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Author: Richard J. Arndt
Publisher: McFarland
ISBN: 0786470259
Category : Literary Criticism
Languages : en
Pages : 297
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Book Description
In 1954, the comic book industry instituted the Comics Code, a set of self-regulatory guidelines imposed to placate public concern over gory and horrific comic book content, effectively banning genuine horror comics. Because the Code applied only to color comics, many artists and writers turned to black and white to circumvent the Code's narrow confines. With the 1964 Creepy #1 from Warren Publishing, black-and-white horror comics experienced a revival continuing into the early 21st century, an important step in the maturation of the horror genre within the comics field as a whole. This generously illustrated work offers a comprehensive history and retrospective of the black-and-white horror comics that flourished on the newsstands from 1964 to 2004. With a catalog of original magazines, complete credits and insightful analysis, it highlights an important but overlooked period in the history of comics.
Author: Richard J. Arndt
Publisher: McFarland
ISBN: 0786470259
Category : Literary Criticism
Languages : en
Pages : 297
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Book Description
In 1954, the comic book industry instituted the Comics Code, a set of self-regulatory guidelines imposed to placate public concern over gory and horrific comic book content, effectively banning genuine horror comics. Because the Code applied only to color comics, many artists and writers turned to black and white to circumvent the Code's narrow confines. With the 1964 Creepy #1 from Warren Publishing, black-and-white horror comics experienced a revival continuing into the early 21st century, an important step in the maturation of the horror genre within the comics field as a whole. This generously illustrated work offers a comprehensive history and retrospective of the black-and-white horror comics that flourished on the newsstands from 1964 to 2004. With a catalog of original magazines, complete credits and insightful analysis, it highlights an important but overlooked period in the history of comics.
Author: Library of Congress. Copyright Office
Publisher:
ISBN:
Category : Copyright
Languages : en
Pages : 1324
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Book Description
Author: J. D. White
Publisher:
ISBN:
Category : Dentistry
Languages : en
Pages :
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Author:
Publisher:
ISBN:
Category : Popular music
Languages : en
Pages : 168
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Book Description
Author: Various
Publisher: Dark Horse Books
ISBN: 1506712347
Category : Comics & Graphic Novels
Languages : en
Pages : 336
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Book Description
Presents classic stories from the horror comics magazine Eerie featuring artwork and stories from such comics legends as Archie Goodwin, Gene Colan, Steve Ditko, Gray Morrow, Neal Adams, and Frank Frazetta.
Author: Various
Publisher:
ISBN: 9781947784123
Category : Human-alien encounters
Languages : en
Pages : 0
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Book Description
Celebrating 35 years of the legendary band, this hardcover volume collects 35 short stories inspired by 35 of Megadeth's most killer songs!
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 107
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Book Description
In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.
Author: Simon Wolin
Publisher: Taylor & Francis
ISBN: 1040005314
Category : Political Science
Languages : en
Pages : 372
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Book Description
The Soviet Secret Police (1957) depicts the main aspects of the development, structure and functions of the secret police of the Soviet Union. Much of the information contained within comes from the personal testimony of Soviet citizens who had experienced various activities of the secret police, and forms a full and objective study of the secret police and its role in the Soviet system.
Author: Albert Abramson
Publisher: McFarland
ISBN: 0786432438
Category : Performing Arts
Languages : en
Pages : 319
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Book Description
Albert Abramson published (with McFarland) in 1987 a landmark volume titled The History of Television, 1880-1941 ("massive...research"--Library Journal; "voluminous documentation"--Choice; "many striking old photos"--The TV Collector). At last he has produced the follow-up volume; the reader may be assured there is no other book in any language that is remotely comparable to it. Together, these two volumes provide the definitive technical history of the medium. Upon the development in the mid-1940s of new cameras and picture tubes that made commercial television possible worldwide, the medium rose rapidly to prominence. Perhaps even more important was the invention of the video tape recorder in 1956, allowing editing, re-shooting and rebroadcasting. This second volume, 1942 to 2000 covers these significant developments and much more. Chapters are devoted to television during World War II and the postwar era, the development of color television, Ampex Corporation's contributions, television in Europe, the change from helical to high band technology, solid state cameras, the television coverage of Apollo II, the rise of electronic journalism, television entering the studios, the introduction of the camcorder, the demise of RCA at the hands of GE, the domination of Sony and Matsushita, and the future of television in e-cinema and the 1080 P24 format. The book is heavily illustrated (as is the first volume).
Author: George Frederick Shrady
Publisher:
ISBN:
Category : Medicine
Languages : en
Pages : 774
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Book Description