Author: Srividhya Swaminathan
Publisher: Routledge
ISBN: 1351800949
Category : Literary Criticism
Languages : en
Pages : 305
Book Description
This collection explores how film and television depict the complex and diverse milieu of the eighteenth century as a literary, historical, and cultural space. Topics range from adaptations of Austen’s Sense and Sensibility and Defoe's Robinson Crusoe (The Martian) to historical fiction on the subjects of slavery (Belle), piracy (Crossbones and Black Sails), monarchy (The Madness of King George and The Libertine), print culture (Blackadder and National Treasure), and the role of women (Marie Antoinette, The Duchess, and Outlander). This interdisciplinary collection draws from film theory and literary theory to discuss how film and television allows for critical re-visioning as well as revising of the cultural concepts in literary and extra-literary writing about the historical period.
The Cinematic Eighteenth Century
The Cinematic Eighteenth Century
Author: Srividhya Swaminathan
Publisher: Routledge
ISBN: 9780367887377
Category :
Languages : en
Pages : 196
Book Description
This collection explores how film and television depict the complex and diverse milieu of the eighteenth century as a literary, historical, and cultural space. Topics range from adaptations of Austen's Sense and Sensibility and Defoe's Robinson Crusoe (The Martian) to historical fiction on the subjects of slavery (Belle), piracy (Crossbones and Black Sails), monarchy (The Madness of King George and The Libertine), print culture (Blackadder and National Treasure), and the role of women (Marie Antoinette, The Duchess, and Outlander). This interdisciplinary collection draws from film theory and literary theory to discuss how film and television allows for critical re-visioning as well as revising of the cultural concepts in literary and extra-literary writing about the historical period.
Publisher: Routledge
ISBN: 9780367887377
Category :
Languages : en
Pages : 196
Book Description
This collection explores how film and television depict the complex and diverse milieu of the eighteenth century as a literary, historical, and cultural space. Topics range from adaptations of Austen's Sense and Sensibility and Defoe's Robinson Crusoe (The Martian) to historical fiction on the subjects of slavery (Belle), piracy (Crossbones and Black Sails), monarchy (The Madness of King George and The Libertine), print culture (Blackadder and National Treasure), and the role of women (Marie Antoinette, The Duchess, and Outlander). This interdisciplinary collection draws from film theory and literary theory to discuss how film and television allows for critical re-visioning as well as revising of the cultural concepts in literary and extra-literary writing about the historical period.
Eighteenth-Century Fiction on Screen
Author: Robert Mayer
Publisher: Cambridge University Press
ISBN: 9780521529105
Category : Literary Criticism
Languages : en
Pages : 244
Book Description
Eighteenth-Century Fiction on Screen offers an extensive introduction to cinematic representations of the eighteenth century, mostly derived from classic fiction of that period, and sheds light on the process of making prose fiction into film. The contributors provide a variety of theoretical and critical approaches to the process of bringing literary works to the screen. They consider a broad range of film and television adaptations, including several versions of Robinson Crusoe; three films of Moll Flanders; American, British, and French television adaptations of Gulliver's Travels, Clarissa, Tom Jones, and Jacques le fataliste; Wim Wender's film version of Goethe's Wilhelm Meister's Apprentice Years; the controversial film of Diderot's La Religieuese; and French and Anglo-American motion pictures based on Les Liaisons dangereuses among others. This book will appeal to students and scholars of literature and film alike.
Publisher: Cambridge University Press
ISBN: 9780521529105
Category : Literary Criticism
Languages : en
Pages : 244
Book Description
Eighteenth-Century Fiction on Screen offers an extensive introduction to cinematic representations of the eighteenth century, mostly derived from classic fiction of that period, and sheds light on the process of making prose fiction into film. The contributors provide a variety of theoretical and critical approaches to the process of bringing literary works to the screen. They consider a broad range of film and television adaptations, including several versions of Robinson Crusoe; three films of Moll Flanders; American, British, and French television adaptations of Gulliver's Travels, Clarissa, Tom Jones, and Jacques le fataliste; Wim Wender's film version of Goethe's Wilhelm Meister's Apprentice Years; the controversial film of Diderot's La Religieuese; and French and Anglo-American motion pictures based on Les Liaisons dangereuses among others. This book will appeal to students and scholars of literature and film alike.
Reading and the Making of Time in the Eighteenth Century
Author: Christina Lupton
Publisher: JHU Press
ISBN: 1421425777
Category : Literary Criticism
Languages : en
Pages : 338
Book Description
How did eighteenth-century readers find and make time to read? Books have always posed a problem of time for readers. Becoming widely available in the eighteenth century—when working hours increased and lighter and quicker forms of reading (newspapers, magazines, broadsheets) surged in popularity—the material form of the codex book invited readers to situate themselves creatively in time. Drawing on letters, diaries, reading logs, and a range of eighteenth- and early nineteenth-century novels, Christina Lupton’s Reading and the Making of Time in the Eighteenth Century concretely describes how book-readers of the past carved up, expanded, and anticipated time. Placing canonical works by Elizabeth Inchbald, Henry Fielding, Amelia Opie, and Samuel Richardson alongside those of lesser-known authors and readers, Lupton approaches books as objects that are good at attracting particular forms of attention and paths of return. In contrast to the digital interfaces of our own moment and the ephemeral newspapers and pamphlets read in the 1700s, books are rarely seen as shaping or keeping modern time. However, as Lupton demonstrates, books are often put down and picked up, they are leafed through as well as read sequentially, and they are handed on as objects designed to bridge temporal distances. In showing how discourse itself engages with these material practices, Lupton argues that reading is something to be studied textually as well as historically. Applying modern theorists such as Niklas Luhmann, Bruno Latour, and Bernard Stiegler, Lupton offers a rare phenomenological approach to the study of a concrete historical field. This compelling book stands out for the combination of archival research, smart theoretical inquiry, and autobiographical reflection it brings into play.
Publisher: JHU Press
ISBN: 1421425777
Category : Literary Criticism
Languages : en
Pages : 338
Book Description
How did eighteenth-century readers find and make time to read? Books have always posed a problem of time for readers. Becoming widely available in the eighteenth century—when working hours increased and lighter and quicker forms of reading (newspapers, magazines, broadsheets) surged in popularity—the material form of the codex book invited readers to situate themselves creatively in time. Drawing on letters, diaries, reading logs, and a range of eighteenth- and early nineteenth-century novels, Christina Lupton’s Reading and the Making of Time in the Eighteenth Century concretely describes how book-readers of the past carved up, expanded, and anticipated time. Placing canonical works by Elizabeth Inchbald, Henry Fielding, Amelia Opie, and Samuel Richardson alongside those of lesser-known authors and readers, Lupton approaches books as objects that are good at attracting particular forms of attention and paths of return. In contrast to the digital interfaces of our own moment and the ephemeral newspapers and pamphlets read in the 1700s, books are rarely seen as shaping or keeping modern time. However, as Lupton demonstrates, books are often put down and picked up, they are leafed through as well as read sequentially, and they are handed on as objects designed to bridge temporal distances. In showing how discourse itself engages with these material practices, Lupton argues that reading is something to be studied textually as well as historically. Applying modern theorists such as Niklas Luhmann, Bruno Latour, and Bernard Stiegler, Lupton offers a rare phenomenological approach to the study of a concrete historical field. This compelling book stands out for the combination of archival research, smart theoretical inquiry, and autobiographical reflection it brings into play.
Italy’s Eighteenth Century
Author: Paula Findlen
Publisher: Stanford University Press
ISBN: 0804759049
Category : History
Languages : en
Pages : 505
Book Description
In the age of the Grand Tour, foreigners flocked to Italy to gawk at its ruins and paintings, enjoy its salons and cafés, attend the opera, and revel in their own discovery of its past. But they also marveled at the people they saw, both male and female. In an era in which castrati were "rock stars," men served women as cicisbei, and dandified Englishmen became macaroni, Italy was perceived to be a place where men became women. The great publicity surrounding female poets, journalists, artists, anatomists, and scientists, and the visible roles for such women in salons, academies, and universities in many Italian cities also made visitors wonder whether women had become men. Such images, of course, were stereotypes, but they were nonetheless grounded in a reality that was unique to the Italian peninsula. This volume illuminates the social and cultural landscape of eighteenth-century Italy by exploring how questions of gender in music, art, literature, science, and medicine shaped perceptions of Italy in the age of the Grand Tour.
Publisher: Stanford University Press
ISBN: 0804759049
Category : History
Languages : en
Pages : 505
Book Description
In the age of the Grand Tour, foreigners flocked to Italy to gawk at its ruins and paintings, enjoy its salons and cafés, attend the opera, and revel in their own discovery of its past. But they also marveled at the people they saw, both male and female. In an era in which castrati were "rock stars," men served women as cicisbei, and dandified Englishmen became macaroni, Italy was perceived to be a place where men became women. The great publicity surrounding female poets, journalists, artists, anatomists, and scientists, and the visible roles for such women in salons, academies, and universities in many Italian cities also made visitors wonder whether women had become men. Such images, of course, were stereotypes, but they were nonetheless grounded in a reality that was unique to the Italian peninsula. This volume illuminates the social and cultural landscape of eighteenth-century Italy by exploring how questions of gender in music, art, literature, science, and medicine shaped perceptions of Italy in the age of the Grand Tour.
Estates and Constitution
Author: István M. Szijártó
Publisher: Berghahn Books
ISBN: 1789208807
Category : History
Languages : en
Pages : 362
Book Description
Across eighteenth-century Europe, political power resided overwhelmingly with absolute monarchs, with notable exceptions including the much-studied British Parliament as well as the frequently overlooked Hungarian Diet, which placed serious constraints on royal power and broadened opportunities for political participation. Estates and Constitution provides a rich account of Hungarian politics during this period, restoring the Diet to its rightful place as one of the era’s major innovations in government. István M. Szijártó traces the religious, economic, and partisan forces that shaped the Diet, putting its historical significance in international perspective.
Publisher: Berghahn Books
ISBN: 1789208807
Category : History
Languages : en
Pages : 362
Book Description
Across eighteenth-century Europe, political power resided overwhelmingly with absolute monarchs, with notable exceptions including the much-studied British Parliament as well as the frequently overlooked Hungarian Diet, which placed serious constraints on royal power and broadened opportunities for political participation. Estates and Constitution provides a rich account of Hungarian politics during this period, restoring the Diet to its rightful place as one of the era’s major innovations in government. István M. Szijártó traces the religious, economic, and partisan forces that shaped the Diet, putting its historical significance in international perspective.
Dangerous Liaisons
Author: Harold Koda
Publisher: Metropolitan Museum of Art
ISBN: 0300107145
Category : Clothing and dress
Languages : en
Pages : 130
Book Description
An alluring look at the relationship of clothing and interior design in 18th-century France
Publisher: Metropolitan Museum of Art
ISBN: 0300107145
Category : Clothing and dress
Languages : en
Pages : 130
Book Description
An alluring look at the relationship of clothing and interior design in 18th-century France
Papacy and Politics in Eighteenth-Century Rome
Author: Jeffrey Collins
Publisher: Cambridge University Press
ISBN: 9780521809436
Category : Art
Languages : en
Pages : 384
Book Description
Publisher Description
Publisher: Cambridge University Press
ISBN: 9780521809436
Category : Art
Languages : en
Pages : 384
Book Description
Publisher Description
Fighting at Sea in the Eighteenth Century
Author: Sam Willis
Publisher: Boydell Press
ISBN: 9781843833673
Category : History
Languages : en
Pages : 286
Book Description
Our understanding of warfare at sea in the eighteenth century has always been divorced from the practical realities of fighting at sea under sail; our knowledge of tactics is largely based upon the ideas of contemporary theorists rather than practitioners] who knew little of the realities of sailing warfare, and our knowledge of command is similarly flawed. In this book the author presents new evidence from contemporary sources that overturns many old assumptions and introduces a host of new ideas. In a series of thematic chapters, following the rough chronology of a sea fight from initial contact to damage repair, the author offers a dramatic interpretation of fighting at sea in the eighteenth century, and explains in greater depth than ever before how and why sea battles (including Trafalgar) were won and lost in the great Age of Sail. He explains in detail how two ships or fleets identified each other to be enemies; how and why they manoeuvred for battle; how a commander communicated his ideas, and how and why his subordinates acted in the way that they did. SAM WILLIS has lectured at Bristol University and at the National Maritime Museum in Greenwich. He is also the author of Fighting Ships, 1750-1850(Quercus).
Publisher: Boydell Press
ISBN: 9781843833673
Category : History
Languages : en
Pages : 286
Book Description
Our understanding of warfare at sea in the eighteenth century has always been divorced from the practical realities of fighting at sea under sail; our knowledge of tactics is largely based upon the ideas of contemporary theorists rather than practitioners] who knew little of the realities of sailing warfare, and our knowledge of command is similarly flawed. In this book the author presents new evidence from contemporary sources that overturns many old assumptions and introduces a host of new ideas. In a series of thematic chapters, following the rough chronology of a sea fight from initial contact to damage repair, the author offers a dramatic interpretation of fighting at sea in the eighteenth century, and explains in greater depth than ever before how and why sea battles (including Trafalgar) were won and lost in the great Age of Sail. He explains in detail how two ships or fleets identified each other to be enemies; how and why they manoeuvred for battle; how a commander communicated his ideas, and how and why his subordinates acted in the way that they did. SAM WILLIS has lectured at Bristol University and at the National Maritime Museum in Greenwich. He is also the author of Fighting Ships, 1750-1850(Quercus).
A Great and Monstrous Thing
Author: Jerry White
Publisher: Harvard University Press
ISBN: 9780674073173
Category : History
Languages : en
Pages : 0
Book Description
London in the eighteenth century was a new city, risen from the ashes of the Great Fire of 1666 that had destroyed half its homes and great public buildings. The century that followed was an era of vigorous expansion and large-scale projects, of rapidly changing culture and commerce, as huge numbers of people arrived in the shining city, drawn by its immense wealth and power and its many diversions. Borrowing a phrase from Daniel Defoe, Jerry White calls London “this great and monstrous thing,” the grandeur of its new buildings and the glitter of its high life shadowed by poverty and squalor. A Great and Monstrous Thing offers a street-level view of the city: its public gardens and prisons, its banks and brothels, its workshops and warehouses—and its bustling, jostling crowds. White introduces us to shopkeepers and prostitutes, men and women of fashion and genius, street-robbers and thief-takers, as they play out the astonishing drama of life in eighteenth-century London. What emerges is a picture of a society fractured by geography, politics, religion, history—and especially by class, for the divide between rich and poor in London was never greater or more destructive in the modern era than in these years. Despite this gulf, Jerry White shows us Londoners going about their business as bankers or beggars, reveling in an enlarging world of public pleasures, indulging in crimes both great and small—amidst the tightening sinews of power and regulation, and the hesitant beginnings of London democracy.
Publisher: Harvard University Press
ISBN: 9780674073173
Category : History
Languages : en
Pages : 0
Book Description
London in the eighteenth century was a new city, risen from the ashes of the Great Fire of 1666 that had destroyed half its homes and great public buildings. The century that followed was an era of vigorous expansion and large-scale projects, of rapidly changing culture and commerce, as huge numbers of people arrived in the shining city, drawn by its immense wealth and power and its many diversions. Borrowing a phrase from Daniel Defoe, Jerry White calls London “this great and monstrous thing,” the grandeur of its new buildings and the glitter of its high life shadowed by poverty and squalor. A Great and Monstrous Thing offers a street-level view of the city: its public gardens and prisons, its banks and brothels, its workshops and warehouses—and its bustling, jostling crowds. White introduces us to shopkeepers and prostitutes, men and women of fashion and genius, street-robbers and thief-takers, as they play out the astonishing drama of life in eighteenth-century London. What emerges is a picture of a society fractured by geography, politics, religion, history—and especially by class, for the divide between rich and poor in London was never greater or more destructive in the modern era than in these years. Despite this gulf, Jerry White shows us Londoners going about their business as bankers or beggars, reveling in an enlarging world of public pleasures, indulging in crimes both great and small—amidst the tightening sinews of power and regulation, and the hesitant beginnings of London democracy.