Author: Art Wood
Publisher: Pelican Publishing
ISBN: 9781455605293
Category : Caricatures and cartoons
Languages : en
Pages : 200
Book Description
Great Cartoonists and Their Art
Author: Art Wood
Publisher: Pelican Publishing
ISBN: 9781455605293
Category : Caricatures and cartoons
Languages : en
Pages : 200
Book Description
Publisher: Pelican Publishing
ISBN: 9781455605293
Category : Caricatures and cartoons
Languages : en
Pages : 200
Book Description
The Art of Controversy
Author: Victor S Navasky
Publisher: Knopf
ISBN: 0307962148
Category : Political Science
Languages : en
Pages : 257
Book Description
A lavishly illustrated, witty, and original look at the awesome power of the political cartoon throughout history to enrage, provoke, and amuse. As a former editor of The New York Times Magazine and the longtime editor of The Nation, Victor S. Navasky knows just how transformative—and incendiary—cartoons can be. Here Navasky guides readers through some of the greatest cartoons ever created, including those by George Grosz, David Levine, Herblock, Honoré Daumier, and Ralph Steadman. He recounts how cartoonists and caricaturists have been censored, threatened, incarcerated, and even murdered for their art, and asks what makes this art form, too often dismissed as trivial, so uniquely poised to affect our minds and our hearts. Drawing on his own encounters with would-be censors, interviews with cartoonists, and historical archives from cartoon museums across the globe, Navasky examines the political cartoon as both art and polemic over the centuries. We see afresh images most celebrated for their artistic merit (Picasso's Guernica, Goya's "Duendecitos"), images that provoked outrage (the 2008 Barry Blitt New Yorker cover, which depicted the Obamas as a Muslim and a Black Power militant fist-bumping in the Oval Office), and those that have dictated public discourse (Herblock’s defining portraits of McCarthyism, the Nazi periodical Der Stürmer’s anti-Semitic caricatures). Navasky ties together these and other superlative genre examples to reveal how political cartoons have been not only capturing the zeitgeist throughout history but shaping it as well—and how the most powerful cartoons retain the ability to shock, gall, and inspire long after their creation. Here Victor S. Navasky brilliantly illuminates the true power of one of our most enduringly vital forms of artistic expression.
Publisher: Knopf
ISBN: 0307962148
Category : Political Science
Languages : en
Pages : 257
Book Description
A lavishly illustrated, witty, and original look at the awesome power of the political cartoon throughout history to enrage, provoke, and amuse. As a former editor of The New York Times Magazine and the longtime editor of The Nation, Victor S. Navasky knows just how transformative—and incendiary—cartoons can be. Here Navasky guides readers through some of the greatest cartoons ever created, including those by George Grosz, David Levine, Herblock, Honoré Daumier, and Ralph Steadman. He recounts how cartoonists and caricaturists have been censored, threatened, incarcerated, and even murdered for their art, and asks what makes this art form, too often dismissed as trivial, so uniquely poised to affect our minds and our hearts. Drawing on his own encounters with would-be censors, interviews with cartoonists, and historical archives from cartoon museums across the globe, Navasky examines the political cartoon as both art and polemic over the centuries. We see afresh images most celebrated for their artistic merit (Picasso's Guernica, Goya's "Duendecitos"), images that provoked outrage (the 2008 Barry Blitt New Yorker cover, which depicted the Obamas as a Muslim and a Black Power militant fist-bumping in the Oval Office), and those that have dictated public discourse (Herblock’s defining portraits of McCarthyism, the Nazi periodical Der Stürmer’s anti-Semitic caricatures). Navasky ties together these and other superlative genre examples to reveal how political cartoons have been not only capturing the zeitgeist throughout history but shaping it as well—and how the most powerful cartoons retain the ability to shock, gall, and inspire long after their creation. Here Victor S. Navasky brilliantly illuminates the true power of one of our most enduringly vital forms of artistic expression.
Cartooning
Author: Ivan Brunetti
Publisher: Yale University Press
ISBN: 0300172591
Category : Art
Languages : en
Pages : 90
Book Description
Provides lessons on the art of cartooning along with information on terminology, tools, techniques, and theory.
Publisher: Yale University Press
ISBN: 0300172591
Category : Art
Languages : en
Pages : 90
Book Description
Provides lessons on the art of cartooning along with information on terminology, tools, techniques, and theory.
The Art in Cartooning
Author: Edwin Fisher
Publisher:
ISBN: 9780684163987
Category : American wit and humor
Languages : en
Pages : 228
Book Description
"This exhilarating and comprehensive collection of more than 330 classic drawings represents almost a century of the work of American cartoonists and dramatically illustrates the diversity and richness of this popular art form. From the 1890s and the work of Art Young and Thomas Nast to such contemporary artists as Booth and Koren, the book offers a wonderful sampling of the drawings of Charles Addams, Peter Arno, John Held Jr., James Thurber, Gluyas Williams, Richard Taylor, Barbara Shermund, Virgil Partch, Sam Cobean, Dorothy McKay, Boris Drucker, Eldon Dedini, Gahan Wilson, and many more. This is a book to savor, to come back to over and over again." - Lower cover
Publisher:
ISBN: 9780684163987
Category : American wit and humor
Languages : en
Pages : 228
Book Description
"This exhilarating and comprehensive collection of more than 330 classic drawings represents almost a century of the work of American cartoonists and dramatically illustrates the diversity and richness of this popular art form. From the 1890s and the work of Art Young and Thomas Nast to such contemporary artists as Booth and Koren, the book offers a wonderful sampling of the drawings of Charles Addams, Peter Arno, John Held Jr., James Thurber, Gluyas Williams, Richard Taylor, Barbara Shermund, Virgil Partch, Sam Cobean, Dorothy McKay, Boris Drucker, Eldon Dedini, Gahan Wilson, and many more. This is a book to savor, to come back to over and over again." - Lower cover
The Cartoonist's Big Book of Drawing Animals
Author: Christopher Hart
Publisher: Watson-Guptill
ISBN: 0823008290
Category : Art
Languages : en
Pages : 226
Book Description
All of Chris Hart’s how-to-draw titles are best-sellers. And the best-sellers among all of his best-sellers are the ones about animals. How to Draw Cartoon Animals, just one example, appears regularly on the BookScan Top 50 Art Books list, with more than 190,000 copies sold. Now The Cartoonist’s Big Book of Drawing Animals is ready to roar onto the market! All the most popular animals are here, including dogs, cats, horses, penguins, lions, tigers, bears, and elephants, as well as the favorite sidekick animals—pigs, kangaroos, giraffes, turtles. Simple step-by-step drawings show how to capture every cartoon emotion, from cutesy-sweet to begging to scheming, and how to create every box-office type, from baby animals to villain animals to clueless animals and much more. Faces, bodies, paws, feet, wings, tails—every part of dozens of animals is explained in this bumper book by the world’s leading author of instructional art books. It’s a mega-menagerie for cartoonists!
Publisher: Watson-Guptill
ISBN: 0823008290
Category : Art
Languages : en
Pages : 226
Book Description
All of Chris Hart’s how-to-draw titles are best-sellers. And the best-sellers among all of his best-sellers are the ones about animals. How to Draw Cartoon Animals, just one example, appears regularly on the BookScan Top 50 Art Books list, with more than 190,000 copies sold. Now The Cartoonist’s Big Book of Drawing Animals is ready to roar onto the market! All the most popular animals are here, including dogs, cats, horses, penguins, lions, tigers, bears, and elephants, as well as the favorite sidekick animals—pigs, kangaroos, giraffes, turtles. Simple step-by-step drawings show how to capture every cartoon emotion, from cutesy-sweet to begging to scheming, and how to create every box-office type, from baby animals to villain animals to clueless animals and much more. Faces, bodies, paws, feet, wings, tails—every part of dozens of animals is explained in this bumper book by the world’s leading author of instructional art books. It’s a mega-menagerie for cartoonists!
Artist of Wonderland
Author: Frankie Morris
Publisher: University of Virginia Press
ISBN: 9780813923437
Category : Art
Languages : en
Pages : 434
Book Description
Best known today as the illustrator for Lewis Carroll's Alice books, John Tenniel was the Victorian era's chief political cartoonist. This extensively illustrated book is the first to draw almost exclusively on primary sources in family collections, public archives, and other depositories. Frankie Morris examines Tenniel's life and work, producing a book that is not only a definitive resource for scholars and collectors but one that can be easily enjoyed by everyone interested in Victorian life and art, social history, journalism and political cartoons, and illustrated books. In the first part of the book, Morris looks at Tenniel the man. From his sunny childhood and early enthusiasm for sports, theater, and medievalism to his flirtation with high art and fifty years in the close brotherhood of the London journal Punch, Tenniel is shown to have been the sociable and urbane humorist revealed in his drawings. According to his countrymen Tenniel's work--and his Punch cartoons in particular--would embody for future historians the "trend and character" of Victorian thought and life. Morris assesses to what extent that prediction has been fulfilled. The biography is followed by three parts on Tenniel's work, consisting of thirteen independent essays in which the author examines Tenniel's methods and his earlier book illustrations, the Alice pictures, and the Punch cartoons. She addresses such little-understood subjects as Tenniel's drawings on wood, his relationship with Lewis Carroll, and his controversial Irish cartoons, and inquires into the salient characteristics of his approximately 4,500 drawings for books and journals. For lovers of Alice, Morris offers six chapters on Tenniel's work for Carroll. These reveal demonstrable links with Christmas pantomimes, Punch and Judy shows, nursery toys, magic lanterns, nineteenth-century grotesques, Gothic revivalism, and social caricatures. In five probing studies, Morris demonstrates how Tenniel's cartoons depicted the key political questions of his day--the Eastern Question, which brought into opposition the great rivals Gladstone and Disraeli; trade-union issues and franchise reform; Irish resistance to British rule; and Lincoln and the American Civil War--examining their assumptions, devices, and evolving strategies. An appendix identifies some 1,500 unmonogrammed drawings done by Tenniel in his first twelve years on Punch. The definitive study of both the man and the work, Artist of Wonderland gives an unprecedented view of the cartoonist whose adroit adaptations of elements from literature, art, and above all the stage succeeded in mythologizing the world for generations of Britons. Not for sale in the British Commonwealth except Canada Available in the British Commonwealth, excluding Canada, from Lutterworth Press
Publisher: University of Virginia Press
ISBN: 9780813923437
Category : Art
Languages : en
Pages : 434
Book Description
Best known today as the illustrator for Lewis Carroll's Alice books, John Tenniel was the Victorian era's chief political cartoonist. This extensively illustrated book is the first to draw almost exclusively on primary sources in family collections, public archives, and other depositories. Frankie Morris examines Tenniel's life and work, producing a book that is not only a definitive resource for scholars and collectors but one that can be easily enjoyed by everyone interested in Victorian life and art, social history, journalism and political cartoons, and illustrated books. In the first part of the book, Morris looks at Tenniel the man. From his sunny childhood and early enthusiasm for sports, theater, and medievalism to his flirtation with high art and fifty years in the close brotherhood of the London journal Punch, Tenniel is shown to have been the sociable and urbane humorist revealed in his drawings. According to his countrymen Tenniel's work--and his Punch cartoons in particular--would embody for future historians the "trend and character" of Victorian thought and life. Morris assesses to what extent that prediction has been fulfilled. The biography is followed by three parts on Tenniel's work, consisting of thirteen independent essays in which the author examines Tenniel's methods and his earlier book illustrations, the Alice pictures, and the Punch cartoons. She addresses such little-understood subjects as Tenniel's drawings on wood, his relationship with Lewis Carroll, and his controversial Irish cartoons, and inquires into the salient characteristics of his approximately 4,500 drawings for books and journals. For lovers of Alice, Morris offers six chapters on Tenniel's work for Carroll. These reveal demonstrable links with Christmas pantomimes, Punch and Judy shows, nursery toys, magic lanterns, nineteenth-century grotesques, Gothic revivalism, and social caricatures. In five probing studies, Morris demonstrates how Tenniel's cartoons depicted the key political questions of his day--the Eastern Question, which brought into opposition the great rivals Gladstone and Disraeli; trade-union issues and franchise reform; Irish resistance to British rule; and Lincoln and the American Civil War--examining their assumptions, devices, and evolving strategies. An appendix identifies some 1,500 unmonogrammed drawings done by Tenniel in his first twelve years on Punch. The definitive study of both the man and the work, Artist of Wonderland gives an unprecedented view of the cartoonist whose adroit adaptations of elements from literature, art, and above all the stage succeeded in mythologizing the world for generations of Britons. Not for sale in the British Commonwealth except Canada Available in the British Commonwealth, excluding Canada, from Lutterworth Press
Cartoonist's Bible
Author: Franklin Bishop
Publisher: Chartwell
ISBN: 078582085X
Category : Art
Languages : en
Pages : 195
Book Description
This book offers advice on creating cartoons in a wide range of styles and media, from comic-book line art to digital manga.
Publisher: Chartwell
ISBN: 078582085X
Category : Art
Languages : en
Pages : 195
Book Description
This book offers advice on creating cartoons in a wide range of styles and media, from comic-book line art to digital manga.
Splat, Boom, Pow!
Author: Valerie Cassel
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 136
Book Description
Text by Valerie Cassel, Roger Sabin, Bernard Weldt, Marti Mayo.
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 136
Book Description
Text by Valerie Cassel, Roger Sabin, Bernard Weldt, Marti Mayo.
A Boy and His Tiger
Author: Andrew Farago
Publisher:
ISBN: 9780578774664
Category :
Languages : en
Pages :
Book Description
48 page full color softbound Tribute to Bill Watterson exhibition catalog, a benefit for the Cartoon Art Museum.The Cartoon Art Museum presents its second biennial Tribute Auction, A Boy and His Tiger: A Tribute to Bill Watterson, featuring original art in homage to Bill Watterson and his seminal comic strip creation Calvin and Hobbes from dozens of top graphic novelists, animators, and cartoonists who have drawn inspiration from Watterson's imaginative work. As part of this fundraiser, the Cartoon Art Museum is producing a tribute catalog featuring artists including Harry Bliss (The New Yorker) with Steve Martin, Jeffrey Brown (Darth Vader and Son), Brian Fies (A Fire Story) Lynn Johnston (For Better or For Worse), Patrick McDonnell (Mutts), Steve Purcell (Sam and Max), Riley Rossmo, Jon Way$hak, Mo Willems (Don't Let the Pigeon and Elephant and Piggie), and more.
Publisher:
ISBN: 9780578774664
Category :
Languages : en
Pages :
Book Description
48 page full color softbound Tribute to Bill Watterson exhibition catalog, a benefit for the Cartoon Art Museum.The Cartoon Art Museum presents its second biennial Tribute Auction, A Boy and His Tiger: A Tribute to Bill Watterson, featuring original art in homage to Bill Watterson and his seminal comic strip creation Calvin and Hobbes from dozens of top graphic novelists, animators, and cartoonists who have drawn inspiration from Watterson's imaginative work. As part of this fundraiser, the Cartoon Art Museum is producing a tribute catalog featuring artists including Harry Bliss (The New Yorker) with Steve Martin, Jeffrey Brown (Darth Vader and Son), Brian Fies (A Fire Story) Lynn Johnston (For Better or For Worse), Patrick McDonnell (Mutts), Steve Purcell (Sam and Max), Riley Rossmo, Jon Way$hak, Mo Willems (Don't Let the Pigeon and Elephant and Piggie), and more.
American Political Cartoons
Author: Sandy Northrop
Publisher: Routledge
ISBN: 1351532456
Category : Political Science
Languages : en
Pages : 204
Book Description
From Benjamin Franklin's drawing of the first American political cartoon in 1754 to contemporary cartoonists' blistering attacks on George W. Bush and initial love-affair with Barack Obama, editorial cartoons have been a part of American journalism and politics. American Political Cartoons chronicles the nation's highs and lows in an extensive collection of cartoons that span the entire history of American political cartooning."Good cartoons hit you primitively and emotionally," said cartoonist Doug Marlette. "A cartoon is a frontal attack, a slam dunk, a cluster bomb." Most cartoonists pride themselves on attacking honestly, if ruthlessly. American Political Cartoons recounts many direct hits, recalling the discomfort of the cartoons' targets and the delight of their readers.Through skillful combination of pictures and words, cartoonists galvanize public opinion for or against their subjects. In the process they have revealed truths about us and our democratic system that have been both embarrassing and ennobling. Stephen Hess and Sandy Northrop note that not all cartoonists have worn white hats. Many have perpetuated demeaning ethnic stereotypes, slandered honest politicians, and oversimplified complex issues.
Publisher: Routledge
ISBN: 1351532456
Category : Political Science
Languages : en
Pages : 204
Book Description
From Benjamin Franklin's drawing of the first American political cartoon in 1754 to contemporary cartoonists' blistering attacks on George W. Bush and initial love-affair with Barack Obama, editorial cartoons have been a part of American journalism and politics. American Political Cartoons chronicles the nation's highs and lows in an extensive collection of cartoons that span the entire history of American political cartooning."Good cartoons hit you primitively and emotionally," said cartoonist Doug Marlette. "A cartoon is a frontal attack, a slam dunk, a cluster bomb." Most cartoonists pride themselves on attacking honestly, if ruthlessly. American Political Cartoons recounts many direct hits, recalling the discomfort of the cartoons' targets and the delight of their readers.Through skillful combination of pictures and words, cartoonists galvanize public opinion for or against their subjects. In the process they have revealed truths about us and our democratic system that have been both embarrassing and ennobling. Stephen Hess and Sandy Northrop note that not all cartoonists have worn white hats. Many have perpetuated demeaning ethnic stereotypes, slandered honest politicians, and oversimplified complex issues.