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Author: Howard Wight Marshall
Publisher: University of Missouri Press
ISBN: 0826272932
Category : Music
Languages : en
Pages : 422
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Book Description
Play Me Something Quick and Devilish explores the heritage of traditional fiddle music in Missouri. Howard Wight Marshall considers the place of homemade music in people’s lives across social and ethnic communities from the late 1700s to the World War I years and into the early 1920s. This exceptionally important and complex period provided the foundations in history and settlement for the evolution of today’s old-time fiddling. Beginning with the French villages on the Mississippi River, Marshall leads us chronologically through the settlement of the state and how these communities established our cultural heritage. Other core populations include the “Old Stock Americans” (primarily Scotch-Irish from Kentucky, Tennessee, North Carolina, and Virginia), African Americans, German-speaking immigrants, people with American Indian ancestry (focusing on Cherokee families dating from the Trail of Tears in the 1830s), and Irish railroad workers in the post–Civil War period. These are the primary communities whose fiddle and dance traditions came together on the Missouri frontier to cultivate the bounty of old-time fiddling enjoyed today. Marshall also investigates themes in the continuing evolution of fiddle traditions. These themes include the use of the violin in Westward migration, in the Civil War years, and in the railroad boom that changed history. Of course, musical tastes shift over time, and the rise of music literacy in the late Victorian period, as evidenced by the brass band movement and immigrant music teachers in small towns, affected fiddling. The contributions of music publishing as well as the surprising importance of ragtime and early jazz also had profound effects. Much of the old-time fiddlers’ repertory arises not from the inherited reels, jigs, and hornpipes from the British Isles, nor from the waltzes, schottisches, and polkas from the Continent, but from the prolific pens of Tin Pan Alley. Marshall also examines regional styles in Missouri fiddling and comments on the future of this time-honored, and changing, tradition. Documentary in nature, this social history draws on various academic disciplines and oral histories recorded in Marshall’s forty-some years of research and field experience. Historians, music aficionados, and lay people interested in Missouri folk heritage—as well as fiddlers, of course—will find Play Me Something Quick and Devilish an entertaining and enlightening read. With 39 tunes, the enclosed Voyager Records companion CD includes a historic sampler of Missouri fiddlers and styles from 1955 to 2012. A media kit is available here: press.umsystem.edu/pages/PlayMeSomethingQuickandDevilish.aspx
Author: Howard Wight Marshall
Publisher: University of Missouri Press
ISBN: 0826272932
Category : Music
Languages : en
Pages : 422
Get Book Here
Book Description
Play Me Something Quick and Devilish explores the heritage of traditional fiddle music in Missouri. Howard Wight Marshall considers the place of homemade music in people’s lives across social and ethnic communities from the late 1700s to the World War I years and into the early 1920s. This exceptionally important and complex period provided the foundations in history and settlement for the evolution of today’s old-time fiddling. Beginning with the French villages on the Mississippi River, Marshall leads us chronologically through the settlement of the state and how these communities established our cultural heritage. Other core populations include the “Old Stock Americans” (primarily Scotch-Irish from Kentucky, Tennessee, North Carolina, and Virginia), African Americans, German-speaking immigrants, people with American Indian ancestry (focusing on Cherokee families dating from the Trail of Tears in the 1830s), and Irish railroad workers in the post–Civil War period. These are the primary communities whose fiddle and dance traditions came together on the Missouri frontier to cultivate the bounty of old-time fiddling enjoyed today. Marshall also investigates themes in the continuing evolution of fiddle traditions. These themes include the use of the violin in Westward migration, in the Civil War years, and in the railroad boom that changed history. Of course, musical tastes shift over time, and the rise of music literacy in the late Victorian period, as evidenced by the brass band movement and immigrant music teachers in small towns, affected fiddling. The contributions of music publishing as well as the surprising importance of ragtime and early jazz also had profound effects. Much of the old-time fiddlers’ repertory arises not from the inherited reels, jigs, and hornpipes from the British Isles, nor from the waltzes, schottisches, and polkas from the Continent, but from the prolific pens of Tin Pan Alley. Marshall also examines regional styles in Missouri fiddling and comments on the future of this time-honored, and changing, tradition. Documentary in nature, this social history draws on various academic disciplines and oral histories recorded in Marshall’s forty-some years of research and field experience. Historians, music aficionados, and lay people interested in Missouri folk heritage—as well as fiddlers, of course—will find Play Me Something Quick and Devilish an entertaining and enlightening read. With 39 tunes, the enclosed Voyager Records companion CD includes a historic sampler of Missouri fiddlers and styles from 1955 to 2012. A media kit is available here: press.umsystem.edu/pages/PlayMeSomethingQuickandDevilish.aspx
Author: Kathy Blackwell
Publisher: Oxford University Press, USA
ISBN: 9780193220904
Category : Music
Languages : en
Pages : 24
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Book Description
A collection of 32 easy Christmas pieces for violin, with words to sing along and chords for guitar or keyboard. There are a mixture of solo and duet arrangements which span the level of difficulty of the Fiddle Time Joggers and Fiddle Time Runners books. Many tunes are compatible with Viola Time Christmas and Cello Time Christmas.
Author: Paulette Jiles
Publisher: HarperCollins
ISBN: 0062966766
Category : Fiction
Languages : en
Pages : 368
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Book Description
The critically acclaimed, bestselling author of News of the World and Enemy Women returns to Texas in this atmospheric story, set at the end of the Civil War, about an itinerant fiddle player, a ragtag band of musicians with whom he travels trying to make a living, and the charming young Irish lass who steals his heart. In March 1865, the long and bitter War between the States is winding down. Till now, twenty-three-year-old Simon Boudlin has evaded military duty thanks to his slight stature, youthful appearance, and utter lack of compunction about bending the truth. But following a barroom brawl in Victoria, Texas, Simon finds himself conscripted, however belatedly, into the Confederate Army. Luckily his talent with a fiddle gets him a comparatively easy position in a regimental band. Weeks later, on the eve of the Confederate surrender, Simon and his bandmates are called to play for officers and their families from both sides of the conflict. There the quick-thinking, audacious fiddler can’t help but notice the lovely Doris Mary Dillon, an indentured girl from Ireland, who is governess to a Union colonel’s daughter. After the surrender, Simon and Doris go their separate ways. He will travel around Texas seeking fame and fortune as a musician. She must accompany the colonel’s family to finish her three years of service. But Simon cannot forget the fair Irish maiden, and vows that someday he will find her again. Incandescent in its beauty, told in Paulette Jiles’s trademark spare yet lilting style, Simon the Fiddler is a captivating, bittersweet tale of the chances a devoted man will take, and the lengths he will go to fulfill his heart’s yearning. "Jiles’ sparse but lyrical writing is a joy to read. . . . Lose yourself in this entertaining tale.” — Associated Press
Author: David Brody
Publisher: Oak Publications
ISBN: 1783235829
Category : Music
Languages : en
Pages : 303
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Book Description
From the author’s preface: “This book was conceived four years ago, almost to the day, at a time when I was teaching fiddle and mandolin in New York City. It was my idea then, with my students in mind, to compile a book of the most often played, most important and most interesting fiddle tunes from the various Celtic and North American traditions. The tunes were chosen by cataloging a large number of recordings by tune title. A tally was taken to find out which had been recorded most often. This established a foundation of material that could not be left out. To this list I added the names of other pieces which had not been recorded as frequently, but which I knew were played regularly and with respect. I admit to sprinkling the collection with a few lesser known tunes which happen to be personal favorites, but I am sure they will hold their own when placed next to the old war horses of the fiddler’s repertoire. . . . Although I started out with my students in mind this book has turned out to be the book that I’ve always wanted and I hope that it will serve the advanced player as well as the beginner.”
Author: Drew Beisswenger
Publisher: Mel Bay Publications
ISBN: 1513459937
Category : Music
Languages : en
Pages : 212
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Book Description
Appalachian fiddle music, based on the musical traditions of the people who settled in the mountainous regions of the southeastern United States, is widely-known and played throughout North America and parts of Europe because of its complex rhythms, its catchy melodies, and its often-ancient-sounding stylistic qualities. The authors explore the lives and music of 43 of the classic Appalachian fiddlers who were active during the first half of the 20th century. Some of them were recorded commercially in the 1920s, such as Gid Tanner, Fiddlin’ John Carson, and Charlie Bowman. Some were recorded by folklorists from the Library of Congress, such as William Stepp, Emmett Lundy, and Marion Reece. Others were recorded informally by family members and visitors, such as John Salyer, Emma Lee Dickerson, and Manco Sneed. All of them played throughout most of their lives and influenced the growth and stylistic elements of fiddle music in their regions. Each fiddler has been given a chapter with a biography, several tune transcriptions, and tune histories. To show the richness of the music, the authors make a special effort to show the musical elements in detail, but also acknowledge that nothing can take the place of listening. Many of the classic recordings used in this book can be found on the web, allowing you to hear and read the music together.
Author: Jeff Todd Titon
Publisher: University Press of Kentucky
ISBN: 9780813126227
Category : History
Languages : en
Pages : 286
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Book Description
The South has always been one of the most distinctive regions of the United States, with its own set of traditions and a turbulent history. Although often associated with cotton, hearty food, and rich dialects, the South is also noted for its strong sense of religion, which has significantly shaped its history. Dramatic political, social, and economic events have often shaped the development of southern religion, making the nuanced dissection of the religious history of the region a difficult undertaking. For instance, segregation and the subsequent civil rights movement profoundly affected churches in the South as they sought to mesh the tenets of their faith with the prevailing culture. Editors Walter H. Conser and Rodger M. Payne and the book’s contributors place their work firmly in the trend of modern studies of southern religion that analyze cultural changes to gain a better understanding of religion’s place in southern culture now and in the future. Southern Crossroads: Perspectives on Religion and Culture takes a broad, interdisciplinary approach that explores the intersection of religion and various aspects of southern life. The volume is organized into three sections, such as “Religious Aspects of Southern Culture,” that deal with a variety of topics, including food, art, literature, violence, ritual, shrines, music, and interactions among religious groups. The authors survey many combinations of religion and culture, with discussions ranging from the effect of Elvis Presley’s music on southern spirituality to yard shrines in Miami to the archaeological record of African American slave religion. The book explores the experiences of immigrant religious groups in the South, also dealing with the reactions of native southerners to the groups arriving in the region. The authors discuss the emergence of religious and cultural acceptance, as well as some of the apparent resistance to this development, as they explore the experiences of Buddhist Americans in the South and Jewish foodways. Southern Crossroads also looks at distinct markers of religious identity and the role they play in gender, politics, ritual, and violence. The authors address issues such as the role of women in Southern Baptist churches and the religious overtones of lynching, with its themes of blood sacrifice and atonement. Southern Crossroads offers valuable insights into how southern religion is studied and how people and congregations evolve and adapt in an age of constant cultural change.
Author: Ho-Ro Gheallaidh
Publisher:
ISBN: 9781871931471
Category : Fiddle tunes
Languages : en
Pages : 0
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Book Description
(Music Sales America). This collection is a reflection of the current repertoire of "sessions" in Scotland. Included are the popular tunes of today which stand the test of time. Some of the material is fairly tricky and should offer a challenge to the increasing numbers of excellent fiddlers. Songs include: Fairy Dance * Sleepy Maggie * Ships Are Sailing * The Duke and Duchess of Edinburgh * The Wind That Shakes the Barley * Loch Leven Castle * The Apple Tree * Lynne's Reel * The Old Grey Cat * Lord MacDonald * Miss Lyall * Captain Campbell * The Left Handed Fiddler * The North Shore * I Wish You Would Marry Me Now * Gladstone * Itchy Fingers * John Spence of Uyeasound * Jack Broke da Prison Door * The Shetland Fiddler * Da Ferry Reel * The Sally Gardens * The High Reel * The Boys of Malin * The Silver Spire * Sligo Maid * The Earl's Chair * Paddy's Trip to Scotland * King of the Fairies * The Firefly * Fisher's Hornpipe * The Golden Eagle * Lark in the Morning * Trip to Sligo * Traditional Jig * The Rocky Road to Dublin * Kennedy Street March * The Sweetness of Mary * Ashokan Farewell * Mitton's Breakdown * Trip to Windsor * Rory MacLeod * Ally Bally * and more.
Author: Bonnie Rideout
Publisher: Mel Bay Publications
ISBN: 1609741714
Category : Music
Languages : en
Pages : 65
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Book Description
This fiddle edition contains arrangements of all of the pieces features on the CD- A Scottish Christmas along with additional Christmas melodies, lesser known seasonal Scottish tunes, and a few fiddle classics not associated with Christmas whatsoever yet written in a compatible style for a total of 44 melodies
Author: Allen Feldham
Publisher: Music Sales Corporation
ISBN: 9780825602931
Category :
Languages : en
Pages : 256
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Book Description
Author: Natalie Kinsey-Warnock
Publisher: Dutton Books for Young Readers
ISBN:
Category : Juvenile Fiction
Languages : en
Pages : 40
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Book Description
"Henry and Grandpa go in search of the fiddler whose music makes the Northern Lights dance"--Title page verso.
