Author: Bernard Shaw
Publisher: Viking Adult
ISBN:
Category : Literary Criticism
Languages : en
Pages : 650
Book Description
"This is Volume II, covering the years 1914-29, of a three-part edition, which will be the first to bring together all of Shaw's prefaces (several hitherto unpublished). They are assembled chronologically and are provided with annotation of elusive topical references, through the meticulous but judicious editing of Dan H. Laurence and Daniel J. Leary." "The prodigious range of subjects - children's rights, creative evolution, capital punishment, blood sport, the nature of sainthood, the Irish question - remains as topical as this morning's newspaper columns. Shaw's concerns about human possibilities, and the greed, insularity and blindness that obstruct those possibilities, are as applicable today as they were a century ago." "To H. M. Tomlinson, Shaw possessed a 'passionate morality that happens to be gifted with the complete control of expression'. His energetic prose is ardent, rhythmic, brimming with vitality and bursting with humour. Moreover, Shaw's voice defies time, linked as it is to a tradition extending back to the English translators of the Bible, through Dryden and Swift, to Dickens, while managing to be outrageously idiosyncratic and couched in a diction that uniquely anticipates the evolution of the language itself."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
The Complete Prefaces: 1914-1929
Author: Bernard Shaw
Publisher: Viking Adult
ISBN:
Category : Literary Criticism
Languages : en
Pages : 650
Book Description
"This is Volume II, covering the years 1914-29, of a three-part edition, which will be the first to bring together all of Shaw's prefaces (several hitherto unpublished). They are assembled chronologically and are provided with annotation of elusive topical references, through the meticulous but judicious editing of Dan H. Laurence and Daniel J. Leary." "The prodigious range of subjects - children's rights, creative evolution, capital punishment, blood sport, the nature of sainthood, the Irish question - remains as topical as this morning's newspaper columns. Shaw's concerns about human possibilities, and the greed, insularity and blindness that obstruct those possibilities, are as applicable today as they were a century ago." "To H. M. Tomlinson, Shaw possessed a 'passionate morality that happens to be gifted with the complete control of expression'. His energetic prose is ardent, rhythmic, brimming with vitality and bursting with humour. Moreover, Shaw's voice defies time, linked as it is to a tradition extending back to the English translators of the Bible, through Dryden and Swift, to Dickens, while managing to be outrageously idiosyncratic and couched in a diction that uniquely anticipates the evolution of the language itself."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Publisher: Viking Adult
ISBN:
Category : Literary Criticism
Languages : en
Pages : 650
Book Description
"This is Volume II, covering the years 1914-29, of a three-part edition, which will be the first to bring together all of Shaw's prefaces (several hitherto unpublished). They are assembled chronologically and are provided with annotation of elusive topical references, through the meticulous but judicious editing of Dan H. Laurence and Daniel J. Leary." "The prodigious range of subjects - children's rights, creative evolution, capital punishment, blood sport, the nature of sainthood, the Irish question - remains as topical as this morning's newspaper columns. Shaw's concerns about human possibilities, and the greed, insularity and blindness that obstruct those possibilities, are as applicable today as they were a century ago." "To H. M. Tomlinson, Shaw possessed a 'passionate morality that happens to be gifted with the complete control of expression'. His energetic prose is ardent, rhythmic, brimming with vitality and bursting with humour. Moreover, Shaw's voice defies time, linked as it is to a tradition extending back to the English translators of the Bible, through Dryden and Swift, to Dickens, while managing to be outrageously idiosyncratic and couched in a diction that uniquely anticipates the evolution of the language itself."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Shaw and Science Fiction
Author: Milton T. Wolf
Publisher: Penn State Press
ISBN: 9780271016818
Category : Literary Criticism
Languages : en
Pages : 312
Book Description
Shaw's speculations about human destiny align him with many other writers of the time, and later, who forged a new genre of literature that ultimately took the name in 1928 of "science fiction." Ray Bradbury affirms Greg Bear's statement about the little-known, but significant, relationship that Bernard Shaw has with science fiction. Bradbury, who frequently emphasizes Shaw's influence on his own work, asks, "Isn't it obvious at last: Those that do not live in the future will be trapped and die in the past?" Susan Stone-Blackburn, comparing Shaw's Back to Methuselah with Olaf Stapledon's Last and First Men, discusses why science-fiction scholars have been reluctant to acknowledge Shaw's role in the genre. Tom Shippey examines aspects of Shaw's theory of Creative Evolution to show why many have dismissed Shaw's science fiction as insufficiently scientific. Surveying the science-fiction milieu, Ben P. Indick shows that while Shaw was not interested in writing science fiction per se, he knew the genre and how to use it. Jeffrey M. Wallmann chronicles the science-fiction techniques that Shaw foreshadowed. Rodelle Weintraub analyzes dream-related elements of the fantastic that Shaw frequently employed in his drama. John Barnes focuses on Shaw's "radical superman," a stock-in-trade of science fiction. Like H. G. Wells, Shaw understood that human intervention was becoming the dominant mechanism of evolution and that new approaches to theatrical drama would be required to convey the social and political impact of the scientific revolution. Elwira M. Grossman compares similar dilemmas facing Shaw and the Polish dramatist Witkacy. J. L. Wisenthal examines the utopian tradition that underlay the English literary experience, and Julie A. Sparks contrasts Karel Capek's anti-utopian concepts with Shaw's utopian vision. Also included is an 1887 lecture by Shaw entitled "Utopias," published here for the first time. Several of the contributors emphasize the significant influence that Shaw had on major science-fiction writers. Elizabeth Anne Hull explores Shaw's affinities with Arthur C. Clarke, John R. Pfeiffer discusses the many connections between Shaw and Ray Bradbury, and George Slusser explores Shaw and Robert A. Heinlein's "recurrent fascination with the possibilities of life extension." Like his friend Einstein, Shaw knew that imagination is more important than knowledge. Peter Gahan's article demonstrates that Shaw's ambition was to engage the reader's imagination, the only "sufficient backdrop for his vision." Also included are reviews of recent additions to Shavian scholarship, including the Shaw/Wells correspondence, and John R. Pfeiffer's "Continuing Checklist of Shaviana."
Publisher: Penn State Press
ISBN: 9780271016818
Category : Literary Criticism
Languages : en
Pages : 312
Book Description
Shaw's speculations about human destiny align him with many other writers of the time, and later, who forged a new genre of literature that ultimately took the name in 1928 of "science fiction." Ray Bradbury affirms Greg Bear's statement about the little-known, but significant, relationship that Bernard Shaw has with science fiction. Bradbury, who frequently emphasizes Shaw's influence on his own work, asks, "Isn't it obvious at last: Those that do not live in the future will be trapped and die in the past?" Susan Stone-Blackburn, comparing Shaw's Back to Methuselah with Olaf Stapledon's Last and First Men, discusses why science-fiction scholars have been reluctant to acknowledge Shaw's role in the genre. Tom Shippey examines aspects of Shaw's theory of Creative Evolution to show why many have dismissed Shaw's science fiction as insufficiently scientific. Surveying the science-fiction milieu, Ben P. Indick shows that while Shaw was not interested in writing science fiction per se, he knew the genre and how to use it. Jeffrey M. Wallmann chronicles the science-fiction techniques that Shaw foreshadowed. Rodelle Weintraub analyzes dream-related elements of the fantastic that Shaw frequently employed in his drama. John Barnes focuses on Shaw's "radical superman," a stock-in-trade of science fiction. Like H. G. Wells, Shaw understood that human intervention was becoming the dominant mechanism of evolution and that new approaches to theatrical drama would be required to convey the social and political impact of the scientific revolution. Elwira M. Grossman compares similar dilemmas facing Shaw and the Polish dramatist Witkacy. J. L. Wisenthal examines the utopian tradition that underlay the English literary experience, and Julie A. Sparks contrasts Karel Capek's anti-utopian concepts with Shaw's utopian vision. Also included is an 1887 lecture by Shaw entitled "Utopias," published here for the first time. Several of the contributors emphasize the significant influence that Shaw had on major science-fiction writers. Elizabeth Anne Hull explores Shaw's affinities with Arthur C. Clarke, John R. Pfeiffer discusses the many connections between Shaw and Ray Bradbury, and George Slusser explores Shaw and Robert A. Heinlein's "recurrent fascination with the possibilities of life extension." Like his friend Einstein, Shaw knew that imagination is more important than knowledge. Peter Gahan's article demonstrates that Shaw's ambition was to engage the reader's imagination, the only "sufficient backdrop for his vision." Also included are reviews of recent additions to Shavian scholarship, including the Shaw/Wells correspondence, and John R. Pfeiffer's "Continuing Checklist of Shaviana."
Telling the Story of Translation
Author: Judith Woodsworth
Publisher: Bloomsbury Publishing
ISBN: 1474277101
Category : Language Arts & Disciplines
Languages : en
Pages : 246
Book Description
Scholars have long highlighted the links between translating and (re)writing, increasingly blurring the line between translations and so-called 'original' works. Less emphasis has been placed on the work of writers who translate, and the ways in which they conceptualize, or even fictionalize, the task of translation. This book fills that gap and thus will be of interest to scholars in linguistics, translation studies and literary studies. Scrutinizing translation through a new lens, Judith Woodsworth reveals the sometimes problematic relations between author and translator, along with the evolution of the translator's voice and visibility. The book investigates the uses (and abuses) of translation at the hands of George Bernard Shaw, Gertrude Stein and Paul Auster, prominent writers who bring into play assorted fictions as they tell their stories of translations. Each case is interesting in itself because of the new material analysed and the conclusions reached. Translation is seen not only as an exercise and fruitful starting point, it is also a way of paying tribute, repaying a debt and cementing a friendship. Taken together, the case studies point the way to a teleology of translation and raise the question: what is translation for? Shaw, Stein and Auster adopt an authorial posture that distinguishes them from other translators. They stretch the boundaries of the translation proper, their words spilling over into the liminal space of the text; in some cases they hijack the act of translation to serve their own ends. Through their tales of loss, counterfeit and hard labour, they cast an occasionally bleak glance at what it means to be a translator. Yet they also pay homage to translation and provide fresh insights that continue to manifest themselves in current works of literature. By engaging with translation as a literary act in its own right, these eminent writers confer greater prestige on what has traditionally been viewed as a subservient art.
Publisher: Bloomsbury Publishing
ISBN: 1474277101
Category : Language Arts & Disciplines
Languages : en
Pages : 246
Book Description
Scholars have long highlighted the links between translating and (re)writing, increasingly blurring the line between translations and so-called 'original' works. Less emphasis has been placed on the work of writers who translate, and the ways in which they conceptualize, or even fictionalize, the task of translation. This book fills that gap and thus will be of interest to scholars in linguistics, translation studies and literary studies. Scrutinizing translation through a new lens, Judith Woodsworth reveals the sometimes problematic relations between author and translator, along with the evolution of the translator's voice and visibility. The book investigates the uses (and abuses) of translation at the hands of George Bernard Shaw, Gertrude Stein and Paul Auster, prominent writers who bring into play assorted fictions as they tell their stories of translations. Each case is interesting in itself because of the new material analysed and the conclusions reached. Translation is seen not only as an exercise and fruitful starting point, it is also a way of paying tribute, repaying a debt and cementing a friendship. Taken together, the case studies point the way to a teleology of translation and raise the question: what is translation for? Shaw, Stein and Auster adopt an authorial posture that distinguishes them from other translators. They stretch the boundaries of the translation proper, their words spilling over into the liminal space of the text; in some cases they hijack the act of translation to serve their own ends. Through their tales of loss, counterfeit and hard labour, they cast an occasionally bleak glance at what it means to be a translator. Yet they also pay homage to translation and provide fresh insights that continue to manifest themselves in current works of literature. By engaging with translation as a literary act in its own right, these eminent writers confer greater prestige on what has traditionally been viewed as a subservient art.
Bernard Shaw and Beatrice Webb on Poverty and Equality in the Modern World, 1905–1914
Author: Peter Gahan
Publisher: Springer
ISBN: 3319484427
Category : Performing Arts
Languages : en
Pages : 240
Book Description
This book investigates how, alongside Beatrice Webb’s ground-breaking pre-World War One anti-poverty campaigns, George Bernard Shaw helped launch the public debate about the relationship between equality, redistribution and democracy in a developed economy. The ten years following his great 1905 play on poverty Major Barbara present a puzzle to Shaw scholars, who have hitherto failed to appreciate both the centrality of the idea of equality in major plays like Getting Married, Misalliance, and Pygmalion, and to understand that his major political work, 1928’s The Intelligent Woman’s Guide to Socialism and Capitalism had its roots in this period before the Great War. As both the era’s leading dramatist and leader of the Fabian Society, Shaw proposed his radical postulate of equal incomes as a solution to those twin scourges of a modern industrial society: poverty and inequality. Set against the backdrop of Beatrice Webb’s famous Minority Report of the Royal Commission on the Poor Law 1905-1909 – a publication which led to grass-roots campaigns against destitution and eventually the Welfare State – this book considers how Shaw worked with Fabian colleagues, Sidney and Beatrice Webb, and H. G. Wells to explore through a series of major lectures, prefaces and plays, the social, economic, political, and even religious implications of human equality as the basis for modern democracy.
Publisher: Springer
ISBN: 3319484427
Category : Performing Arts
Languages : en
Pages : 240
Book Description
This book investigates how, alongside Beatrice Webb’s ground-breaking pre-World War One anti-poverty campaigns, George Bernard Shaw helped launch the public debate about the relationship between equality, redistribution and democracy in a developed economy. The ten years following his great 1905 play on poverty Major Barbara present a puzzle to Shaw scholars, who have hitherto failed to appreciate both the centrality of the idea of equality in major plays like Getting Married, Misalliance, and Pygmalion, and to understand that his major political work, 1928’s The Intelligent Woman’s Guide to Socialism and Capitalism had its roots in this period before the Great War. As both the era’s leading dramatist and leader of the Fabian Society, Shaw proposed his radical postulate of equal incomes as a solution to those twin scourges of a modern industrial society: poverty and inequality. Set against the backdrop of Beatrice Webb’s famous Minority Report of the Royal Commission on the Poor Law 1905-1909 – a publication which led to grass-roots campaigns against destitution and eventually the Welfare State – this book considers how Shaw worked with Fabian colleagues, Sidney and Beatrice Webb, and H. G. Wells to explore through a series of major lectures, prefaces and plays, the social, economic, political, and even religious implications of human equality as the basis for modern democracy.
Shaw
Author: Gale K. Larson
Publisher: Penn State Press
ISBN: 9780271022277
Category : Literary Criticism
Languages : en
Pages : 284
Book Description
Shaw, now in its twenty-second year, publishes general articles on Shaw and his milieu, reviews, notes, and the authoritative Continuing Checklist of Shaviana, the bibliography of Shaw studies.
Publisher: Penn State Press
ISBN: 9780271022277
Category : Literary Criticism
Languages : en
Pages : 284
Book Description
Shaw, now in its twenty-second year, publishes general articles on Shaw and his milieu, reviews, notes, and the authoritative Continuing Checklist of Shaviana, the bibliography of Shaw studies.
Henry George
Author: Laurence S. Moss
Publisher: John Wiley & Sons
ISBN: 1444307061
Category : Biography & Autobiography
Languages : en
Pages : 200
Book Description
Containing important papers by various Georgist scholars, this bookhighlights the ideas and influence of Henry George as a politicaleconomist. Highlights the ideas and influence of Henry George Includes path-breaking work on Henry George’s renttheory Features in the Studies in Economic Reform and SocialJustice series
Publisher: John Wiley & Sons
ISBN: 1444307061
Category : Biography & Autobiography
Languages : en
Pages : 200
Book Description
Containing important papers by various Georgist scholars, this bookhighlights the ideas and influence of Henry George as a politicaleconomist. Highlights the ideas and influence of Henry George Includes path-breaking work on Henry George’s renttheory Features in the Studies in Economic Reform and SocialJustice series
A Companion to Literary Biography
Author: Richard Bradford
Publisher: John Wiley & Sons
ISBN: 1118896297
Category : Biography & Autobiography
Languages : en
Pages : 628
Book Description
An authoritative review of literary biography covering the seventeenth century to the twentieth century A Companion to Literary Biography offers a comprehensive account of literary biography spanning the history of the genre across three centuries. The editor – an esteemed literary biographer and noted expert in the field – has encouraged contributors to explore the theoretical and methodological questions raised by the writing of biographies of writers. The text examines how biographers have dealt with the lives of classic authors from Chaucer to contemporary figures such as Kingsley Amis. The Companion brings a new perspective on how literary biography enables the reader to deal with the relationship between the writer and their work. Literary biography is the most popular form of writing about writing, yet it has been largely neglected in the academic community. This volume bridges the gap between literary biography as a popular genre and its relevance for the academic study of literature. This important work: Allows the author of a biography to be treated as part of the process of interpretation and investigates biographical reading as an important aspect of criticism Examines the birth of literary biography at the close of the seventeenth century and considers its expansion through the eighteenth, nineteenth and twentieth centuries Addresses the status and writing of literary biography from numerous perspectives and with regard to various sources, methodologies and theories Reviews the ways in which literary biography has played a role in our perception of writers in the mainstream of the English canon from Chaucer to the present day Written for students at the undergraduate level, through postgraduate and doctoral levels, as well as academics, A Companion to Literary Biography illustrates and accounts for the importance of the literary biography as a vital element of criticism and as an index to our perception of literary history.
Publisher: John Wiley & Sons
ISBN: 1118896297
Category : Biography & Autobiography
Languages : en
Pages : 628
Book Description
An authoritative review of literary biography covering the seventeenth century to the twentieth century A Companion to Literary Biography offers a comprehensive account of literary biography spanning the history of the genre across three centuries. The editor – an esteemed literary biographer and noted expert in the field – has encouraged contributors to explore the theoretical and methodological questions raised by the writing of biographies of writers. The text examines how biographers have dealt with the lives of classic authors from Chaucer to contemporary figures such as Kingsley Amis. The Companion brings a new perspective on how literary biography enables the reader to deal with the relationship between the writer and their work. Literary biography is the most popular form of writing about writing, yet it has been largely neglected in the academic community. This volume bridges the gap between literary biography as a popular genre and its relevance for the academic study of literature. This important work: Allows the author of a biography to be treated as part of the process of interpretation and investigates biographical reading as an important aspect of criticism Examines the birth of literary biography at the close of the seventeenth century and considers its expansion through the eighteenth, nineteenth and twentieth centuries Addresses the status and writing of literary biography from numerous perspectives and with regard to various sources, methodologies and theories Reviews the ways in which literary biography has played a role in our perception of writers in the mainstream of the English canon from Chaucer to the present day Written for students at the undergraduate level, through postgraduate and doctoral levels, as well as academics, A Companion to Literary Biography illustrates and accounts for the importance of the literary biography as a vital element of criticism and as an index to our perception of literary history.
Edinburgh Companion to the First World War and the Arts
Author: Ann-Marie Einhaus
Publisher: Edinburgh University Press
ISBN: 1474425720
Category : History
Languages : en
Pages : 480
Book Description
A new exploration of literary and artistic responses to WW1 from 1914 to the presentThis authoritative reference work examines literary and artistic responses to the wars upheavals across a wide range of media and genres, from poetry to pamphlets, sculpture to television documentary, and requiems to war reporting. Rather than looking at particular forms of artistic expression in isolation and focusing only on the war and inter-war period, the 26 essays collected in this volume approach artistic responses to the war from a wide variety of angles and, where appropriate, pursue their inquiry into the present day. In 6 sections, covering Literature, the Visual Arts, Music, Periodicals and Journalism, Film and Broadcasting, and Publishing and Material Culture, a wide range of original chapters from experts across literature and the arts examine what means and approaches were employed to respond to the shock of war as well as asking such key questions as how and why literary and artistic responses to the war have changed over time, and how far later works of art are responses not only to the war itself, but to earlier cultural production.Key FeaturesOffers new insights into the breadth and depth of artistic responses to WWIEstablishes links and parallels across a wide range of different media and genresEmphasises the development of responses in different fields from 1914 to the present
Publisher: Edinburgh University Press
ISBN: 1474425720
Category : History
Languages : en
Pages : 480
Book Description
A new exploration of literary and artistic responses to WW1 from 1914 to the presentThis authoritative reference work examines literary and artistic responses to the wars upheavals across a wide range of media and genres, from poetry to pamphlets, sculpture to television documentary, and requiems to war reporting. Rather than looking at particular forms of artistic expression in isolation and focusing only on the war and inter-war period, the 26 essays collected in this volume approach artistic responses to the war from a wide variety of angles and, where appropriate, pursue their inquiry into the present day. In 6 sections, covering Literature, the Visual Arts, Music, Periodicals and Journalism, Film and Broadcasting, and Publishing and Material Culture, a wide range of original chapters from experts across literature and the arts examine what means and approaches were employed to respond to the shock of war as well as asking such key questions as how and why literary and artistic responses to the war have changed over time, and how far later works of art are responses not only to the war itself, but to earlier cultural production.Key FeaturesOffers new insights into the breadth and depth of artistic responses to WWIEstablishes links and parallels across a wide range of different media and genresEmphasises the development of responses in different fields from 1914 to the present
Tell Me What You Want
Author: Charlotte Fox Weber
Publisher: Simon and Schuster
ISBN: 1982170670
Category : Psychology
Languages : en
Pages : 320
Book Description
"This inspiring and moving exploration of the twelve fundamental psychological needs we all share goes behind the closed doors of therapy to guide us in navigating our deepest longings"--
Publisher: Simon and Schuster
ISBN: 1982170670
Category : Psychology
Languages : en
Pages : 320
Book Description
"This inspiring and moving exploration of the twelve fundamental psychological needs we all share goes behind the closed doors of therapy to guide us in navigating our deepest longings"--
'And I quote...'
Author: Elizabeth Knowles
Publisher: Oxford University Press
ISBN: 0191079367
Category : Language Arts & Disciplines
Languages : en
Pages : 223
Book Description
Quotations are an essential part of the fabric of the language. In And I quote, Elizabeth Knowles draws on her experience editing the Oxford Dictionary of Quotations and employs a wide repertoire of examples, ranging from the classical canon to contemporary popular culture, to illuminate just how and why we quote. Her investigation focuses on how we find, choose, and use quotations in 21st century English, but it also leads her back in time to follow the journeys taken by individual quotes, as their meaning changes subtly - and sometimes not so subtly - over the decades and in many cases the centuries. In following the often-surprising stories of individual quotations, we gain an understanding of how they establish themselves, and to what degree they can develop a life independent of their original coinage. Everyone has their own quotations 'vocabulary', and each reader of the book will think of further items that they would use and wish to explore, but the journeys mapped here illuminate the many fascinating ways in which quotations have embedded themselves in the language, from the earliest dictionaries of quotations to the online world we experience today.
Publisher: Oxford University Press
ISBN: 0191079367
Category : Language Arts & Disciplines
Languages : en
Pages : 223
Book Description
Quotations are an essential part of the fabric of the language. In And I quote, Elizabeth Knowles draws on her experience editing the Oxford Dictionary of Quotations and employs a wide repertoire of examples, ranging from the classical canon to contemporary popular culture, to illuminate just how and why we quote. Her investigation focuses on how we find, choose, and use quotations in 21st century English, but it also leads her back in time to follow the journeys taken by individual quotes, as their meaning changes subtly - and sometimes not so subtly - over the decades and in many cases the centuries. In following the often-surprising stories of individual quotations, we gain an understanding of how they establish themselves, and to what degree they can develop a life independent of their original coinage. Everyone has their own quotations 'vocabulary', and each reader of the book will think of further items that they would use and wish to explore, but the journeys mapped here illuminate the many fascinating ways in which quotations have embedded themselves in the language, from the earliest dictionaries of quotations to the online world we experience today.