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Author: Alex von Tunzelmann
Publisher: HarperCollins
ISBN: 0063081695
Category : History
Languages : en
Pages : 282
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Book Description
An Economist Best Book of the Year In this timely and lively look at the act of toppling monuments, the popular historian and author of Blood and Sand explores the vital question of how a society remembers—and confronts—the past. In 2020, history came tumbling down. From the US and the UK to Belgium, New Zealand, and Bangladesh, Black Lives Matter protesters defaced, and in some cases, hauled down statues of Confederate icons, slaveholders, and imperialists. General Robert E. Lee, head of the Confederate Army, was covered in graffiti in Richmond, Virginia. Edward Colston, a member of Parliament and slave trader, was knocked off his plinth in Bristol, England, and hurled into the harbor. Statues of Christopher Columbus were toppled in Minnesota, burned and thrown into a lake in Virginia, and beheaded in Massachusetts. Belgian King Leopold II was set on fire in Antwerp and doused in red paint in Ghent. Winston Churchill’s monument in London was daubed with the word “racist.” As these iconic effigies fell, the backlash was swift and intense. But as the past three hundred years have shown, history is not erased when statues are removed. If anything, Alex von Tunzelmann reminds us, it is made. Exploring the rise and fall of twelve famous, yet now controversial statues, she takes us on a fascinating global historical tour around North America, Western and Eastern Europe, Latin America and Asia, filled with larger than life characters and dramatic stories. Von Tunzelmann reveals that statues are not historical records but political statements and distinguishes between statuary—the representation of “virtuous” individuals, usually “Great Men”—and other forms of sculpture, public art, and memorialization. Nobody wants to get rid of all memorials. But Fallen Idols asks: have statues had their day?
Author: Alex von Tunzelmann
Publisher: HarperCollins
ISBN: 0063081695
Category : History
Languages : en
Pages : 282
Get Book Here
Book Description
An Economist Best Book of the Year In this timely and lively look at the act of toppling monuments, the popular historian and author of Blood and Sand explores the vital question of how a society remembers—and confronts—the past. In 2020, history came tumbling down. From the US and the UK to Belgium, New Zealand, and Bangladesh, Black Lives Matter protesters defaced, and in some cases, hauled down statues of Confederate icons, slaveholders, and imperialists. General Robert E. Lee, head of the Confederate Army, was covered in graffiti in Richmond, Virginia. Edward Colston, a member of Parliament and slave trader, was knocked off his plinth in Bristol, England, and hurled into the harbor. Statues of Christopher Columbus were toppled in Minnesota, burned and thrown into a lake in Virginia, and beheaded in Massachusetts. Belgian King Leopold II was set on fire in Antwerp and doused in red paint in Ghent. Winston Churchill’s monument in London was daubed with the word “racist.” As these iconic effigies fell, the backlash was swift and intense. But as the past three hundred years have shown, history is not erased when statues are removed. If anything, Alex von Tunzelmann reminds us, it is made. Exploring the rise and fall of twelve famous, yet now controversial statues, she takes us on a fascinating global historical tour around North America, Western and Eastern Europe, Latin America and Asia, filled with larger than life characters and dramatic stories. Von Tunzelmann reveals that statues are not historical records but political statements and distinguishes between statuary—the representation of “virtuous” individuals, usually “Great Men”—and other forms of sculpture, public art, and memorialization. Nobody wants to get rid of all memorials. But Fallen Idols asks: have statues had their day?
Author: Shelly Bhoil
Publisher: Rowman & Littlefield
ISBN: 1498552366
Category : History
Languages : en
Pages : 276
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Book Description
With its analytic focus on the cultural production by Tibetans-in-exile, this volume examines contemporary Tibetan fiction, poetry, music, art, cinema, pamphlets, testimony, and memoir. The twelve case studies highlight the themes of Tibetans’ self-representation, politicized national consciousness, religious and cultural heritages, and resistance to the forces of colonization. This book demonstrates how Tibetan cultural narratives adjust to intercultural influences and ongoing social and political struggles in exile.
Author: Philip Swanson
Publisher: Routledge
ISBN: 1134643098
Category : Foreign Language Study
Languages : en
Pages : 294
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Book Description
What is 'Latin American Studies'? This companion gives a concise and accessible overview of the discipline. Covering a wide range of topics, from colonial cultures and identity to US Latino culture and issues of race, gender and sexuality, this book goes beyond conventional literary companions and situates Latin America in its historical, social, political, literary and cultural context. This essential book provides the key introductory information on the subject and will be especially useful for students taking or considering taking courses in Hispanic or Latin American Studies. Written by an international team of experts, each chapter supplies the necessary basic information and a sound introduction to central ideas, issues and debates. In addition to 12 chapters on the main topics in Latin American Studies, the companion includes an introduction, time chart, glossary and suggestions for further reading.
Author: Colonization Society of the State of New York
Publisher:
ISBN:
Category : African Americans
Languages : en
Pages : 132
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Book Description
Author: David A. Brondos
Publisher: David A. Brondos
ISBN: 607980347X
Category : Religion
Languages : en
Pages : 379
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Book Description
In recent years, a growing number of New Testament scholars have questioned traditional portrayals of the Apostle Paul as a leader of a new religious movement that set faith in Christ in opposition to the Jewish tradition. Instead, they have stressed the need to interpret Paul from within the Judaism of his day, regarding him as a faithful Jew who cherished deeply his Jewish identity and saw observance of the Mosaic law or Torah among Jewish believers in Christ as a good thing. While the present work argues strongly in favor of this latter interpretation of Paul, it also seeks to delve deeper into his thought in order to explore at length the points of continuity and convergence between Paul and the Judaism(s) of his day as well as the beliefs that distinguished him from his fellow Jews who did not share his faith in Christ. Chief among these beliefs was the conviction that the identity and will of God were now to be defined primarily on the basis of his relation to Jesus his Son, through whom he had intended from the start to accomplish his purposes for Israel and the world. Yet rather than bringing Paul to reject his Jewish heritage, this conviction led him to redefine and resignify around Christ his understanding of Judaism and the way of life prescribed in the Torah, thereby filling them with new meaning, though he also continued to value and uphold them for the same reasons he had previously. According to Paul, the purpose for which God had sent his Son and delivered him up to death was not that he might atone for sins or make it possible for God to forgive sins, as later Christian thought came to affirm, but rather that through him he might establish a new community in which Jews and non-Jews would be brought to live together as one in fellowship and solidarity. While Paul expected his fellow Jews to continue to live as Jews and members of Israel within this community, which he called the ekklēsia, his conviction that those non-Jews who lived faithfully as part of the same community yet did not submit fully to the Mosaic law were equally acceptable and righteous in God’s sight led him to oppose all attempts to impose on them the observance of that law. Such attempts implied that the members of the community who observed the law were to be regarded as more righteous or as superior in some way to those who did not and thus threatened to destroy the very fabric of the communities that Paul had worked so hard to establish. Rather than running contrary to Jewish thought, Paul’s teaching that it was a life of faith rather than the observance of works of the law per se that led people to be accepted as righteous by God would have been regarded by most Jews as being fully in accordance with traditional Jewish belief. What they would have found novel was Paul’s claim that faith in the God of Israel was now to be equated with faith in Jesus as his Son or “Christ-faith” and that through such a faith non-Jews who did not observe the law could come to be as fully acceptable to God as those Jews who did. Paul’s redefinition of God and Judaism around Jesus as God’s Son would have led many of his fellow Jews to conclude that he was proclaiming a God who was distinct from the God in whom the people of Israel had believed from time immemorial, since that God was never thought to have such a Son and much less to have intended to exalt him to his right side as Lord of all after handing him over to death on a cross. From the perspective of Paul and his fellow believers in Christ, however, the God of Israel and the God and Father of Jesus Christ were one and the same.
Author: Joost de Bruin
Publisher: Routledge
ISBN: 1317185463
Category : Music
Languages : en
Pages : 263
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Book Description
Since the first series of Pop Idol aired in the UK just over a decade ago, Idols television shows have been broadcast in more than forty countries all over the world. In all those countries the global Idols format has been adapted to local cultures and production contexts, resulting in a plethora of different versions, ranging from the Dutch Idols to the Pan-Arab Super Star and from Nigerian Idol to the international blockbuster American Idol. Despite its worldwide success and widespread journalistic coverage, the Idols phenomenon has received only limited academic attention. Adapting Idols: Authenticity, Identity and Performance in a Global Television Format brings together original studies from scholars in different parts of the world to identify and evaluate the productive dimensions of Idols. As one of the world's most successful television formats, Idols offers a unique case for the study of cultural globalization. Chapters discuss how Idols shows address particular national or regional identity politics and how Idols is consumed by audiences in different territories. This book illustrates that even though the same television format is used in countries all over the globe, practices of adaptation can still result in the creation of unique local cultural products.
Author: Rebecca Zorach
Publisher: Routledge
ISBN: 1351543555
Category : History
Languages : en
Pages : 384
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Book Description
After 1500, as Catholic Europe fragmented into warring sects, evidence of a pagan past came newly into view, and travelers to distant places encountered deeply unfamiliar visual cultures, it became ever more pressing to distinguish between the sacred image and its opposite, the 'idol'. Historians and philosophers have long attended to Reformation charges of idolatry - the premise for image-breaking - but only very recently have scholars begun to consider the ways that the idol occasioned the making no less than the destruction. The present book focuses on how idols and ideas about them matter for the history of early modern objects produced around the globe, especially those created in the context of an exchange or confrontation between an 'us' and a 'them'. Ranging widely within the early modern period, the volume contributes to the project of globalizing the study of European art, bringing the continent's commercial, colonial, antiquarian, and religious histories into dialogue. Its studies of crosses, statues on columns, wax ex-votos, ivories, prints, maps, manuscripts, fountains, banners, and New World gold all frame Western 'art' simultaneously as an idea and as a collection of real things, arguing that it was through the idol that object-makers and writers came to terms with what it was that art should be, and do.
Author: Gooyong Kim
Publisher: Rowman & Littlefield
ISBN: 1498548830
Category : Music
Languages : en
Pages : 191
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Book Description
Focusing on female idols’ proliferation in the South Korean popular music (K-pop) industry since the late 1990s, Gooyong Kim critically analyzes structural conditions of possibilities in contemporary popular music from production to consumption. Kim contextualizes the success of K-pop within Korea’s development trajectories, scrutinizing how a formula of developments from the country’ rapid industrial modernization (1960s-1980s) was updated and re-applied in the K-pop industry when the state had to implement a series of neoliberal reformations mandated by the IMF. To that end, applying Michel Foucault’s discussion on governmentality, a biopolitical dimension of neoliberalism, Kim argues how the regime of free market capitalism updates and reproduces itself by 1) forming a strategic alliance of interests with the state, and 2) using popular culture to facilitate individuals’ subjectification and subjectivation processes to become neoliberal agents. As to an importance of K-pop female idols, Kim indicates a sustained utility/legacy of the nation’s century-long patriarchy in a neoliberal development agenda. Young female talents have been mobilized and deployed in the neoliberal culture industry in a similar way to how un-wed, obedient female workers were exploited and disposed on the sweatshop factory floors to sustain the state’s export-oriented, labor-intensive manufacturing industry policy during its rapid developmental stage decades ago. In this respect, Kim maintains how a post-feminist, neoliberal discourse of girl power has marketed young, female talents as effective commodities, and how K-pop female idols exert biopolitical power as an active ideological apparatus that pleasurably perpetuates and legitimates neoliberal mantras in individuals’ everyday lives. Thus, Kim reveals there is a strategic convergence between Korea’s lingering legacies of patriarchy, developmentalism, and neoliberalism. While the current K-pop literature is micro-scopic and celebratory, Kim advances the scholarship by multi-perspectival, critical approaches. With a well-balanced perspective by micro-scopic textual analyses of music videos and macro-scopic examinations of historical and political economy backgrounds, Kim’s book provides a wealth of intriguing research agendas on the phenomenon, and will be a useful reference in International/ Intercultural Communication, Political Economy of the Media, Cultural/ Media Studies, Gender/ Sexuality Studies, Asian Studies, and Korean Studies.
Author: Harry H. Johnston
Publisher: Cambridge University Press
ISBN: 0521231280
Category : History
Languages : en
Pages : 539
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Book Description
Part of the Cambridge Historical Series, this 1913 edition extensively changes the 1899 original, and expresses Sir Harry Johnston's (1858-1927) perspective on African colonization.
Author: Herbert Eugene Bolton
Publisher:
ISBN:
Category : France
Languages : en
Pages : 650
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Book Description
