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Author: Rashna Darius Nicholson
Publisher: Springer Nature
ISBN: 3030658368
Category : Performing Arts
Languages : en
Pages : 328
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Book Description
The Colonial Public and the Parsi Stage is the first comprehensive study of the Parsi theatre, colonial South and Southeast Asia’s most influential cultural phenomenon and the precursor of the Indian cinema industry. By providing extensive, unpublished information on its first actors, audiences, production methods, and plays, this book traces how the theatre—which was one of the first in the Indian subcontinent to adopt European stagecraft—transformed into a pan-Asian entertainment industry in the second half of the nineteenth century. Nicholson sheds light on the motivations that led to the development of the popular, commercial theatre movement in Asia through three areas of investigation: the vernacular public sphere, the emergence of competing visions of nationhood, and the narratological function that women served within a continually shifting socio-political order. The book will be of interest to scholars across several disciplines, including cultural history, gender studies, Victorian studies, the sociology of religion, colonialism, and theatre.
Author: Rashna Darius Nicholson
Publisher: Springer Nature
ISBN: 3030658368
Category : Performing Arts
Languages : en
Pages : 328
Get Book Here
Book Description
The Colonial Public and the Parsi Stage is the first comprehensive study of the Parsi theatre, colonial South and Southeast Asia’s most influential cultural phenomenon and the precursor of the Indian cinema industry. By providing extensive, unpublished information on its first actors, audiences, production methods, and plays, this book traces how the theatre—which was one of the first in the Indian subcontinent to adopt European stagecraft—transformed into a pan-Asian entertainment industry in the second half of the nineteenth century. Nicholson sheds light on the motivations that led to the development of the popular, commercial theatre movement in Asia through three areas of investigation: the vernacular public sphere, the emergence of competing visions of nationhood, and the narratological function that women served within a continually shifting socio-political order. The book will be of interest to scholars across several disciplines, including cultural history, gender studies, Victorian studies, the sociology of religion, colonialism, and theatre.
Author: Lata Singh
Publisher: OUP India
ISBN: 9780198060970
Category : Literary Criticism
Languages : en
Pages : 362
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Book Description
This volume brings together writings on different aspects of theatre in colonial India-history, popular culture, gender and sexuality, biographies, power struggles, IPTA, and regional theatre.
Author: Mitra Sharafi
Publisher: Cambridge University Press
ISBN: 1107047978
Category : History
Languages : en
Pages : 369
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Book Description
This book explores the legal culture of the Parsis, or Zoroastrians, an ethnoreligious community unusually invested in the colonial legal system of British India and Burma. Rather than trying to maintain collective autonomy and integrity by avoiding interaction with the state, the Parsis sank deep into the colonial legal system itself. From the late eighteenth century until India's independence in 1947, they became heavy users of colonial law, acting as lawyers, judges, litigants, lobbyists, and legislators. They de-Anglicized the law that governed them and enshrined in law their own distinctive models of the family and community by two routes: frequent intra-group litigation often managed by Parsi legal professionals in the areas of marriage, inheritance, religious trusts, and libel, and the creation of legislation that would become Parsi personal law. Other South Asian communities also turned to law, but none seems to have done so earlier or in more pronounced ways than the Parsis.
Author: Saba Dewan
Publisher: Context
ISBN: 9395073594
Category : Biography & Autobiography
Languages : en
Pages : 804
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Book Description
About the Book A NUANCED AND POWERFUL MICROHISTORY SET AGAINST THE SWEEP OF INDIAN HISTORY. Dharmman Bibi rode into battle during the revolt of 1857 shoulder to shoulder with her patron lover Babu Kunwar Singh. Sadabahar entranced even snakes and spirits with her music, but eventually gave her voice to Baba Court Shaheed. Her foster mothers Bullan and Kallan fought their malevolent brother and an unjust colonial law all the way to the Privy Council—and lost everything. Their great-granddaughter Teema paid for the family’s ruination with her childhood and her body. Bindo, Asghari, Phoolmani, Pyaari … there are so many stories in this family. And you—one of the best-known tawaifs of your times—remember the stories of your foremothers and your own. This is a history, a multi-generational chronicle of one family of well-known tawaifs with roots in Banaras and Bhabua. Through their stories and self-histories, Saba Dewan explores the nuances that conventional narratives have erased, papered over or wilfully rewritten. In a not-so-distant past, tawaifs played a crucial role in the social and cultural life of northern India. They were skilled singers and dancers, and also companions and lovers to men from the local elite. It is from the art practice of tawaifs that kathak evolved and the purab ang thumri singing of Banaras was born. At a time when women were denied access to the letters, tawaifs had a grounding in literature and politics, and their kothas were centres of cultural refinement. Yet, as affluent and powerful as they were, tawaifs were marked by the stigma of being women in the public gaze, accessible to all. In the colonial and nationalist discourse of the nineteenth and twentieth centuries, this stigma deepened into criminalisation and the violent dismantling of a community. Tawaifnama is the story of that process of change, a nuanced and powerful microhistory set against the sweep of Indian history.
Author: Dafna Ruppin
Publisher: Indiana University Press
ISBN: 0861969235
Category : Social Science
Languages : en
Pages : 361
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Book Description
This fascinating study of early cinema in the Netherlands Indies explores the influences of new media technology on colonial society. The Komedi Bioscoop traces the emergence of a local culture of movie-going in the Netherlands Indies (present-day Indonesia) from 1896 until 1914. It outlines the introduction of the new technology by independent touring exhibitors, the constitution of a market for moving picture shows, the embedding of moving picture exhibitions within the local popular entertainment scene, and the Dutch colonial authorities’ efforts to control film consumption and distribution. Dafna Ruppin focuses on the cinema as a social institution in which technology, race, and colonialism converged. In her illuminating study, moving picture venues in the Indies—ranging from canvas or bamboo tents to cinema palaces of brick and stone—are perceived as liminal spaces in which daily interactions across boundaries could occur within colonial Indonesia’s multi-ethnic and increasingly polarized colonial society.
Author: Somanātha Gupta
Publisher: Seagull Books Pvt Ltd
ISBN: 9788170462736
Category : Performing Arts
Languages : en
Pages : 248
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Book Description
From its inception in 1853, Parsi theatre rapidly developed into a mobile, company-based entertainment that reached across colonial and princely India and extended overseas into Southeast Asia. Like its counterparts in modern Bengali and Marathi, it employed the prevailing local languages (Gujarati, Urdu and Hindi), used the European-style proscenium with richly painted backdrop curtains and trick stage effects, and depended on spectacle and melodrama to create audience appeal. Simultaneously, it ushered in the conventions and techniques of realism, marking the transition from stylized open-air presentations to a new urban drama. Although largely displaced by motion pictures after the advent of sound in the 1930s, Parsi theatre remains a vital component of the subcontinent s cultural heritage, significant for its long-term impact on diverse regional theatrical styles and the popular cinema. There is a great need for reliable information in English that would shed light on the history and practice of this important theatrical form. A vital source is a Hindi book that appeared in 1981, Somnath Gupt s Parsi Thiyetar, the best single reference for the early period of Parsi theatre history. It covers the antecedent phase of English theatre in eighteenth-century Bombay and extends through the end of the nineteenth century. Gupt consulted a range of source materials in several Indian languages as well as in English. The type of material is diverse, including advertisements, reviews and letters from English and Gujarati newspapers; early autobiographies and memoirs; and compendia of theatre lore published in Gujarati and Urdu. Through translation, editing and annotation, Kathryn Hansen has sought to make Gupt s Parsi Thiyetar one of the most frequently consulted studies of the seminal Parsi theatre form available to the general reader and the theatre specialist, thus making way for further research. Kathryn Hansen is a leading scholar of traditional performance of the Indian subcontinent. She is Director, Center for Asian Studies and Professor, Department of Asian Studies, University of Texas at Austin.
Author: Kellen Hoxworth
Publisher: Northwestern University Press
ISBN: 0810147092
Category : Performing Arts
Languages : en
Pages : 281
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Book Description
A sweeping history of racialized performance across the Anglophone imperial world from the eighteenth to the early twentieth century A material history of racialized performance throughout the Anglophone imperial world, Transoceanic Blackface: Empire, Race, Performance revises prevailing understandings of blackface and minstrelsy as distinctively US American cultural practices. Tracing intertwined histories of racialized performance from the mid-eighteenth through the early twentieth century across the United States and the British Empire, this study maps the circulations of blackface repertoires in theatrical spectacles, popular songs, visual materials, comic operas, closet dramas, dance forms, and Shakespearean burlesques. Kellen Hoxworth focuses on overlooked performance histories, such as the early blackface minstrelsy of T. D. Rice’s “Jump Jim Crow” and the widely staged blackface burlesque versions of Othello, as traces of the racial and sexual anxieties of empire. From the nascent theatrical cultures of Australia, Britain, Canada, India, Jamaica, South Africa, and the United States, Transoceanic Blackface offers critical insight into the ways racialized performance animated the imperial “common sense” of white supremacy on a global scale.
Author: Sarvani Gooptu
Publisher:
ISBN: 9789384082215
Category : History
Languages : en
Pages : 188
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Book Description
The Actress in the Public Theatres of Calcutta tells the story of this bold new generation of women who, for the first time in the history of Bengali theatre, performed in the public theatres of Calcutta. It traces the journey of these women who not only dared to be a part of the Calcutta-based theatre groups but also put their life and soul into this magical world."
Author: Rimli Bhattacharya
Publisher: Taylor & Francis
ISBN: 0429016557
Category : Social Science
Languages : en
Pages : 307
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Book Description
This book foregrounds the subjectivity of ‘acting women’ amidst violent debates on femininity and education, livelihood and labour, sexuality and marriage. It looks at the emergence of the stage actress as an artist and an ideological construct at critical phases of performance practice in British India. The focus here is on Calcutta, considered the ‘second city of the Empire’ and a nodal point in global trade circuits. Each chapter offers new ways of conceptualising the actress as a professional, a colonial subject, simultaneously the other and the model of the ‘new woman’. An underlying motif is the playing out of the idea of spiritual salvation, redemption and modernity. Analysing the dynamics behind stagecraft and spectacle, the study highlights the politics of demarcation and exclusion of social roles. It presents rich archival work from diverse sources, many translated for the first time. This book makes a distinctive contribution in intertwining performance studies with literary history and art practices within a cross-cultural framework. Interdisciplinary and innovative, it will appeal to scholars and researchers in South Asian theatre and performance studies, history and gender studies.
Author: William Mazzarella
Publisher: Duke University Press
ISBN: 0822353881
Category : Social Science
Languages : en
Pages : 297
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Book Description
In the world of globalized media, provocative images trigger culture wars between traditionalists and cosmopolitans, between censors and defenders of free expression. But are images censored because of what they mean, what they do, or what they might become? And must audiences be protected because of what they understand, what they feel, or what they might imagine? At the intersection of anthropology, media studies, and critical theory, Censorium is a pathbreaking analysis of Indian film censorship. The book encompasses two moments of moral panic: the consolidation of the cinema in the 1910s and 1920s, and the global avalanche of images unleashed by liberalization since the early 1990s. Exploring breaks and continuities in film censorship across colonial and postcolonial moments, William Mazzarella argues that the censors' obsessive focus on the unacceptable content of certain images and the unruly behavior of particular audiences displaces a problem that they constantly confront yet cannot directly acknowledge: the volatile relation between mass affect and collective meaning. Grounded in a close analysis of cinema regulation in the world's largest democracy, Censorium ultimately brings light to the elusive foundations of political and cultural sovereignty in mass-mediated societies.
