The Concise Oxford Companion to American Literature PDF Download
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Author: James D. Hart
Publisher:
ISBN: 0195047710
Category : American literature
Languages : en
Pages : 507
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Book Description
This concise version contains brief biographies of important authors, plot summaries of individual works, descriptions of important literary movements, and a wealth of information on other aspects of American literary life and history from the Colonial period to the modern era.
Author: James D. Hart
Publisher:
ISBN: 0195047710
Category : American literature
Languages : en
Pages : 507
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Book Description
This concise version contains brief biographies of important authors, plot summaries of individual works, descriptions of important literary movements, and a wealth of information on other aspects of American literary life and history from the Colonial period to the modern era.
Author: Rob Carney
Publisher:
ISBN: 9781625578013
Category : American poetry
Languages : en
Pages : 0
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Book Description
Poetry. "THE BOOK OF SHARKS is an accomplishment at the micro and macro level. Rob Carney has crafted lines that you'll want to save for your next tattoo inside of efficient poems that touch on creation myth, forgotten industries, and slices of life in villages he manufactures with a creator's divine spark. All of this works on its own inside of a larger, complex quilt that he has woven into an intricate pattern that revisits themes, finishes stories, and reminds you that THE BOOK OF SHARKS is a larger poem that is greater than just its sharpened teeth."--Jesse Parent "In precise, sharp lines, Rob Carney's THE BOOK OF SHARKS builds and interrogates myth and myth-makers, turning to sharks to also turn inward and outward, exploring one's purpose and place and the stories one tells to make meaning. Here, poems wash out and return like the tides they describe, inviting the reader to feel their weight, as if 'to disappear under the stories / as though they were waves.' In the end, whether in water, sky, or story, Carney invites us to consider the essential motivation of 'moving, arriving, being full,' what it means to seek."--Callista Buchen "'Some say sharks are the ocean's anger at us for being in its future,' writes Rob Carney. I say poems are sharks' way of forgiving us for the soup, the necklaces, the movies, and the mascots. And, let's not even mention climate change. Rob Carney's trenchant, probing poems circle around the self, not so much sensing blood but, perhaps even more dangerously, searching for understanding. Part confession, part documentation, part meditation, these smartly crafted lyrics explore how and why we have and have not allowed sharks (metaphors for so many things) to swim into our lives. This is a major effort from a talented poet."--Dean Rader "In his ambitious collection, THE BOOK OF SHARKS, Rob Carney reimagines the human world and facets of contemporary society by creating a mythology and origin story that correct the erroneous legend of sharks. In building a new lens through which to view the sea and its most vilified species, Carney opens up a new way to conceive of art, life, storytelling, and the connections among living creatures in the sea, on land, and among the stars. 'Some say sharks are the ocean's anger,' he repeats in two poems, and later--as the collection evolves--they become 'the ocean's blueprint.' In this collection, comprised of seven sections, containing seven poems each, Carney weds structure and symbolism to reinforce his creation myth; correction and etymology to reconfigure historical facts; and repetition of images and phrases to place these poems--all without titles, bleeding poignantly into one another as part of an ongoing narrative or interconnected species--in the epic tradition. Here we are offered a sympathetic view of sharks, an alternative way to see constellations and their corresponding myths, and a new foundation from which to begin our lives and our stories. Carney's speaker demands that we reexamine what is actually dangerous versus what's been stereotyped so, and most of all he begs us to see ourselves new, 'to bear in mind / we aren't the measure of Creation. Just a part.'"--Lisa Fay Coutley
Author: Tom Hall
Publisher:
ISBN:
Category : Art nouveau
Languages : en
Pages : 152
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Book Description
Author:
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 180
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Book Description
Author: Harold Monro
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 76
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Book Description
Nos. 6 and 18 consist of songs with piano accompaniment.
Author:
Publisher:
ISBN:
Category : American poetry
Languages : en
Pages : 546
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Book Description
Author: Christian Hawkey
Publisher: Wave Books
ISBN:
Category : Literary Collections
Languages : en
Pages : 88
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Book Description
This book marks the debut of a startling new voice that restlessly transforms self and surroundings in every poem.
Author: Mary Miller
Publisher: National Geographic Books
ISBN: 1631497847
Category : Fiction
Languages : en
Pages : 0
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Book Description
Mary Miller seizes the mantle of southern literature with Biloxi, a tender, gritty tale of middle age and the unexpected turns a life can take. Building on her critically acclaimed novel The Last Days of California and her biting collection Always Happy Hour, Miller transports readers to this delightfully wry, unapologetic corner of the south—Biloxi, Mississippi, home to sixty-three-year-old Louis McDonald, Jr. Louis has been forlorn since his wife of thirty-seven years left him, his father passed, and he impulsively retired from his job in anticipation of an inheritance check that may not come. These days he watches reality television and tries to avoid his ex-wife and daughter, benefiting from the charity of his former brother-in-law, Frank, who religiously brings over his Chili’s leftovers and always stays for a beer. Yet the past is no predictor of Louis’s future. On a routine trip to Walgreens to pick up his diabetes medication, he stops at a sign advertising free dogs and meets Harry Davidson, a man who claims to have more than a dozen canines on offer, but offers only one: an overweight mixed breed named Layla. Without any rational explanation, Louis feels compelled to take the dog home, and the two become inseparable. Louis, more than anyone, is dumbfounded to find himself in love—bursting into song with improvised jingles, exploring new locales, and reevaluating what he once considered the fixed horizons of his life. With her “sociologist’s eye for the mundane and revealing” (Joyce Carol Oates, New York Review of Books), Miller populates the Gulf Coast with Ann Beattie-like characters. A strangely heartwarming tale of loneliness, masculinity, and the limitations of each, Biloxi confirms Miller’s position as one of our most gifted and perceptive writers.
Author: Taylor Byas
Publisher: Variant Literature
ISBN: 9781955602013
Category :
Languages : en
Pages : 34
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Book Description
Bloodwarm is a collection that explores what itís like to live in a Black body that is constantly scrutinized and dissected beneath the white gaze. These poems both utilize and reinvigorate classic poetic forms with a voice that speaks back to the mob that hunts it. This book is an act of rebellion, an assertion of worth, a will to live. Poetry.
Author: Isaac Pickell
Publisher:
ISBN: 9781625570161
Category :
Languages : en
Pages : 40
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Book Description
Poetry. African & African American Studies. EVERYTHING SAVED WILL BE LAST, the debut poetry chapbook from Isaac Pickell, considers the body and the environments that hold it while navigating the personal, generational, and societal consequences of passing as white. Pickell's work pursues small moments of self, embodied memory, and politics that bleed away from the skin, toward whatever can be accessed as home, onto what remains there. Melodic and often unsettling, this collection allows nothing passive about passing or in choosing to refuse it; Pickell's speakers do not shy away from the specter of blackface fantasies, of not always recognizing ourselves in the stories we tell. In The future was better before, the speaker questions the boundaries and permeations of identity and selfhood: When are we gonna get tired / becoming genre and cower // into the helpless terror / of being just one person // [ All my life, I've wanted skin / like that ]. Part reflection and part indictment, the meditations in these pages take aim at the long story of racial capitalism and its contemporary keepers. everything saved will be last asks the questions we should all still be asking and invites sometimes uncomfortable answers. These are poems that require sinking into, poems that will stay with the reader long after the last page. Here are poems that crackle with intelligence and terror, and a poet who, acridly, saturates pages into dark mirrors. That mirrors may scry, reflect, and distort, Isaac Pickell works, taking lyric's simultaneous introspection/exhibitionism, he stands in the thick of conflicting gazes. This is being up in his U.S. where 'they tell us to just hang / in there...' And who finds what there? I found a place I've seen before, but never at these keen angles.--Douglas Kearney Vulnerability and the desire for an open reconciliation with the self are key themes in Isaac Pickell's debut chapbook, alongside what it means to be a human being with an interracial heritage. Unlike some writers who identify as mixed race, Pickell does not choose the easy route of using the buffer of whiteness to his advantage, 'we could look / so pretty outside: liberty, still / that very bitter joke.' What could life outside of the white supremacist racial caste system look like? Pickell has no answers but gives us reflexive warnings: 'do not present a problem without a solution because you will get used to it.'--Nikki Wallschlaeger In EVERYTHING SAVED WILL BE LAST, Isaac Pickell renders an ambient world of quiet objects and reverie, a peacefulness of the built environment and, simultaneously, the impossibility of maintaining this quiet, pensive world for more than a moment. In these poems, the reverie is disrupted, over and over. These poems don't give us any out. Pickell '[picks] the splinters out from history' and then '[piles] them crosswise into a cabin, ' the place we're going to dwell. This gorgeous and unnerving work picks apart the material of daily life, haunted by its location in larger structures, and itemizes what we have to work with in building something else.--Marie Buck
