Author: Francis Fisher Browne
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 348
Book Description
The Dial
The Book Buyer
Author:
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 618
Book Description
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 618
Book Description
The Athenaeum
Author: James Silk Buckingham
Publisher:
ISBN:
Category :
Languages : en
Pages : 924
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 924
Book Description
Bulletin ...
Author: University of St. Andrews. Library
Publisher:
ISBN:
Category :
Languages : en
Pages : 580
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 580
Book Description
The Athenaeum
Author:
Publisher:
ISBN:
Category : Arts
Languages : en
Pages : 896
Book Description
Publisher:
ISBN:
Category : Arts
Languages : en
Pages : 896
Book Description
The Every-Day Book of Modern Literature
Author: George H. Townsend
Publisher: BoD – Books on Demand
ISBN: 3385234611
Category : Fiction
Languages : en
Pages : 966
Book Description
Reprint of the original, first published in 1875.
Publisher: BoD – Books on Demand
ISBN: 3385234611
Category : Fiction
Languages : en
Pages : 966
Book Description
Reprint of the original, first published in 1875.
Reading, Publishing and the Formation of Literary Taste in England, 1880-1914
Author: Mary Hammond
Publisher: Routledge
ISBN: 1351906461
Category : Literary Criticism
Languages : en
Pages : 358
Book Description
Between 1880 and 1914, England saw the emergence of an unprecedented range of new literary forms from Modernism to the popular thriller. Not coincidentally, this period also marked the first overt references to an art/market divide through which books took on new significance as markers of taste and class. Though this division has received considerable attention relative to the narrative structures of the period's texts, little attention has been paid to the institutions and ideologies that largely determined a text's accessibility and circulated format and thus its mode of address to specific readerships. Hammond addresses this gap in scholarship, asking the following key questions: How did publishing and distribution practices influence reader choice? Who decided whether or not a book was a 'classic'? In a patriarchal, class-bound literary field, how were the symbolic positions of 'author' and 'reader' affected by the increasing numbers of women who not only bought and borrowed, but also wrote novels? Using hitherto unexamined archive material and focussing in detail on the working practices of publishers and distributors such as Oxford University Press and W.H. Smith and Sons, Hammond combines the methodologies of sociology, literary studies and book history to make an original and important contribution to our understanding of the cultural dynamics and rhetorics of the fin-de-siècle literary field in England.
Publisher: Routledge
ISBN: 1351906461
Category : Literary Criticism
Languages : en
Pages : 358
Book Description
Between 1880 and 1914, England saw the emergence of an unprecedented range of new literary forms from Modernism to the popular thriller. Not coincidentally, this period also marked the first overt references to an art/market divide through which books took on new significance as markers of taste and class. Though this division has received considerable attention relative to the narrative structures of the period's texts, little attention has been paid to the institutions and ideologies that largely determined a text's accessibility and circulated format and thus its mode of address to specific readerships. Hammond addresses this gap in scholarship, asking the following key questions: How did publishing and distribution practices influence reader choice? Who decided whether or not a book was a 'classic'? In a patriarchal, class-bound literary field, how were the symbolic positions of 'author' and 'reader' affected by the increasing numbers of women who not only bought and borrowed, but also wrote novels? Using hitherto unexamined archive material and focussing in detail on the working practices of publishers and distributors such as Oxford University Press and W.H. Smith and Sons, Hammond combines the methodologies of sociology, literary studies and book history to make an original and important contribution to our understanding of the cultural dynamics and rhetorics of the fin-de-siècle literary field in England.
The Bibliography of Robert Burns
Author: James Gibson
Publisher:
ISBN:
Category :
Languages : en
Pages : 366
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 366
Book Description
Catalogue of the Keiogijuku Library
Author: 慶應義塾図書館
Publisher:
ISBN:
Category :
Languages : en
Pages : 438
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 438
Book Description
The Reference Catalogue of Current Literature
Author:
Publisher:
ISBN:
Category : Great Britain
Languages : en
Pages : 1770
Book Description
Publisher:
ISBN:
Category : Great Britain
Languages : en
Pages : 1770
Book Description