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Author: Allentown Art Museum
Publisher:
ISBN:
Category : Painting, Italian
Languages : en
Pages : 60
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Book Description
Author: Allentown Art Museum
Publisher:
ISBN:
Category : Painting, Italian
Languages : en
Pages : 60
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Book Description
Author: Dorothea Terpitz
Publisher: Konemann
ISBN:
Category : Painters
Languages : en
Pages : 134
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Book Description
In the age of the Grand Tour and the Enlightenment, it was Giovanni Antonio Canal, known as Canaletto, who made the limpid, radiant light of Venice famous far beyound the frontiers of Italy. He developed veduta painting to its finest flowering. As well as numerous views of squares and canals, the artist celebrates - especially in his "Solennita dogali", his group of city festivals - Venice's former magnificence, to which he has created a memorable monument.
Author: Philippines
Publisher:
ISBN:
Category : Gazettes
Languages : en
Pages : 664
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Book Description
![Canaletto : essays ; [publ. in conjunction with the exhibition held at The Metropolitan Museum of Art, New York, 30 October 1989 - 21 January 1990] PDF](https://books.google.com/books/content/images/frontcover/BOy0nFaxYCsC?fife=w80-h100)
Author: Katharine Baetjer
Publisher: Metropolitan Museum of Art
ISBN: 0870995596
Category : Drawing, Italian
Languages : en
Pages : 405
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Book Description
Author: Burr Wallen
Publisher:
ISBN:
Category : Etching
Languages : en
Pages : 112
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Book Description
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
ISBN: 0870990799
Category : Painting
Languages : en
Pages : 235
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Book Description
Author: J. G. Links
Publisher: Elektrohas
ISBN:
Category : Art
Languages : en
Pages : 208
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Book Description
Author: Octave Uzanne
Publisher:
ISBN: 9781859956892
Category :
Languages : en
Pages : 256
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Book Description
Giovanni Antonio Canal, also known as Canaletto (1697-1768) was initiated to painting and perspective
Author: Edgar Peters Bowron
Publisher: Yale University Press
ISBN: 0300102054
Category : Art
Languages : en
Pages : 192
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Book Description
"The museum's distinguished director in the 1930s and 1940s, Chick Austin, acquired notable works by Strozzi, Luca Giordano, Claude, and the first authentic Caravaggio in an American museum. Today the Atheneum can present an exhibition beginning with such renaissance masters as Piero di Cosimo and Sebastiano del Piombo, continuing with the finest examples of Baroque painting, and culminating in a blaze of rococo splendor with Tiepolo, Canaletto, Guardi, Melendez, Greuze, and Goya. This catalogue includes a history of the collection by Eric Zafran and entries on the individual paintings by distinguished scholars."--BOOK JACKET.
Author: Catherine Roach
Publisher: Routledge
ISBN: 1351554190
Category : Art
Languages : en
Pages : 420
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Book Description
Repainting the work of another into one?s own canvas is a deliberate and often highly fraught act of reuse. This book examines the creation, display, and reception of such images. Artists working in nineteenth-century London were in a peculiar position: based in an imperial metropole, yet undervalued by their competitors in continental Europe. Many claimed that Britain had yet to produce a viable national school of art. Using pictures-within-pictures, British painters challenged these claims and asserted their role in an ongoing visual tradition. By transforming pre-existing works of art, they also asserted their own painterly abilities. Recognizing these statements provided viewers with pleasure, in the form of a witty visual puzzle solved, and with prestige, in the form of cultural knowledge demonstrated. At stake for both artist and audience in such exchanges was status: the status of the painter relative to other artists, and the status of the viewer relative to other audience members. By considering these issues, this book demonstrates a new approach to images of historic displays. Through examinations of works by J.M.W. Turner, John Everett Millais, John Scarlett Davis, Emma Brownlow King, and William Powell Frith, this book reveals how these small passages of paint conveyed both personal and national meanings.
