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Author: Jean-Jacques Rousseau
Publisher: UPNE
ISBN: 1611681278
Category : Literary Criticism
Languages : en
Pages : 658
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Book Description
Jean-Jacques Rousseau the writer-philosopher was a practicing musician and theorist for years before publication of his first Discourse, but scholars have neglected these fertile, inexhaustible ideas because they were either unavailable in a critical edition or viewed as standing outside the aegis of his system of thought. This graceful translation remedies both those failings by bringing together the Essay with a comprehensive selection of the musical writings. Many of the latter are responses to authors like Rameau, Grimm, and Raynal, and a unique feature of this edition is the inclusion of writings by these authors to help establish the historical and ideological context of Rousseau's writings and the intellectual exchanges of which they are a part.
Author: Jean-Jacques Rousseau
Publisher: UPNE
ISBN: 1611681278
Category : Literary Criticism
Languages : en
Pages : 658
Get Book Here
Book Description
Jean-Jacques Rousseau the writer-philosopher was a practicing musician and theorist for years before publication of his first Discourse, but scholars have neglected these fertile, inexhaustible ideas because they were either unavailable in a critical edition or viewed as standing outside the aegis of his system of thought. This graceful translation remedies both those failings by bringing together the Essay with a comprehensive selection of the musical writings. Many of the latter are responses to authors like Rameau, Grimm, and Raynal, and a unique feature of this edition is the inclusion of writings by these authors to help establish the historical and ideological context of Rousseau's writings and the intellectual exchanges of which they are a part.
Author: Jean-Jacques Rousseau
Publisher:
ISBN:
Category :
Languages : en
Pages : 662
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Book Description
Author: Jean-Jacques Rousseau
Publisher:
ISBN:
Category : Language and languages
Languages : en
Pages : 664
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Book Description
Author: Jean-Jacques Rousseau
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
Author: Robert Wokler
Publisher: Princeton University Press
ISBN: 0691147892
Category : History
Languages : en
Pages : 420
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Book Description
Robert Wokler was one of the world's leading experts on Rousseau and the Enlightenment, but some of his best work was published in the form of widely scattered and difficult-to-find essays. This book collects for the first time a representative selection of his most important essays on Rousseau and the legacy of Enlightenment political thought. These essays concern many of the great themes of the age, including liberty, equality and the origins of revolution. But they also address a number of less prominent debates, including those over cosmopolitanism, the nature and social role of music and the origins of the human sciences in the Enlightenment controversy over the relationship between humans and the great apes. These essays also explore Rousseau's relationships to Rameau, Pufendorf, Voltaire and Marx; reflect on the work of important earlier scholars of the Enlightenment, including Ernst Cassirer and Isaiah Berlin; and examine the influence of the Enlightenment on the twentieth century. One of the central themes of the book is a defense of the Enlightenment against the common charge that it bears responsibility for the Terror of the French Revolution, the totalitarian regimes of the twentieth-century and the Holocaust.
Author: Richard Kramer
Publisher: Oxford University Press
ISBN: 0199917884
Category : Music
Languages : en
Pages : 422
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Book Description
Unfinished Music explores with subtle insight the uneasy relationship between the finished work and the elusive, provocative traces of the profound labors buried in its past.
Author: Lawrence M. Zbikowski
Publisher: Oxford University Press
ISBN: 019803217X
Category : Music
Languages : en
Pages : 377
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Book Description
This book shows how recent work in cognitive science, especially that developed by cognitive linguists and cognitive psychologists, can be used to explain how we understand music. The book focuses on three cognitive processes--categorization, cross-domain mapping, and the use of conceptual models--and explores the part these play in theories of musical organization. The first part of the book provides a detailed overview of the relevant work in cognitive science, framed around specific musical examples. The second part brings this perspective to bear on a number of issues with which music scholarship has often been occupied, including the emergence of musical syntax and its relationship to musical semiosis, the problem of musical ontology, the relationship between words and music in songs, and conceptions of musical form and musical hierarchy. The book will be of interest to music theorists, musicologists, and ethnomusicologists, as well as those with a professional or avocational interest in the application of work in cognitive science to humanistic principles.
Author: Lawrence Michael Zbikowski
Publisher: Oxford University Press
ISBN: 0190653639
Category : Language Arts & Disciplines
Languages : en
Pages : 273
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Book Description
How is it that humans are able to organize seemingly random sounds into the captivating sonic structures we call music? In this volume, Lawrence M. Zbikowski argues that humans' unique ability to correlate sounds with dynamic processes provides the basis for the construction of meaningful musical utterances - that is, a foundation for musical grammar. Building on a framework for grammar developed by cognitive linguists over the past three decades and the pathbreaking research set out in his earlier book, Conceptualizing Music (OUP 2002), Zbikowski explains how the ability to draw analogies between widely differing domains allowing humans to connect sequences of musical sounds with emotion processes, physical gestures, and the steps of dance. He shows how these connections underpin an evocative movement from a cantata by J.S. Bach, guide our understanding of gestural choreographies by Fred Astaire and Charlie Chaplin, and frame connections between movement and music in French courtly dance and the Viennese waltz. Through thorough surveys of research in cognitive science and careful analyses of works by composers ranging from Bach, Brahms, and Schubert to Jerome Kern, Zbikowski explores the unique resources for communication offered by music and examines how these differ from those of language. Foundations of Musical Grammar is sure to be an instant - and enticingly controversial - classic within the evolving literature addressing the many complex intersections of music and language. -- from dust jacket.
Author: Ilit Ferber
Publisher: Oxford University Press
ISBN: 0190053887
Category : Philosophy
Languages : en
Pages : 209
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Book Description
We usually think about language and pain as opposites, the one being about expression and connection, the other destructive, "beyond words" so to speak, and isolating. Language Pangs challenges these familiar conceptions and offers a radical reconsideration of the relationship between pain and language in terms of an essential interconnectedness. Ilit Ferber's premise is that we cannot probe the experience of pain without taking account its inherent relation to language; and vice versa, that our understanding of the nature of language essentially depends on how we take account of its correspondence with pain. Language Pangs brings together discussions of philosophical as well as literary texts, an intersection that is especially productive in considering the phenomenology of pain and its bearing on language. Ferber explores a phenomenology of pain and its relation to language, before providing a unique close reading of Johann Gottfried Herder's Treatise on the Origin of Language, the first modern philosophical text to consider language and pain, establishing the cry of pain as the origin of language. Herder also raises important claims regarding the relationship between human and animal, questions of sympathy and the role of hearing in the expression of pain. Beyond Herder, the book grapples with the work of other profound thinkers, including Martin Heidegger, Stanley Cavell, and André Gide, and finally, Sophocles, from them weaving new insights on the experience of pain, expression, sympathy, and hearing.
Author: Jonathan L. Friedmann
Publisher: Cambridge Scholars Publishing
ISBN: 1527580113
Category : Music
Languages : en
Pages : 340
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Book Description
Music plays an integral role in many facets of human life, from the biological and social to the spiritual and political. This book brings together interdisciplinary and cross-cultural studies on the functions, purposes, and meanings of music in human experience.
