Author: Marjolein Leesberg
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 192

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Book Description

Author: Roelof van Straten
Publisher:
ISBN:
Category : Engraving
Languages : en
Pages : 596

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Book Description
Foleor Publishers is pleased to announce the publication of a new series of iconographic reference works. After his series of Iconclass indexes on Italian prints, Roelof van Straten is now preparing a ten-volume iconographic catalogue: the Iconclass Indexes: Dutch Prints. The first three volumes published (volumes 4, 7 and 8 in the series) cover the Dutch prints catalogued by Bartsch in the first five volumes of "Le Peintre-Graveur". The indices on Dutch prints are of special importance to those institutes and museums that have a copy of The Illustrated Bartsch at their disposal, because the volumes will refer to all the Dutch prints reproduced therein. Dutch prints, with their enormous spread and influence on the visual arts, will finally be accessible according to subject. "The Iconclass Indexes: Dutch Prints" will soon become an indispensable reference tool for all those who are interested in Netherlandish art and culture of the16th and 17th centuries.

Author: Karl A.E. Enenkel
Publisher: BRILL
ISBN: 9004440402
Category : Art
Languages : en
Pages : 613

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Book Description
This volume examines the image-based methods of interpretation that pictorial and literary landscapists employed between 1500 and 1700.

Author:
Publisher: BRILL
ISBN: 9004367438
Category : Art
Languages : en
Pages : 602

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Book Description
This book explores the spatial, material, and affective dimensions of solitude in the late medieval and early modern periods, a hitherto largely neglected topic. Its focus is on the dynamic qualities of “space” and “place”, which are here understood as being shaped, structured, and imbued with meaning through both social and discursive solitary practices such as reading, writing, studying, meditating, and praying. Individual chapters investigate the imageries and imaginaries of outdoor and indoor spaces and places associated with solitude and its practices and examine the ways in which the space of solitude was conceived of, imagined, and represented in the arts and in literature, from about 1300 to about 1800. Contributors include Oskar Bätschmann, Carla Benzan, Mette Birkedal Bruun, Dominic E. Delarue, Karl A.E. Enenkel, Christine Göttler, Agnès Guiderdoni, Christiane J. Hessler, Walter S. Melion, Raphaèle Preisinger, Bernd Roling, Paul Smith, Marie Theres Stauffer, Arnold A. Witte, and Steffen Zierholz.

Author:
Publisher: Maklu
ISBN: 9044135880
Category :
Languages : en
Pages : 226

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Author: Jan van der Stock
Publisher:
ISBN:
Category : Bible
Languages : en
Pages : 254

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Author: Susanna Berger
Publisher: Princeton University Press
ISBN: 1400885124
Category : Art
Languages : en
Pages : 337

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Book Description
The first book to explore the role of images in philosophical thought and teaching in the early modern period Delving into the intersections between artistic images and philosophical knowledge in Europe from the late sixteenth to the early eighteenth centuries, The Art of Philosophy shows that the making and study of visual art functioned as important methods of philosophical thinking and instruction. From frontispieces of books to monumental prints created by philosophers in collaboration with renowned artists, Susanna Berger examines visual representations of philosophy and overturns prevailing assumptions about the limited function of the visual in European intellectual history. Rather than merely illustrating already existing philosophical concepts, visual images generated new knowledge for both Aristotelian thinkers and anti-Aristotelians, such as Descartes and Hobbes. Printmaking and drawing played a decisive role in discoveries that led to a move away from the authority of Aristotle in the seventeenth century. Berger interprets visual art from printed books, student lecture notebooks, alba amicorum (friendship albums), broadsides, and paintings, and examines the work of such artists as Pietro Testa, Léonard Gaultier, Abraham Bosse, Dürer, and Rembrandt. In particular, she focuses on the rise and decline of the "plural image," a genre that was popular among early modern philosophers. Plural images brought multiple images together on the same page, often in order to visualize systems of logic, metaphysics, natural philosophy, or moral philosophy. Featuring previously unpublished prints and drawings from the early modern period and lavish gatefolds, The Art of Philosophy reveals the essential connections between visual commentary and philosophical thought.

Author: Debra Cashion
Publisher: BRILL
ISBN: 9004354123
Category : Art
Languages : en
Pages : 631

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Book Description
The Primacy of the Image in Northern Art 1400-1700: Essays in Honor of Larry Silver is an anthology of 42 essays written by distinguished scholars on current research and methodology in the art history of Northern Europe of the late medieval and early modern periods. Written in tribute to Larry Silver, Farquhar Professor of the History of Art at the University of Pennsylvania, the topics are inspired by Professor Silver’s renowned scholarship in these areas: Early Netherlandish Painting and Prints; Sixteenth-Century Netherlandish Painting; Manuscripts, Patrons, and Printed Books; Dürer and the Power of Pictures; Prints and Printmaking; and Seventeenth-Century Painting. Studies of specific artists include Hans Memling, Albrecht Dürer, Hans Baldung Grien, Hieronymus Bosch, Pieter Bruegel, Hendrick Goltzius, and Rembrandt.

Author: Stijn Alsteens
Publisher: Metropolitan Museum of Art
ISBN: 1588394514
Category : Art
Languages : en
Pages : 274

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Book Description
"This exhibition is the first to offer an extensive overview of the Museum's holdings of early Central European drawings, many of which were acquired in the last two decades. An emphasis on works by later sixteenth- and seventeenth-century artists is balanced by a selection of German drawings from the fifteenth and earlier sixteenth century, of which some of the most exceptional ones--including works by Albrecht Deurer--entered the Museum with The Robert Lehman Collection in 1975."--Publisher's website.

Author: Wim François
Publisher: Vandenhoeck & Ruprecht
ISBN: 3647551090
Category : Religion
Languages : en
Pages : 317

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Book Description
Exactly 450 years after the solemn closure of the Council of Trent on 4 December 1563, scholars from diverse regional, disciplinary and confessional backgrounds convened in Leuven to reflect upon the impact of this Council, not only in Europe but also beyond. Their conclusions are to be found in these three impressive volumes. Bridging different generations of scholarship, the authors reassess in a first volume Tridentine views on the Bible, theology and liturgy, as well as their reception by Protestants, deconstructing many myths surviving in scholarship and society alike. They also deal with the mechanisms 'Rome' developed to hold a grip on the Council's implementation. The second volume analyzes the changes in local ecclesiastical life, initiated by bishops, orders and congregations, and the political strife and confessionalisation accompanying this reform process. The third and final volume examines the afterlife of Trent in arts and music, as well as in the global impact of Trent through missions.