The Collected Works of Arthur Symons: William Blake PDF Download
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Author:
Publisher:
ISBN: 9780404089405
Category : English drama
Languages : en
Pages :
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Book Description
Author:
Publisher:
ISBN: 9780404089405
Category : English drama
Languages : en
Pages :
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Book Description
Author: Arthur Symons
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
Author: Arthur Symons
Publisher:
ISBN:
Category :
Languages : en
Pages : 176
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Book Description
Author: Arthur Symons
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 464
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Book Description
Author: Arthur Symons
Publisher:
ISBN: 9780781274456
Category : Art
Languages : en
Pages : 433
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Book Description
Bonded Leather binding
Author: Arthur Symons
Publisher: BoD – Books on Demand
ISBN: 3387071620
Category : Fiction
Languages : en
Pages : 390
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Book Description
Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.
Author: John M. Munro
Publisher: Ardent Media
ISBN:
Category :
Languages : en
Pages : 180
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Author: Basil De Selincourt
Publisher:
ISBN:
Category : Artists
Languages : en
Pages : 410
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Book Description
Author: Gerald Eades Bentley
Publisher: U of Minnesota Press
ISBN: 0816657068
Category : Reference
Languages : en
Pages : 413
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Book Description
A Blake Bibliography was first published in 1964. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions. The aim of this book is to list every reference to William Blake published between 1757 and 1863 and every criticism and edition of his works from the beginning to the present. Partly because of the deluge of scholarship in the last forty years, it includes perhaps twice as many titles as Sir Geoffrey Keynes's great bibliography of 1921. An introductory essay on the history of Blake scholarship puts the most significant works into perspective, indicates the best work that has been done, and points to some neglected areas. In addition, all the most important references and many of the less significant ones are briefly annotated as to subject and value. Because many of the works are difficult to locate, specimen copies of all works published before 1831 have been traced to specific libraries. Each of Blake's manuscripts is also traced to its present owner. Two areas which have received relatively novel attention are early references to Blake (before 1863) and important sale and exhibition catalogues of his works. In both areas there are significant number of important entries which have not been noticed before by Blake scholars. The section on Blake's engravings for commercial works receives especially detailed treatment. A few of the titles listed here have not been described previously in connection with Blake.
Author: Kostas Boyiopoulos
Publisher: Routledge
ISBN: 1317154118
Category : Literary Criticism
Languages : en
Pages : 256
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Book Description
For Decadent authors, Romanticism was a source of powerful imaginative revisionism, perversion, transition, and partial negation. But for all these strong Decadent reactions against the period, the cultural phenomenon of Decadence shared with Romanticism a mutual distrust of the philosophy of utilitarianism and the aesthetics of neo-Classicism. Reflecting on the interstices between Romantic and Decadent literature, Decadent Romanticism reassesses the diverse and creative reactions of Decadent authors to Romanticism between 1780 and 1914, while also remaining alert to the prescience of the Romantic imagination to envisage its own distorted, darker, perverted, other self. Creative pairings include William Blake and his Decadent critics, the recurring figure of the sphinx in the work of Thomas De Quincey and Decadent writers, and Percy Shelley with both Mathilde Blind and Swinburne. Not surprisingly, John Keats’s works are a particular focus, in essays that explore Keats’s literary and visual legacies and his resonance for writers who considered him an icon of art for art’s sake. Crucial to this critical reassessment are the shared obsessions of Romanticism and Decadence with subjectivity, isolation, addiction, fragmentation, representation, romance, and voyeurism, as well as a poetics of desire and anxieties over the purpose of aestheticism.
