Author: Matthew Wright
Publisher: A&C Black
ISBN: 1780933460
Category : Literary Criticism
Languages : en
Pages : 257
Book Description
Some of the best evidence for the early development of literary criticism before Plato and Aristotle comes from Athenian Old Comedy. Playwrights such as Eupolis, Cratinus, Aristophanes and others wrote numerous comedies on literary themes, commented on their own poetry and that of their rivals, and played around with ideas and theories from the contemporary intellectual scene. How can we make use of the evidence of comedy? Why were the comic poets so preoccupied with questions of poetics? What criteria emerge from comedy for the evaluation of literature? What do the ancient comedians' jokes say about their own literary tastes and those of their audience? How do different types of readers in antiquity evaluate texts, and what are the similarities and differences between 'popular' and 'professional' literary criticism? Does Greek comedy have anything serious to say about the authors and texts it criticizes? How can the comedians be related to the later literary-critical tradition represented by Plato, Aristotle and subsequent writers? This book attempts to answer these questions by examining comedy in its social and intellectual context, and by using approaches from modern literary theory to cast light on the ancient material.
The Comedian as Critic
Author: Matthew Wright
Publisher: A&C Black
ISBN: 1780933460
Category : Literary Criticism
Languages : en
Pages : 257
Book Description
Some of the best evidence for the early development of literary criticism before Plato and Aristotle comes from Athenian Old Comedy. Playwrights such as Eupolis, Cratinus, Aristophanes and others wrote numerous comedies on literary themes, commented on their own poetry and that of their rivals, and played around with ideas and theories from the contemporary intellectual scene. How can we make use of the evidence of comedy? Why were the comic poets so preoccupied with questions of poetics? What criteria emerge from comedy for the evaluation of literature? What do the ancient comedians' jokes say about their own literary tastes and those of their audience? How do different types of readers in antiquity evaluate texts, and what are the similarities and differences between 'popular' and 'professional' literary criticism? Does Greek comedy have anything serious to say about the authors and texts it criticizes? How can the comedians be related to the later literary-critical tradition represented by Plato, Aristotle and subsequent writers? This book attempts to answer these questions by examining comedy in its social and intellectual context, and by using approaches from modern literary theory to cast light on the ancient material.
Publisher: A&C Black
ISBN: 1780933460
Category : Literary Criticism
Languages : en
Pages : 257
Book Description
Some of the best evidence for the early development of literary criticism before Plato and Aristotle comes from Athenian Old Comedy. Playwrights such as Eupolis, Cratinus, Aristophanes and others wrote numerous comedies on literary themes, commented on their own poetry and that of their rivals, and played around with ideas and theories from the contemporary intellectual scene. How can we make use of the evidence of comedy? Why were the comic poets so preoccupied with questions of poetics? What criteria emerge from comedy for the evaluation of literature? What do the ancient comedians' jokes say about their own literary tastes and those of their audience? How do different types of readers in antiquity evaluate texts, and what are the similarities and differences between 'popular' and 'professional' literary criticism? Does Greek comedy have anything serious to say about the authors and texts it criticizes? How can the comedians be related to the later literary-critical tradition represented by Plato, Aristotle and subsequent writers? This book attempts to answer these questions by examining comedy in its social and intellectual context, and by using approaches from modern literary theory to cast light on the ancient material.
Lenny Bruce
Author: Frank Kofsky
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 136
Book Description
From the Peter Neil Issacs collection.
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 136
Book Description
From the Peter Neil Issacs collection.
The Comedian as Critic
Author: Matthew Ephraim Wright
Publisher:
ISBN: 9781472555793
Category : Criticism
Languages : en
Pages : 238
Book Description
"Some of the best evidence for the early development of literary criticism before Plato and Aristotle comes from Athenian Old Comedy. Playwrights such as Eupolis, Cratinus, Aristophanes and others wrote numerous comedies on literary themes, commented on their own poetry and that of their rivals, and played around with ideas and theories from the contemporary intellectual scene. How can we make use of the evidence of comedy? Why were the comic poets so preoccupied with questions of poetics? What criteria emerge from comedy for the evaluation of literature? What do the ancient comedians' jokes say about their own literary tastes and those of their audience? How do different types of readers in antiquity evaluate texts, and what are the similarities and differences between 'popular' and 'professional' literary criticism? Does Greek comedy have anything serious to say about the authors and texts it criticizes? How can the comedians be related to the later literary-critical tradition represented by Plato, Aristotle and subsequent writers? This book attempts to answer these questions by examining comedy in its social and intellectual context, and by using approaches from modern literary theory to cast light on the ancient material."--Bloomsbury Publishing.
Publisher:
ISBN: 9781472555793
Category : Criticism
Languages : en
Pages : 238
Book Description
"Some of the best evidence for the early development of literary criticism before Plato and Aristotle comes from Athenian Old Comedy. Playwrights such as Eupolis, Cratinus, Aristophanes and others wrote numerous comedies on literary themes, commented on their own poetry and that of their rivals, and played around with ideas and theories from the contemporary intellectual scene. How can we make use of the evidence of comedy? Why were the comic poets so preoccupied with questions of poetics? What criteria emerge from comedy for the evaluation of literature? What do the ancient comedians' jokes say about their own literary tastes and those of their audience? How do different types of readers in antiquity evaluate texts, and what are the similarities and differences between 'popular' and 'professional' literary criticism? Does Greek comedy have anything serious to say about the authors and texts it criticizes? How can the comedians be related to the later literary-critical tradition represented by Plato, Aristotle and subsequent writers? This book attempts to answer these questions by examining comedy in its social and intellectual context, and by using approaches from modern literary theory to cast light on the ancient material."--Bloomsbury Publishing.
Comedy and Critical Thought
Author: Iain MacKenzie
Publisher: Rowman & Littlefield
ISBN: 1786604086
Category : Social Science
Languages : en
Pages : 246
Book Description
Throughout history, comedians and clowns have enjoyed a certain freedom to speak frankly often denied to others in hegemonic systems. More recently, professional comedians have developed platforms of comic license from which to critique the traditional political establishment and have managed to play an important role in interrogating and mediating the processes of politics in contemporary society. This collection will examine the questions that arise when of comedy and critique intersect by bringing together both critical theorists and comedy scholars with a view to exploring the nature of comedy, its potential role in critical theory and the forms it can take as a practice of resistance.
Publisher: Rowman & Littlefield
ISBN: 1786604086
Category : Social Science
Languages : en
Pages : 246
Book Description
Throughout history, comedians and clowns have enjoyed a certain freedom to speak frankly often denied to others in hegemonic systems. More recently, professional comedians have developed platforms of comic license from which to critique the traditional political establishment and have managed to play an important role in interrogating and mediating the processes of politics in contemporary society. This collection will examine the questions that arise when of comedy and critique intersect by bringing together both critical theorists and comedy scholars with a view to exploring the nature of comedy, its potential role in critical theory and the forms it can take as a practice of resistance.
The Humorist
Author: Russell Kane
Publisher: Simon and Schuster
ISBN: 0857209264
Category : Fiction
Languages : en
Pages : 268
Book Description
Survivor, genius, critic. Murderer. Meet Benjamin Davids White, blessed since his infancy with an extraordinary gift: to understand humour at its deepest level. Yet Benjamin is cursed, too: in all his life, he has never laughed or smiled. At the height of his profession as a comedy critic, yet lacking any kind of human empathy, Benjamin discovers a formula that will allow him to construct the most powerful joke the world has ever known. A joke that has the power to kill...
Publisher: Simon and Schuster
ISBN: 0857209264
Category : Fiction
Languages : en
Pages : 268
Book Description
Survivor, genius, critic. Murderer. Meet Benjamin Davids White, blessed since his infancy with an extraordinary gift: to understand humour at its deepest level. Yet Benjamin is cursed, too: in all his life, he has never laughed or smiled. At the height of his profession as a comedy critic, yet lacking any kind of human empathy, Benjamin discovers a formula that will allow him to construct the most powerful joke the world has ever known. A joke that has the power to kill...
Aesthetical Relations
Author: Christina Catherine Martinez
Publisher: Hesse Press
ISBN: 9781948434034
Category :
Languages : en
Pages : 84
Book Description
Literary Nonfiction. Art. Edited by Clare Kelly. AESTHETICAL RELATIONS is a constellation of essays on art, fashion, cancer, comedy, Los Angeles, and your mom. Martinez whips elements of fiction and stand up material into bits and pieces addressing both the critical and personal; including how many times you may kiss an art-world acquaintance, the theoretical stakes of sexting, and why German performance art is quite like French clowning. AESTHETICAL RELATIONS is titled after Martinez's ongoing conceptual comedy talk show of the same name. With an introduction by writer and comedian Jamie Loftus.
Publisher: Hesse Press
ISBN: 9781948434034
Category :
Languages : en
Pages : 84
Book Description
Literary Nonfiction. Art. Edited by Clare Kelly. AESTHETICAL RELATIONS is a constellation of essays on art, fashion, cancer, comedy, Los Angeles, and your mom. Martinez whips elements of fiction and stand up material into bits and pieces addressing both the critical and personal; including how many times you may kiss an art-world acquaintance, the theoretical stakes of sexting, and why German performance art is quite like French clowning. AESTHETICAL RELATIONS is titled after Martinez's ongoing conceptual comedy talk show of the same name. With an introduction by writer and comedian Jamie Loftus.
Performing Marginality
Author: Joanne R. Gilbert
Publisher: Wayne State University Press
ISBN: 9780814328033
Category : Biography & Autobiography
Languages : en
Pages : 260
Book Description
An academic study of stand-up comedy performed by females. This will aid in the understanding of power structures in our society.
Publisher: Wayne State University Press
ISBN: 9780814328033
Category : Biography & Autobiography
Languages : en
Pages : 260
Book Description
An academic study of stand-up comedy performed by females. This will aid in the understanding of power structures in our society.
Comedy and Distinction
Author: Sam Friedman
Publisher: Routledge
ISBN: 1135009015
Category : Social Science
Languages : en
Pages : 241
Book Description
This book was shortlisted for the 2015 BSA Philip Abrams Memorial Prize. Comedy is currently enjoying unprecedented growth within the British culture industries. Defying the recent economic downturn, it has exploded into a booming billion-pound industry both on TV and on the live circuit. Despite this, academia has either ignored comedy or focused solely on analysing comedians or comic texts. This scholarship tends to assume that through analysing an artist’s intentions or techniques, we can somehow understand what is and what isn’t funny. But this poses a fundamental question – funny to whom? How can we definitively discern how audiences react to comedy? Comedy and Distinction shifts the focus to provide the first ever empirical examination of British comedy taste. Drawing on a large-scale survey and in-depth interviews carried out at the Edinburgh Festival Fringe, the book explores what types of comedy people like (and dislike), what their preferences reveal about their sense of humour, how comedy taste lubricates everyday interaction, and how issues of social class, gender, ethnicity and geographical location interact with patterns of comic taste. Friedman asks: Are some types of comedy valued higher than others in British society? Does more ‘legitimate’ comedy taste act as a tangible resource in social life – a form of cultural capital? What role does humour play in policing class boundaries in contemporary Britain? This book will be of interest to students and scholars of sociology, social class, social theory, cultural studies and comedy studies.
Publisher: Routledge
ISBN: 1135009015
Category : Social Science
Languages : en
Pages : 241
Book Description
This book was shortlisted for the 2015 BSA Philip Abrams Memorial Prize. Comedy is currently enjoying unprecedented growth within the British culture industries. Defying the recent economic downturn, it has exploded into a booming billion-pound industry both on TV and on the live circuit. Despite this, academia has either ignored comedy or focused solely on analysing comedians or comic texts. This scholarship tends to assume that through analysing an artist’s intentions or techniques, we can somehow understand what is and what isn’t funny. But this poses a fundamental question – funny to whom? How can we definitively discern how audiences react to comedy? Comedy and Distinction shifts the focus to provide the first ever empirical examination of British comedy taste. Drawing on a large-scale survey and in-depth interviews carried out at the Edinburgh Festival Fringe, the book explores what types of comedy people like (and dislike), what their preferences reveal about their sense of humour, how comedy taste lubricates everyday interaction, and how issues of social class, gender, ethnicity and geographical location interact with patterns of comic taste. Friedman asks: Are some types of comedy valued higher than others in British society? Does more ‘legitimate’ comedy taste act as a tangible resource in social life – a form of cultural capital? What role does humour play in policing class boundaries in contemporary Britain? This book will be of interest to students and scholars of sociology, social class, social theory, cultural studies and comedy studies.
The Boy Who Made Everyone Laugh
Author: Helen Rutter
Publisher: Scholastic Inc.
ISBN: 1338652281
Category : Juvenile Fiction
Languages : en
Pages : 186
Book Description
When life is funny, make some jokes about it. Billy Plimpton has a big dream: to become a famous comedian when he grows up. He already knows a lot of jokes, but thinks he has one big problem standing in his way: his stutter. At first, Billy thinks the best way to deal with this is to . . . never say a word. That way, the kids in his new school won’t hear him stammer. But soon he finds out this is NOT the best way to deal with things. (For one thing, it’s very hard to tell a joke without getting a word out.) As Billy makes his way toward the spotlight, a lot of funny things (and some less funny things) happen to him. In the end, the whole school will know -- If you think you can hold Billy Plimpton back, be warned: The joke will soon be on you!
Publisher: Scholastic Inc.
ISBN: 1338652281
Category : Juvenile Fiction
Languages : en
Pages : 186
Book Description
When life is funny, make some jokes about it. Billy Plimpton has a big dream: to become a famous comedian when he grows up. He already knows a lot of jokes, but thinks he has one big problem standing in his way: his stutter. At first, Billy thinks the best way to deal with this is to . . . never say a word. That way, the kids in his new school won’t hear him stammer. But soon he finds out this is NOT the best way to deal with things. (For one thing, it’s very hard to tell a joke without getting a word out.) As Billy makes his way toward the spotlight, a lot of funny things (and some less funny things) happen to him. In the end, the whole school will know -- If you think you can hold Billy Plimpton back, be warned: The joke will soon be on you!
Comedy at the Edge
Author: Richard Zoglin
Publisher: Bloomsbury Publishing USA
ISBN: 1582346259
Category : Performing Arts
Languages : en
Pages : 257
Book Description
Surveys the stand-up comedy of the 1970s, citing the contributions of celebrity comics, from George Carlin and Richard Pryor to Robin Williams and Andy Kaufman, in an account that also evaluates the roles played by such clubs as Catch a Rising Star, the Improv, and the Comedy Store.
Publisher: Bloomsbury Publishing USA
ISBN: 1582346259
Category : Performing Arts
Languages : en
Pages : 257
Book Description
Surveys the stand-up comedy of the 1970s, citing the contributions of celebrity comics, from George Carlin and Richard Pryor to Robin Williams and Andy Kaufman, in an account that also evaluates the roles played by such clubs as Catch a Rising Star, the Improv, and the Comedy Store.