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Author: J. Rendel Harris
Publisher: Wipf and Stock Publishers
ISBN: 1498232051
Category : Religion
Languages : en
Pages : 65
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Book Description
J. Rendel Harris (1852-1941) was educated at Clare College, Cambridge. He taught at Johns Hopkins University, Haverford College, and Leiden University. He was renowned for his acquisition and interpretation of ancient manuscripts.
Author: J. Rendel Harris
Publisher: Wipf and Stock Publishers
ISBN: 172523579X
Category : Religion
Languages : en
Pages : 64
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Book Description
Author: James Rendel Harris
Publisher: CUP Archive
ISBN:
Category : Bible
Languages : en
Pages : 72
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Book Description
Author: William L. Petersen
Publisher: BRILL
ISBN: 9004312927
Category : Religion
Languages : en
Pages : 576
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Book Description
A gospel harmony composed c. 172 C.E., the Diatessaron is one of the earliest witnesses to the gospels. Regarded as the first version of the gospels in Latin, Syriac, and Armenian, the Diatessaron was used by Encratites, Judaic-Christians, and “Great Church” Christians alike. This study is the first comprehensive treatment of the Diatessaron in more than a century. After sketching the second-century setting and Tatian's biography, it describes virtually every Diatessaronic witness and provides a scholar-by-scholar summary of research from 546 to the present. Criteria for reconstructing Diatessaronic readings are developed, and numerous examples offer the reader first-hand experience with the witnesses. It contains the first Bibliography of research on the Diatessaron (600+ titles) and the first “Catalogue of Manuscripts of Diatessaronic Witnesses and Related Works” ever published.
Author: Frederick Henry Ambrose Scrivener
Publisher:
ISBN:
Category : Bible
Languages : en
Pages : 446
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Book Description
Author: Stan Knight
Publisher:
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 120
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Book Description
Revised and expanded, this book is an excellent survey of bookhands with its full-page, enlarged illustrations and solidly researched sources. It is a useful text for studying the history of manuscripts as well as the details of letter construction. This work also helps one make judgments about the technical condition of letter writing and its qualities of rhythm and movement, possible only when consulting an original manuscript. The author has gone to considerable lengths to obtain photographs that are well-focused and lit so that the tactile qualities of surfaces, ink tone, and flow are revealed. The author has chosen examples of formal writing that show a coherent and reasonably consistent relationship between methods of tool use and letter formation, making the construction of a script much easier to grasp in practice. He has also made the effort of selecting writing without idiosyncrasies of style."--
Author: H. A. G. Houghton
Publisher: Oxford University Press
ISBN: 0198744730
Category : Literary Criticism
Languages : en
Pages : 387
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Book Description
This is an open access title available under the terms of a CC BY-NC-ND 4.0 licence. It is free to read at Oxford Scholarship Online and offered as a free PDF download from OUP and selected open access locations. Latin is the language in which the New Testament was copied, read, and studied for over a millennium. The remains of the initial 'Old Latin' version preserve important testimony for early forms of text and the way in which the Bible was understood by the first translators. Successive revisions resulted in a standard version subsequently known as the Vulgate which, along with the creation of influential commentaries by scholars such as Jerome and Augustine, shaped theology and exegesis for many centuries. Latin gospel books and other New Testament manuscripts illustrate the continuous tradition of Christian book culture, from the late antique codices of Roman North Africa and Italy to the glorious creations of Northumbrian scriptoria, the pandects of the Carolingian era, eleventh-century Giant Bibles, and the Paris Bibles associated with the rise of the university. In The Latin New Testament, H. A. G. Houghton provides a comprehensive introduction to the history and development of the Latin New Testament. Drawing on major editions and recent advances in scholarship, he offers a new synthesis which brings together evidence from Christian authors and biblical manuscripts from earliest times to the late Middle Ages. All manuscripts identified as containing Old Latin evidence for the New Testament are described in a catalogue, along with those featured in the two principal modern editions of the Vulgate. A user's guide is provided for these editions and the other key scholarly tools for studying the Latin New Testament.
Author: Rijcklof Hofman
Publisher:
ISBN:
Category : Irish language
Languages : la
Pages : 428
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Book Description
Author: Scrivener
Publisher:
ISBN:
Category :
Languages : en
Pages : 692
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Book Description
Author: Bruce Manning Metzger
Publisher: Oxford University Press, USA
ISBN:
Category : Religion
Languages : en
Pages : 536
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Book Description
This study describes all the versions of the New Testament made before A.D. 1000, providing an account of the scholarly investigation, textual analysis and progress of research on each version.
Author: Susan Rankin
Publisher: Cambridge University Press
ISBN: 1108381782
Category : Music
Languages : en
Pages : 429
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Book Description
Musical notation has not always existed: in the West, musical traditions have often depended on transmission from mouth to ear, and ear to mouth. Although the Ancient Greeks had a form of musical notation, it was not passed on to the medieval Latin West. This comprehensive study investigates the breadth of use of musical notation in Carolingian Europe, including many examples previously unknown in studies of notation, to deliver a crucial foundational model for the understanding of later Western notations. An overview of the study of neumatic notations from the French monastic scholar Dom Jean Mabillon (1632–1707) up to the present day precedes an examination of the function and potential of writing in support of a musical practice which continued to depend on trained memory. Later chapters examine passages of notation to reveal those ways in which scripts were shaped by contemporary rationalizations of musical sound. Finally, the new scripts are situated in the cultural and social contexts in which they emerged.
