Author: Ashley Rescot
Publisher: Rescot Creative
ISBN: 1736604414
Category : Young Adult Fiction
Languages : en
Pages : 153
Book Description
As the students of Belton University learn to navigate the world of music, they discover friendship, fortitude, and love in a variety of ways. Contact author to sign-up for her newsletter, and you’ll receive a signed postcard of The Chronicles of Music Majors and an invitation to join her Music Fiction Book Club. A Change in the Winds Brandon, a sophomore bass player at Belton University, grows bored playing the same repetitive lines at the back of the orchestra. He rouses from his stupor when an attractive flutist plays a beautiful solo from the fourth movement of Dvorak's Symphony No. 8. How can Brandon attract her attention without raising the ire of the conductor? Maybe all he needs is a change in the winds. “Bach” from the Grave Freshman bassoonist Adam Heckel faces hazing in the music fraternity at Belton University while organist Miguel Guzmán struggles to overcome the pain of his past while preparing music for All Saints Day. When the two friends cross paths in an eerie locale Halloween night, will they finally find the brotherhood they both desperately need? Christmas Glee Club Sophia, the lead soprano of the Belton Glee Club, faces losing her celebrity date to the sorority formal due to a required concert for the university donors. When the lead tenor falls sick with laryngitis, Brett fills in for his role as Santa. Can Sophia and Brett pull off the concert together at the last minute? No Strings Attached Alone on Valentine's Day with only his viola for a date, Vince decides to drown his sorrows at the university coffee shop. In a room full of love-struck couples, Gaby's alternative guitar music doesn't quite strike a romantic tone. Can she find anyone who appreciates her original style? Brass at the Beach Etta, a tuba player for the Belton University Symphony, is forced to face her fears of the ocean when the orchestra travels to the Caribbean for a concert. French horn player Terrence makes it his mission to help Etta become more comfortable with the sea. Will Etta find a way to be noticed in spite of her position at the back of the orchestra? On their beach excursion, the two learn to view life through a different set of lenses. Get a “Händel” on It Violinist Karen dominates the music scene at Belton University until a transfer student usurps her position and forces Karen to play "second fiddle," much to her chagrin. When the unforeseen happens during their performance of Handel's Messiah, will Karen do what it takes to save the performance? The Ivory Touch Pauline, a senior piano major at Belton University, nearly lives at the music school as she prepares for her capstone recital. Her boyfriend Trenton, a jazz trumpet player, convinces her to perform an insane duet with him for the final number. While they dedicate themselves to rehearsals, the Coronavirus sweeps the globe. The worldwide pandemic jeopardizes everything Pauline holds dear, including her recital, family, and romantic relationship. How will she adapt to this devastating twist her senior year? Return to Mozart After graduating from Belton with a degree in harp performance, Lisandra begins her studies as a graduate composition student at Johann Conservatory in New York City under renowned composition teacher Amadeus Gruber, a descendant of Mozart. When the city is devastated by the pandemic, Lisandra must choose between returning to her family in Estonia, or continuing to work with Gruber in the city under quarantine. Does Lisandra possess what it takes to finish Gruber’s Symphony and continue Mozart’s legacy?
The Chronicles of Music Majors
Author: Ashley Rescot
Publisher: Rescot Creative
ISBN: 1736604414
Category : Young Adult Fiction
Languages : en
Pages : 153
Book Description
As the students of Belton University learn to navigate the world of music, they discover friendship, fortitude, and love in a variety of ways. Contact author to sign-up for her newsletter, and you’ll receive a signed postcard of The Chronicles of Music Majors and an invitation to join her Music Fiction Book Club. A Change in the Winds Brandon, a sophomore bass player at Belton University, grows bored playing the same repetitive lines at the back of the orchestra. He rouses from his stupor when an attractive flutist plays a beautiful solo from the fourth movement of Dvorak's Symphony No. 8. How can Brandon attract her attention without raising the ire of the conductor? Maybe all he needs is a change in the winds. “Bach” from the Grave Freshman bassoonist Adam Heckel faces hazing in the music fraternity at Belton University while organist Miguel Guzmán struggles to overcome the pain of his past while preparing music for All Saints Day. When the two friends cross paths in an eerie locale Halloween night, will they finally find the brotherhood they both desperately need? Christmas Glee Club Sophia, the lead soprano of the Belton Glee Club, faces losing her celebrity date to the sorority formal due to a required concert for the university donors. When the lead tenor falls sick with laryngitis, Brett fills in for his role as Santa. Can Sophia and Brett pull off the concert together at the last minute? No Strings Attached Alone on Valentine's Day with only his viola for a date, Vince decides to drown his sorrows at the university coffee shop. In a room full of love-struck couples, Gaby's alternative guitar music doesn't quite strike a romantic tone. Can she find anyone who appreciates her original style? Brass at the Beach Etta, a tuba player for the Belton University Symphony, is forced to face her fears of the ocean when the orchestra travels to the Caribbean for a concert. French horn player Terrence makes it his mission to help Etta become more comfortable with the sea. Will Etta find a way to be noticed in spite of her position at the back of the orchestra? On their beach excursion, the two learn to view life through a different set of lenses. Get a “Händel” on It Violinist Karen dominates the music scene at Belton University until a transfer student usurps her position and forces Karen to play "second fiddle," much to her chagrin. When the unforeseen happens during their performance of Handel's Messiah, will Karen do what it takes to save the performance? The Ivory Touch Pauline, a senior piano major at Belton University, nearly lives at the music school as she prepares for her capstone recital. Her boyfriend Trenton, a jazz trumpet player, convinces her to perform an insane duet with him for the final number. While they dedicate themselves to rehearsals, the Coronavirus sweeps the globe. The worldwide pandemic jeopardizes everything Pauline holds dear, including her recital, family, and romantic relationship. How will she adapt to this devastating twist her senior year? Return to Mozart After graduating from Belton with a degree in harp performance, Lisandra begins her studies as a graduate composition student at Johann Conservatory in New York City under renowned composition teacher Amadeus Gruber, a descendant of Mozart. When the city is devastated by the pandemic, Lisandra must choose between returning to her family in Estonia, or continuing to work with Gruber in the city under quarantine. Does Lisandra possess what it takes to finish Gruber’s Symphony and continue Mozart’s legacy?
Publisher: Rescot Creative
ISBN: 1736604414
Category : Young Adult Fiction
Languages : en
Pages : 153
Book Description
As the students of Belton University learn to navigate the world of music, they discover friendship, fortitude, and love in a variety of ways. Contact author to sign-up for her newsletter, and you’ll receive a signed postcard of The Chronicles of Music Majors and an invitation to join her Music Fiction Book Club. A Change in the Winds Brandon, a sophomore bass player at Belton University, grows bored playing the same repetitive lines at the back of the orchestra. He rouses from his stupor when an attractive flutist plays a beautiful solo from the fourth movement of Dvorak's Symphony No. 8. How can Brandon attract her attention without raising the ire of the conductor? Maybe all he needs is a change in the winds. “Bach” from the Grave Freshman bassoonist Adam Heckel faces hazing in the music fraternity at Belton University while organist Miguel Guzmán struggles to overcome the pain of his past while preparing music for All Saints Day. When the two friends cross paths in an eerie locale Halloween night, will they finally find the brotherhood they both desperately need? Christmas Glee Club Sophia, the lead soprano of the Belton Glee Club, faces losing her celebrity date to the sorority formal due to a required concert for the university donors. When the lead tenor falls sick with laryngitis, Brett fills in for his role as Santa. Can Sophia and Brett pull off the concert together at the last minute? No Strings Attached Alone on Valentine's Day with only his viola for a date, Vince decides to drown his sorrows at the university coffee shop. In a room full of love-struck couples, Gaby's alternative guitar music doesn't quite strike a romantic tone. Can she find anyone who appreciates her original style? Brass at the Beach Etta, a tuba player for the Belton University Symphony, is forced to face her fears of the ocean when the orchestra travels to the Caribbean for a concert. French horn player Terrence makes it his mission to help Etta become more comfortable with the sea. Will Etta find a way to be noticed in spite of her position at the back of the orchestra? On their beach excursion, the two learn to view life through a different set of lenses. Get a “Händel” on It Violinist Karen dominates the music scene at Belton University until a transfer student usurps her position and forces Karen to play "second fiddle," much to her chagrin. When the unforeseen happens during their performance of Handel's Messiah, will Karen do what it takes to save the performance? The Ivory Touch Pauline, a senior piano major at Belton University, nearly lives at the music school as she prepares for her capstone recital. Her boyfriend Trenton, a jazz trumpet player, convinces her to perform an insane duet with him for the final number. While they dedicate themselves to rehearsals, the Coronavirus sweeps the globe. The worldwide pandemic jeopardizes everything Pauline holds dear, including her recital, family, and romantic relationship. How will she adapt to this devastating twist her senior year? Return to Mozart After graduating from Belton with a degree in harp performance, Lisandra begins her studies as a graduate composition student at Johann Conservatory in New York City under renowned composition teacher Amadeus Gruber, a descendant of Mozart. When the city is devastated by the pandemic, Lisandra must choose between returning to her family in Estonia, or continuing to work with Gruber in the city under quarantine. Does Lisandra possess what it takes to finish Gruber’s Symphony and continue Mozart’s legacy?
A Change in Tune
Author: Ashley
Publisher: Rescot Creative
ISBN: 1736604449
Category : Young Adult Fiction
Languages : en
Pages : 239
Book Description
Violinist Victoria Pearson dreams of attending Johann Conservatory of Music in New York City for graduate school. As the oldest of five sisters, she hopes to escape her Midwestern college town and hectic family situation to fulfill her passion in life—music. But when she decides to participate in Belton University's Concerto competition to bolster her chances of acceptance, Victoria finds herself competing against her sister Adrienne and lifelong cellist friend Jerry Chang. This sets in motion a rivalry that questions the roles of sisterhood, friendship, and maybe love. Victoria wants to maintain the rigors required of a professional classical musician without losing her family and friends, not to mention her sanity, in the process. The demands of her large family might hinder her ability to achieve her dreams. What sacrifices will she make to reach her goals, and are they worth the cost? A new, twenty-first-century generation of little women takes the stage in A Change in Tune.
Publisher: Rescot Creative
ISBN: 1736604449
Category : Young Adult Fiction
Languages : en
Pages : 239
Book Description
Violinist Victoria Pearson dreams of attending Johann Conservatory of Music in New York City for graduate school. As the oldest of five sisters, she hopes to escape her Midwestern college town and hectic family situation to fulfill her passion in life—music. But when she decides to participate in Belton University's Concerto competition to bolster her chances of acceptance, Victoria finds herself competing against her sister Adrienne and lifelong cellist friend Jerry Chang. This sets in motion a rivalry that questions the roles of sisterhood, friendship, and maybe love. Victoria wants to maintain the rigors required of a professional classical musician without losing her family and friends, not to mention her sanity, in the process. The demands of her large family might hinder her ability to achieve her dreams. What sacrifices will she make to reach her goals, and are they worth the cost? A new, twenty-first-century generation of little women takes the stage in A Change in Tune.
Borod-in Class
Author: Ashley Rescot
Publisher: Rescot Creative Publishing
ISBN:
Category : Young Adult Fiction
Languages : en
Pages : 18
Book Description
Cellist Jerry Chang is bored in class due to the repetitive nature of his music. What's the point in playing an instrument if he's stuck accompanying Franklin, the uppity first violinist? Even the second violinist and violist, the pretty Pearson sisters, seem ready for a change in tune. When Jerry suggests they play a song by the Romantic composer Borodin, the girls jump at the opportunity. Can the trio overthrow Franklin from his musical throne as first chair? Or will he subject them to ongoing musical servitude for the rest of their collegiate career? This musical short story is a prequel to Ashley Rescot's music fiction novel A Change in Tune.
Publisher: Rescot Creative Publishing
ISBN:
Category : Young Adult Fiction
Languages : en
Pages : 18
Book Description
Cellist Jerry Chang is bored in class due to the repetitive nature of his music. What's the point in playing an instrument if he's stuck accompanying Franklin, the uppity first violinist? Even the second violinist and violist, the pretty Pearson sisters, seem ready for a change in tune. When Jerry suggests they play a song by the Romantic composer Borodin, the girls jump at the opportunity. Can the trio overthrow Franklin from his musical throne as first chair? Or will he subject them to ongoing musical servitude for the rest of their collegiate career? This musical short story is a prequel to Ashley Rescot's music fiction novel A Change in Tune.
Sellout
Author: Dan Ozzi
Publisher: Mariner Books
ISBN: 0358244307
Category : Biography & Autobiography
Languages : en
Pages : 429
Book Description
"From celebrated music writer Dan Ozzi comes a comprehensive chronicle of the punk music scene's evolution from the early nineties to the mid-aughts, following eleven bands as they dissolved, "sold out," and rose to surprise stardom. From its inception, punk music has been identified by two factors: its proximity to "authenticity," and its reliance on an antiestablishment ethos. Yet, in the mid- to late '90s, major record labels sought to capitalize on punk's rebellious undertones, leading to a schism in the scene: to accept the cash flow of the majors, or stick to indie cred?Sellout chronicles the evolution of the punk scene during this era, focusing on prominent bands as they experienced the last "gold rush" of the music industry. Within it, music writer Dan Ozzi follows the rise of successful bands like Green Day and Jimmy Eat World, as well as the implosion of groups like Jawbreaker and At the Drive-In, who buckled under the pressure of their striving labels. Featuring original interviews and personal stories from members of eleven of modern punk's most (in)famous bands, Sellout is the history of the evolution of the music industry, and a punk rock lover's guide to the chaotic darlings of the post-grunge era. "--
Publisher: Mariner Books
ISBN: 0358244307
Category : Biography & Autobiography
Languages : en
Pages : 429
Book Description
"From celebrated music writer Dan Ozzi comes a comprehensive chronicle of the punk music scene's evolution from the early nineties to the mid-aughts, following eleven bands as they dissolved, "sold out," and rose to surprise stardom. From its inception, punk music has been identified by two factors: its proximity to "authenticity," and its reliance on an antiestablishment ethos. Yet, in the mid- to late '90s, major record labels sought to capitalize on punk's rebellious undertones, leading to a schism in the scene: to accept the cash flow of the majors, or stick to indie cred?Sellout chronicles the evolution of the punk scene during this era, focusing on prominent bands as they experienced the last "gold rush" of the music industry. Within it, music writer Dan Ozzi follows the rise of successful bands like Green Day and Jimmy Eat World, as well as the implosion of groups like Jawbreaker and At the Drive-In, who buckled under the pressure of their striving labels. Featuring original interviews and personal stories from members of eleven of modern punk's most (in)famous bands, Sellout is the history of the evolution of the music industry, and a punk rock lover's guide to the chaotic darlings of the post-grunge era. "--
Resources in Education
Author:
Publisher:
ISBN:
Category : Education
Languages : en
Pages : 354
Book Description
Publisher:
ISBN:
Category : Education
Languages : en
Pages : 354
Book Description
The Chronicle
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 308
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 308
Book Description
Research in Education
Author:
Publisher:
ISBN:
Category : Education
Languages : en
Pages : 974
Book Description
Publisher:
ISBN:
Category : Education
Languages : en
Pages : 974
Book Description
The North American Folk Music Revival: Nation and Identity in the United States and Canada, 1945–1980
Author: Dr Gillian Mitchell
Publisher: Ashgate Publishing, Ltd.
ISBN: 1409493679
Category : Music
Languages : en
Pages : 246
Book Description
This work represents the first comparative study of the folk revival movement in Anglophone Canada and the United States and combines this with discussion of the way folk music intersected with, and was structured by, conceptions of national affinity and national identity. Based on original archival research carried out principally in Toronto, Washington and Ottawa, it is a thematic, rather than general, study of the movement which has been influenced by various academic disciplines, including history, musicology and folklore. Dr Gillian Mitchell begins with an introduction that provides vital context for the subject by tracing the development of the idea of 'the folk', folklore and folk music since the nineteenth century, and how that idea has been applied in the North American context, before going on to examine links forged by folksong collectors, artists and musicians between folk music and national identity during the early twentieth century. With the 'boom' of the revival in the early sixties came the ways in which the movement in both countries proudly promoted a vision of nation that was inclusive, pluralistic and eclectic. It was a vision which proved compatible with both Canada and America, enabling both countries to explore a diversity of music without exclusiveness or narrowness of focus. It was also closely linked to the idealism of the grassroots political movements of the early 1960s, such as integrationist civil rights, and the early student movement. After 1965 this inclusive vision of nation in folk music began to wane. While the celebrations of the Centennial in Canada led to a re-emphasis on the 'Canadianness' of Canadian folk music, the turbulent events in the United States led many ex-revivalists to turn away from politics and embrace new identities as introspective singer-songwriters. Many of those who remained interested in traditional folk music styles, such as Celtic or Klezmer music, tended to be very insular and conservative in their approach, rather than linking their chosen genre to a wider world of folk music; however, more recent attempts at 'fusion' or 'world' music suggest a return to the eclectic spirit of the 1960s folk revival. Thus, from 1945 to 1980, folk music in Canada and America experienced an evolving and complex relationship with the concepts of nation and national identity. Students will find the book useful as an introduction, not only to key themes in the folk revival, but also to concepts in the study of national identity and to topics in American and Canadian cultural history. Academic specialists will encounter an alternative perspective from the more general, broad approach offered by earlier histories of the folk revival movement.
Publisher: Ashgate Publishing, Ltd.
ISBN: 1409493679
Category : Music
Languages : en
Pages : 246
Book Description
This work represents the first comparative study of the folk revival movement in Anglophone Canada and the United States and combines this with discussion of the way folk music intersected with, and was structured by, conceptions of national affinity and national identity. Based on original archival research carried out principally in Toronto, Washington and Ottawa, it is a thematic, rather than general, study of the movement which has been influenced by various academic disciplines, including history, musicology and folklore. Dr Gillian Mitchell begins with an introduction that provides vital context for the subject by tracing the development of the idea of 'the folk', folklore and folk music since the nineteenth century, and how that idea has been applied in the North American context, before going on to examine links forged by folksong collectors, artists and musicians between folk music and national identity during the early twentieth century. With the 'boom' of the revival in the early sixties came the ways in which the movement in both countries proudly promoted a vision of nation that was inclusive, pluralistic and eclectic. It was a vision which proved compatible with both Canada and America, enabling both countries to explore a diversity of music without exclusiveness or narrowness of focus. It was also closely linked to the idealism of the grassroots political movements of the early 1960s, such as integrationist civil rights, and the early student movement. After 1965 this inclusive vision of nation in folk music began to wane. While the celebrations of the Centennial in Canada led to a re-emphasis on the 'Canadianness' of Canadian folk music, the turbulent events in the United States led many ex-revivalists to turn away from politics and embrace new identities as introspective singer-songwriters. Many of those who remained interested in traditional folk music styles, such as Celtic or Klezmer music, tended to be very insular and conservative in their approach, rather than linking their chosen genre to a wider world of folk music; however, more recent attempts at 'fusion' or 'world' music suggest a return to the eclectic spirit of the 1960s folk revival. Thus, from 1945 to 1980, folk music in Canada and America experienced an evolving and complex relationship with the concepts of nation and national identity. Students will find the book useful as an introduction, not only to key themes in the folk revival, but also to concepts in the study of national identity and to topics in American and Canadian cultural history. Academic specialists will encounter an alternative perspective from the more general, broad approach offered by earlier histories of the folk revival movement.
Comparison of the Mandarin Services of Four Major Broadcasters to the People's Republic of China
Author: United States Information Agency. Office of Research
Publisher:
ISBN:
Category : Radio broadcasting
Languages : en
Pages : 94
Book Description
Publisher:
ISBN:
Category : Radio broadcasting
Languages : en
Pages : 94
Book Description
Athenaeum and Literary Chronicle
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 594
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 594
Book Description