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Author: Terence
Publisher: Penguin UK
ISBN: 0141915102
Category : Drama
Languages : en
Pages : 422
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Book Description
The Roman dramatist Terence (c. 186-159 BC) adapted many of his comedies from Greek sources, rendering them suitable for audiences of his own time by introducing subtler characterization and more complex plots. In his romantic play, The Girl from Andros, Terence portrays a love affair saved by a startling discovery. The Self-Tormentor focusses on a man's remorse after sending his son to war, and The Eunuch depicts a case of mistaken identity. Phormio is as rich in intrigue as a French farce, while The Mother-in-Law shows two families striving to save a marriage and The Brothers contrasts strict and lenient upbringings. With their tight plots and spare dialogue, Terence gave his plays a sense of humanity that became a model in the Renaissance and greatly influenced Molière.
Author: Terence
Publisher: Penguin UK
ISBN: 0141915102
Category : Drama
Languages : en
Pages : 422
Get Book Here
Book Description
The Roman dramatist Terence (c. 186-159 BC) adapted many of his comedies from Greek sources, rendering them suitable for audiences of his own time by introducing subtler characterization and more complex plots. In his romantic play, The Girl from Andros, Terence portrays a love affair saved by a startling discovery. The Self-Tormentor focusses on a man's remorse after sending his son to war, and The Eunuch depicts a case of mistaken identity. Phormio is as rich in intrigue as a French farce, while The Mother-in-Law shows two families striving to save a marriage and The Brothers contrasts strict and lenient upbringings. With their tight plots and spare dialogue, Terence gave his plays a sense of humanity that became a model in the Renaissance and greatly influenced Molière.
Author: William Congreve
Publisher:
ISBN:
Category :
Languages : en
Pages : 228
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Book Description
Author: John Pendergast
Publisher: Bloomsbury Publishing USA
ISBN:
Category : Drama
Languages : en
Pages : 215
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Book Description
With summaries, discussions, and excerpts from primary source documents, this book examines Shakespeare's world through careful consideration of the historical background of four of his comedies. Comedy was popular during the Renaissance, and it was also one of Shakespeare's specialties. The four plays discussed in this book, A Midsummer Night's Dream, The Merchant of Venice, Twelfth Night and The Tempest, span Shakespeare's career and remind us that Shakespeare, more than any of his contemporaries, explored the possibilities of comedy, consistently developing new approaches to the genre. Shakespeare was a fairly traditional playwright, well aware of the long tradition of comedy, which dates back to the Greeks and Romans. This book places Shakespeare's comedies in their historical context. It includes dedicated chapters on each of the four comedies, with each chapter providing a plot summary, a discussion of the play's historical background and significance, and excerpts from primary source documents related to the play. An introduction surveys the historical background of the plays, while a timeline chronicles key events that influenced them. Suggestions for further reading direct readers to additional sources of information.
Author: Andrew Lang
Publisher:
ISBN:
Category :
Languages : en
Pages : 26
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Book Description
Author: Intelligent Education
Publisher: Influence Publishers
ISBN: 164542555X
Category : Study Aids
Languages : en
Pages : 444
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Book Description
A comprehensive study guide offering in-depth explanation, essay, and test prep for selected works by William Shakespeare, considered one of the greatest playwrights in history. Titles in this study guide include Comedy of Errors, The Taming of the Shrew, Two Gentlemen of Verona, Love's Labour's Lost, The Merry Wives of Windsor, All's Well that Ends Well, The Winter's Tale, and Measure for Measure. As a collection of humor filled tales of Elizabethian life, the comedies depict fun, mischief, irony, mistaken identities, and intriguing wordplay. Moreover, his work draws audiences to sadness, joy, tragedy, comedy, darkness, and the depths of human experience. This Bright Notes Study Guide explores the context and history of Shakespeare’s classic work, helping students to thoroughly explore the reasons they have stood the literary test of time. Each Bright Notes Study Guide contains: - Introductions to the Author and the Work - Character Summaries - Plot Guides - Section and Chapter Overviews - Test Essay and Study Q&As The Bright Notes Study Guide series offers an in-depth tour of more than 275 classic works of literature, exploring characters, critical commentary, historical background, plots, and themes. This set of study guides encourages readers to dig deeper in their understanding by including essay questions and answers as well as topics for further research.
Author: G. J. Mallinson
Publisher: Manchester University Press
ISBN: 9780719009921
Category : Drama
Languages : en
Pages : 266
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Book Description
Author: Kate Aughterson
Publisher: Bloomsbury Publishing
ISBN: 1350317926
Category : Literary Criticism
Languages : en
Pages : 141
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Book Description
Kate Aughterson provides readers with an approachable and fascinating critical guide to the dramatic works of an important seventeenth-century woman writer. Aughterson analyses Aphra Behn's abilities as a playwright, showing particularly how she skillfully employs comic and dramatic conventions to radical ends, and how she forces her audience to engage with issues about gender and sexuality whilst retaining her witty and accessible style. Chapters in the first part of the book provide close readings of the comedies, addressing such topics as openings, endings, character types, staging, and politics and society. In the second part, Aughterson not only examines Behn's literary career and the Restoration contexts of her plays, but also looks at some sample criticism and explores Behn's drama as performance.
Author: Wm Shakespeare
Publisher:
ISBN:
Category :
Languages : en
Pages : 580
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Book Description
Author: Britannica Educational Publishing
Publisher: Britannica Educational Publishing
ISBN: 1615309330
Category : Juvenile Nonfiction
Languages : en
Pages : 135
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Book Description
In Shakespeares time, the term comedy did not necessarily denote something funny or amusing. Rather, through such plays such as A Midsummer Nights Dream and The Merchant of Venice, the playwright examines other defining characteristics of comedic dramathe social interactions of common folks and a focus on the contradictions inherent in everyday life. Readers explore the major themes of Shakespearean comedies, which have enchanted readers and theater-goers alike for centuries.
Author: Luiz Costa-lima Neto
Publisher: Lexington Books
ISBN: 1498532268
Category : Music
Languages : en
Pages : 345
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Book Description
This book clarifies the musical dramaturgy of comedy writer and musician Luiz Carlos Martins Penna (1815-48) – a notion that encompasses both the theatrical text and its performance. The corpus for this analysis is composed of twelve comedies by Martins Penna written between 1833 and 1846, divided into three groups, which I have called Lundu, Aria, and Alleluia. The sound universe made up by the three groups of comedies covers African-Brazilian genres and musical-choreographic styles (batuque, fado, lundu, miudinho, muquirão), the transnational urban popular universe (lundu, tirana, quadrilha, marcha, waltz, caxuxa, tonadilla, polka), and modinhas and Italian opera, in addition to romantic concertos, Gregorian chant and Iberian religious theater (loas). To evaluate the multiple meanings acquired by the musical allusions inserted into the comedy texts and theatrical performances, this research reveals the network which included the author, actors, theater owners, publishers and the public, and other agents, such as black Catholic irmandades (brotherhoods), Freemasonry, and institutions linked to the imperial government. The sound universe of the comedies of Martins Penna are compared to the comedic axes of the Western theatrical tradition (a study of situations and characters) and the axes of performance (solo and chorus), contemplating the relationship between the repertoires written by Martins Penna and the repertoires of Brazilians and Portuguese artists, a mix of actors, singers and dancers, who performed in his comedies. The research questions the notion of authorship and reveals the importance of the partnership between theatrical writers, artists and publishers, through which the comedies of Martins Penna have reached the second half of the nineteenth century through the present.
