The Cinema of Nanni Moretti PDF Download
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Author: Ewa Mazierska
Publisher: Wallflower Press
ISBN: 9781903364772
Category : Performing Arts
Languages : en
Pages : 194
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Book Description
This volume provides an analysis and interpretation of the work of the most important Italian film-maker of the past thirty years and an outstanding figure in contemporary European cinema.
Author: Ewa Mazierska
Publisher: Wallflower Press
ISBN: 9781903364772
Category : Performing Arts
Languages : en
Pages : 194
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Book Description
This volume provides an analysis and interpretation of the work of the most important Italian film-maker of the past thirty years and an outstanding figure in contemporary European cinema.
Author: Elizabeth Papazian
Publisher: Columbia University Press
ISBN: 0231851030
Category : Performing Arts
Languages : en
Pages : 328
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Book Description
With its increasing presence in a continuously evolving media environment, the essay film as a visual form raises new questions about the construction of the subject, its relationship to the world, and the aesthetic possibilities of cinema. In this volume, authors specializing in various national cinemas (Cuban, French, German, Israeli, Italian, Lebanese, Polish, Russian, American) and critical approaches (historical, aesthetic, postcolonial, feminist, philosophical) explore the essay film and its consequences for the theory of cinema while building on and challenging existing theories. Taking as a guiding principle the essay form's dialogic, fluid nature, the volume examines the potential of the essayistic to question, investigate, and reflect on all forms of cinema—fiction film, popular cinema, and documentary, video installation, and digital essay. A wide range of filmmakers are covered, from Dziga Vertov (Man with a Movie Camera, 1928), Chris Marker (Description of a Struggle, 1960), Nicolás Guillén Landrián (Coffea Arábiga, 1968), Pier Paolo Pasolini (Notes for an African Oresteia, 1969), Chantal Akerman (News from Home, 1976) and Jean-Luc Godard (Notre musique, 2004) to Nanni Moretti (Palombella Rossa, 1989), Mohammed Soueid (Civil War, 2002), Claire Denis (L'Intrus, 2004) and Terrence Malick (The Tree of Life, 2011), among others. The volume argues that the essayistic in film—as process, as experience, as experiment—opens the road to key issues faced by the individual in relation to the collective, but can also lead to its own subversion, as a form of dialectical thought that gravitates towards crisis.
Author: Sergio Rigoletto
Publisher: Edinburgh University Press
ISBN: 0748654550
Category : Social Science
Languages : en
Pages : 177
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Book Description
Headline: A study of how Italian films re-envisage male identity in response to sexual liberationBlurb: Italian cinema has traditionally used the trope of an inadequate man in crisis to reflect on the country's many social and political upheavals. Masculinity and Italian Cinema examines how this preoccupation with male identity becomes especially acute in the 1970s when a set of more diverse and inclusive images of men emerge in response to the rise of feminism and gay liberation. Through an analysis of the way Italian films explore anxieties about male sexuality and femininity, the book shows how such anxieties also intersect with particular preoccupations about national identity and political engagement. This is an essential study-tool to understand the multiple constructions of masculinity in Italian cinema, helping students and researchers to understand the work of some of Italy's most provocative filmmakers.Key Features* Re-examines key Italian films, including Bernardo Bertolucci's The Conformist, Ettore Scola's A Special Day, Pier Paolo Pasolini's Theorem and Lina Wertmuller's The Seduction of Mimi, in the light of gender and queer theory.* Covers the major thematic concerns, genres and stylistic traits of 1970s Italian political cinema* Analyses the broader cultural context of 1970s Italy, including sections on Italian feminism, Gay liberation and the post-'68 social movements.Key Words: Gender; Queer; Body; Gay; Feminism; Pier Paolo Pasolini; Bernardo Bertolucci; Lina Wertmuller; Nanni Moretti; Federico Fellini; Ettore Scola; Marco Ferreri.
Author: James Morrison
Publisher: Wallflower Press
ISBN: 9781904764779
Category : Performing Arts
Languages : en
Pages : 204
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Book Description
From the trenches of independent American film of the 1990s, Todd Haynes has emerged in the 21st century as one of the world's most audacious filmmakers. In a series of smart, informative essays, this book traces his career from its roots in New Queer Cinema to the Oscar-nomainated 'Far From Heaven.
Author: Garry Watson
Publisher: Wallflower Press
ISBN: 9781904764106
Category : Performing Arts
Languages : en
Pages : 230
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Book Description
A keen observer of British manners and mores, Mike Leigh has been hailed as a celebrator of 'ordinary' people. Comparing and contrasting all his films from Bleak Moments and High Hopes through Naked, the Oscar nominated Secrets and Lies and Topsy Turvy to All or Nothing, Garry Watson considers this claim, examining both their influence and their effect. Through careful textual detail and wider social and literary comparison with the works of Charles Dickens and T.S. Eliot, he argues ultimately for the aritistic and cultural significance of Leigh's work as one of Britain's most respected film-makers.
Author: Giorgio Bertellini
Publisher: Wallflower Press
ISBN: 9781903364987
Category : Performing Arts
Languages : en
Pages : 294
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Book Description
Giorgio Bertellini examines the historical and aesthetic connections of some of Italy's most important films with both Italian and Western film culture.
Author: Gian Piero Brunetta
Publisher: Princeton University Press
ISBN: 9780691119885
Category : Art
Languages : en
Pages : 412
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Book Description
Discusses renowned masters including Roberto Rossellini and Federico Fellini, as well as directors lesser known outside Italy like Dino Risi and Ettore Scola. The author examines overlooked Italian genre films such as horror movies, comedies, and Westerns, and he also devotes attention to neglected periods like the Fascist era. He illuminates the epic scope of Italian filmmaking, showing it to be a powerful cultural force in Italy and leaving no doubt about its enduring influence abroad. Encompassing the social, political, and technical aspects of the craft, the author recreates the world of Italian cinema.
Author: Eshkol Nevo
Publisher: Other Press, LLC
ISBN: 1590518780
Category : Fiction
Languages : en
Pages : 289
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Book Description
THE BASIS FOR THE CANNES FILM FESTIVAL'S PALMA D'OR-NOMINATED FILM Set in an upper-middle-class Tel Aviv apartment building, this best-selling and warmly acclaimed Israeli novel examines the interconnected lives of its residents, whose turmoils, secrets, unreliable confessions, and problematic decisions reveal a society in the midst of an identity crisis. On the first floor, Arnon, a tormented retired officer who fought in the First Intifada, confesses to an army friend with a troubled military past how his obsession about his young daughter's safety led him to lose control and put his marriage in peril. Above Arnon lives Hani, known as "the widow," whose husband travels the world for his lucrative job while she stays at home with their two children, increasingly isolated and unstable. When her brother-in-law suddenly appears at their door begging her to hide him from loan sharks and the police, she agrees in spite of the risk to her family, if only to bring some emotional excitement into her life. On the top floor lives a former judge, Devora. Eager to start a new life in her retirement, Devora joins a social movement, desperately tries to reconnect with her estranged son, and falls in love with a man who isn't what he seems. A brilliant novelist, Eshkol Nevo vividly depicts how the grinding effects of social and political ills play out in the psyche of his flawed yet compelling characters, in often unexpected and explosive ways.
Author: Tiziana Ferrero Regis
Publisher: Troubador Publishing Ltd
ISBN: 184876085X
Category : Performing Arts
Languages : en
Pages : 329
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Book Description
In Recent Italian Cinema, two fundamental questions are asked: the first concerns whether Italian cinema, as national cinema, is in reality reduced to a niche market in its own territory. The second relates to what Italian audiences do with domestic films.For nearly two decades, most Italian films have been produced outside box office returns, through a practice of subsidy and co-financing between many institutional and private entities. Thus Italian cinema has had to define its mode of production and use-value of films in a different way. It is clear that it is no longer possible to separate national cinemas from the grip that the American film industry has on world markets, in terms of imagination and modes of production, distribution and exhibition. It is thus only by examining the multiple layers of description and analysis, which take into account the presence of Hollywood, that we can come to an understanding of what recent Italian cinema actually is.
Author: Alisa Lebow
Publisher: Columbia University Press
ISBN: 0231162146
Category : Performing Arts
Languages : en
Pages : 289
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Book Description
When a filmmaker makes a film with herself as a subject, she is already divided as both the subject matter of the film and the subject making the film. The two senses of the word are immediately in play - the matter and the maker--thus the two ways of being subjectified as both subject and object. Subjectivity finds its filmic expression, not surprisingly, in very personal ways, yet it is nonetheless shaped by and in relation to collective expressions of identity that can transform the cinema of 'me' into the cinema of 'we'. Leading scholars and practitioners of first-person film are brought together in this groundbreaking collection to consider the theoretical, ideological, and aesthetic challenges wrought by this form of filmmaking in its diverse cultural, geographical, and political contexts.
