Publisher: OUP Oxford
ISBN: 0191541907
Category : Literary Criticism
Languages : en
Pages : 308
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Book Description
Continental Crosscurrents is a series of case studies reflecting British attitudes to continental art during the nineteenth and the early twentieth centuries. It stresses the way in which the British went to the continent in their search for origins or their pursuit of sources of purity and originality. This cult of the primitive took many forms; it involved a reassessment of medieval German and Italian art and offered new ways of interpreting Venetian painting; it opened up new readings of architectural history and the 'discovery' of the Romanesque; it generated a debate about the value of returning to religious subjects in art and it raised the question of the relationship between modern art and Byzantine art in the early twentieth century. J. B. Bullen's original study presents some exciting findings. Few critics have noticed how much in advance of his time was Coleridge's passion for medieval art; Ruskin's debt in the Stones of Venice to Victor Hugo's Notre Dame de Paris has hardly been noted, and Browning's involvement with the debate on the morality of Christian art is explored more extensively than previously. Three chapters are devoted to the role of British criticism in identifying the Romanesque style in architecture and differentiating it from the Gothic. They trace the concept as it arose in criticism at the beginning of the nineteenth century; its employment in the remarkable buildings of Edmund Sharpe and Sara Losh and the way in which it reached a climax in Waterhouse's enigmatic choice of Romanesque for the Natural History Museum in London. The collection concludes with two continental episodes from the history of modernism. One is the explosive British reaction to the primitivism of Gauguin; the other involves the identifying of one of the characters in D. H. Lawrence's novel Women in Love. Curious evidence suggests that the malevolent figure of Loerke was based on a German sculptor whom Lawrence met in Italy before the First World War.
