The Cinema, Its Present Position and Future Possibilities

The Cinema, Its Present Position and Future Possibilities PDF Author:
Publisher:
ISBN:
Category : Motion pictures
Languages : en
Pages : 372

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Book Description

The Cinema, Its Present Position and Future Possibilities

The Cinema, Its Present Position and Future Possibilities PDF Author:
Publisher:
ISBN:
Category : Motion pictures
Languages : en
Pages : 372

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Book Description


The Cinema, Its Present Position and Future Possibilities

The Cinema, Its Present Position and Future Possibilities PDF Author:
Publisher:
ISBN:
Category :
Languages : en
Pages :

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Book Description


The Cinema

The Cinema PDF Author: Cinema Commission of Inquiry
Publisher:
ISBN:
Category : Motion pictures
Languages : en
Pages : 372

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Book Description


The Cinema, Its Present Position and Future Possibilities

The Cinema, Its Present Position and Future Possibilities PDF Author: James Marchant
Publisher:
ISBN:
Category :
Languages : en
Pages :

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The Cinema; Its Present Position and Future Possibilities

The Cinema; Its Present Position and Future Possibilities PDF Author: National Council of Public Morals. Cinema Commission of Inquiry
Publisher:
ISBN:
Category : Motion pictures
Languages : en
Pages : 480

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The Cinema

The Cinema PDF Author: UNKNOWN. AUTHOR
Publisher: Forgotten Books
ISBN: 9781331380832
Category : Social Science
Languages : en
Pages : 472

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Book Description
Excerpt from The Cinema: Its Present Position and Future Possibilities; Being Report of and Chief Evidence Taken by the Cinema Commission of Inquiry Instituted by the National Council of Public Morals The Cinematograph Trades Council has rendered every assist ance in its power, has produced all documents and films necessary to the inquiry, has freely answered every request for information, and its officials have willingly submitted to extensive cross examination. For this assistance the Council desires to offer its best thanks'; and in particular to Mr. A. E. Newbould, Chairman of the Exhibitors' Association, who has rendered conspicuous public service in working for the highest interest of the industry and the country. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

The Cinema

The Cinema PDF Author: National Council of Public Morals. Cinema Commission of Inquiry
Publisher:
ISBN:
Category : Performing Arts
Languages : en
Pages : 488

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Book Description
Report of and chief evidence taken by the Cinema Commission of Inquiry institute by the National Council of Public Morals.

Cinema and Cinema-Going in Scotland, 1896-1950

Cinema and Cinema-Going in Scotland, 1896-1950 PDF Author: Trevor Griffiths
Publisher: Edinburgh University Press
ISBN: 0748668055
Category : History
Languages : en
Pages : 373

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Book Description
This book deals with the growth of cinema-going in Scotland in an extended scholarly manner, integrating the study of cinema into wider debates in social and economic history.

The British Cinema Boom, 1909–1914

The British Cinema Boom, 1909–1914 PDF Author: Jon Burrows
Publisher: Springer
ISBN: 1137396776
Category : Performing Arts
Languages : en
Pages : 250

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Book Description
This book examines why thousands of cinemas opened in Britain in the space of a few years before the start of the First World War. It explains how they were the product of an investment boom which observers characterised as economically irrational and irresponsible. Burrows profiles the main groups of people who started cinema companies during this period, and those who bought shares in them, and considers whether the early cinema business might be seen as a bubble that burst. The book examines the impact of the Cinematograph Act 1909 upon the boom, and explains why British film production seemed to decline in inverse proportion to the mass expansion of the market for moving image entertainment. This account also takes a new look at the development of film distribution, the emergence of the feature film and the creation of the British Board of Film Censors. Making systematic and pioneering use of surviving business and local government records, this book will appeal to anyone interested in silent cinema, the history of film exhibition and the economics of popular culture.

The British Cinema Book

The British Cinema Book PDF Author: Robert Murphy
Publisher: Bloomsbury Publishing
ISBN: 1838718648
Category : Performing Arts
Languages : en
Pages : 867

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Book Description
The new edition of The British Cinema Book has been thoroughly revised and updated to provide a comprehensive introduction to the major periods, genres, studios, film-makers and debates in British cinema from the 1890s to the present. The book has five sections, addressing debates and controversies; industry, genre and representation; British cinema 1895-1939; British cinema from World War II to the 1970s, and contemporary British cinema. Within these sections, leading scholars and critics address a wide range of issues and topics, including British cinema as a 'national' cinema; its complex relationship with Hollywood; film censorship; key British genres such as horror, comedy and costume film; the work of directors including Alfred Hitchcock, Anthony Asquith, Alexander Mackendrick, Michael Powell, Lindsay Anderson, Ken Russell and Mike Leigh; studios such as Gainsborough, Ealing, Rank and Gaumont, and recent signs of hope for the British film industry, such as the rebirth of the low-budget British horror picture, and the emergence of a British Asian cinema. Discussions are illustrated with case studies of key films, many of which are new to this edition, including Piccadilly (1929) It Always Rains on Sunday (1947), The Ladykillers (1955), This Sporting Life (1963), The Devils (1971), Withnail and I (1986), Bend it Like Beckham (2002) and Control (2007), and with over 100 images from the BFI's collection. The Editor: Robert Murphy is Professor in Film Studies at De Montfort University and has written and edited a number of books on British cinema, including British Cinema and the Second World War (2000) and Directors in British and Irish Cinema (2006). The contributors: Ian Aitken, Charles Barr, Geoff Brown, William Brown, Stella Bruzzi, Jon Burrows, James Chapman, Steve Chibnall, Pamela Church Gibson, Ian Conrich, Richard Dacre, Raymond Durgnat, Allen Eyles, Christine Geraghty, Christine Gledhill, Kevin Gough-Yates, Sheldon Hall, Benjamin Halligan, Sue Harper, Erik Hedling, Andrew Hill, John Hill, Peter Hutchings, Nick James, Marcia Landy, Barbara Korte, Alan Lovell, Brian McFarlane, Martin McLoone, Andrew Moor, Robert Murphy, Lawrence Napper, Michael O'Pray, Jim Pines, Vincent Porter, Tim Pulleine, Jeffrey Richards, James C. Robertson, Tom Ryall, Justin Smith, Andrew Spicer, Claudia Sternberg, Sarah Street, Melanie Williams and Linda Wood.