Television Cartoon Shows: The shows, M-Z PDF Download
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Author: Hal Erickson
Publisher: McFarland
ISBN:
Category : Art
Languages : en
Pages : 536
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Book Description
"This reference to TV cartoon shows covers some 75 years. In the ten-year period from 1993 through 2003, nearly 450 new cartoon series have premiered in the U.S" -- Provided by publisher.
Author: Hal Erickson
Publisher: McFarland
ISBN:
Category : Art
Languages : en
Pages : 536
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Book Description
"This reference to TV cartoon shows covers some 75 years. In the ten-year period from 1993 through 2003, nearly 450 new cartoon series have premiered in the U.S" -- Provided by publisher.
Author: Jeff Lenburg
Publisher: Hal Leonard Corporation
ISBN: 9781557836717
Category : Art
Languages : en
Pages : 418
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Book Description
Looks at the lives and careers of more than three hundred animators.
Author: Daniel Goldmark
Publisher: Chicago Review Press
ISBN: 1556524730
Category : Juvenile Nonfiction
Languages : en
Pages : 337
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Book Description
This lively and fascinating look at cartoon's music past and present collects contributions from well-known music critics and cartoonists, and interviews with the principal cartoon composers.
Author: Jason Mittell
Publisher: Routledge
ISBN: 1135923876
Category : Performing Arts
Languages : en
Pages : 262
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Book Description
Genre and Television proposes a new understanding of television genres as cultural categories, offering a set of in-depth historical and critical examinations to explore five key aspects of television genre: history, industry, audience, text, and genre mixing. Drawing on well-known television programs from Dragnet to TheSimpsons, this book provides a new model of genre historiography and illustrates how genres are at work within nearly every facet of television-from policy decisions to production techniques to audience practices. Ultimately, the book argues that through analyzing how television genre operates as a cultural practice, we can better comprehend how television actively shapes our social world.
Author:
Publisher: Arihant Publications India limited
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: G. Allrath
Publisher: Springer
ISBN: 0230501001
Category : Performing Arts
Languages : en
Pages : 235
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Book Description
In the context of a systematic overview of the possibilities of applying narratological concepts to a study of TV series, ten case studies are explored in depth, demonstrating how series such as 24, Buffy, Twin Peaks, Star Trek, Blackadder, and Sex and the City make use of innovative audiovisual means of storytelling. Transgressing the traditional confines of narrative theory, the chapter authors address the question of how form, content, and function intersect in these series.
Author: Rupert Till
Publisher: A&C Black
ISBN: 1441197249
Category : Social Science
Languages : en
Pages : 231
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Book Description
At a time when fundamentalism is on the rise, traditional religions are in decline and postmodernity has challenged any system that claims to be all-defining, young people have left their traditional places of worship and set up their own, in clubs, at festivals and within music culture. Pop Cult investigates the ways in which popular music and its surrounding culture have become a primary site for the location of meaning, belief and identity. It provides an introduction to the history of the interactions of vernacular music and religion, and the role of music in religious culture. Rupert Till explores the cults of heavy metal, pop stars, club culture and virtual popular music worlds, investigating the sex, drug, local and death cults of the sacred popular, and their relationships with traditional religions. He concludes by discussing how and why popular music cultures have taken on many of the roles of traditional religions in contemporary society.
Author: Anne Hart
Publisher: iUniverse
ISBN: 0595345972
Category : Authorship
Languages : en
Pages : 298
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Book Description
Here's a guide book on how to write 45-minute one-act plays, skits, and monologues for all ages. Step-by-step strategies and sample play, monologue, and animation script offer easy-to-understand solutions for drama workshop leaders, high-school and university drama directors, teachers, students, parents, coaches, playwrights, scriptwriters, novelists, storytellers, camp counselors, actors, lifelong learning instructors, biographers, facilitators, personal historians, and senior center activity directors. Guide young people in an intergenerational experience of interviewing and writing skits, plays, and monologues based on the significant events and experiences from lives of people. Learn to write skits, plays and monologues based on historical events and personalities. What you'll get out of this book and the exercises of writing one-act plays for teenage actors and audiences of all-ages audience, are improved skills in adapting all types of social issues, current events, or life experience to 45-minute one-act plays, skits, or monologues for teenage or older adult drama workshops. How do you write plays and skits from life stories, current events, social issues, or history? Are you looking for the appropriate 45-minute, one-act play for high-school students or other teenagers, for community center drama workshops, or even for home school projects or for events and celebrations? Are you seeking one-act plays for older adults drama workshops? Use personal or biographical experiences as examples when you write your skit or play. If you want a really original play, write, revise, and adapt your own plays, skits, and monologues. Here's how to do it.
Author: Christopher P. Lehman
Publisher: McFarland
ISBN: 0786451424
Category : Performing Arts
Languages : en
Pages : 234
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Book Description
In the first four years of U.S. involvement in the Vietnam War (1961-64), Hollywood did not dramatize the current military conflict but rather romanticized earlier ones. Cartoons reflected only previous trends in U.S. culture, and animators comically but patriotically remembered the Revolutionary War, the Civil War, and both World Wars. In the early years of military escalation in Vietnam, Hollywood was simply not ready to illustrate America's contemporary radicalism and race relations in live-action or animated films. But this trend changed when US participation dramatically increased between 1965 and 1968. In the year of the Tet Offensive and the killings of the Rev. Martin Luther King, Jr., and Senator Robert Kennedy, the violence of the Vietnam War era caught up with animators. This book discusses the evolution of U.S. animation from militaristic and violent to liberal and pacifist and the role of the Vietnam War in this development. The book chronologically documents theatrical and television cartoon studios' changing responses to U.S. participation in the Vietnam War between 1961 and 1973, using as evidence the array of artistic commentary about the federal government, the armed forces, the draft, peace negotiations, the counterculture movement, racial issues, and pacifism produced during this period. The study further reveals the extent to which cartoon violence served as a barometer of national sentiment on Vietnam. When many Americans supported the war in the 1960s, scenes of bombings and gunfire were prevalent in animated films. As Americans began to favor withdrawal, militaristic images disappeared from the cartoon. Soon animated cartoons would serve as enlightening artifacts of Vietnam War-era ideology. In addition to the assessment of primary film materials, this book draws upon interviews with people involved in the production Vietnam-era films. Film critics responding in their newspaper columns to the era's innovative cartoon sociopolitical commentary also serve as invaluable references. Three informative appendices contribute to the work.
Author: Natalia Mielczarek
Publisher: Rowman & Littlefield
ISBN: 1666912174
Category : Language Arts & Disciplines
Languages : en
Pages : 187
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Book Description
The Trump Presidency in Editorial Cartoons engages with close to one thousand editorial cartoons to analyze the visual representations of President Donald Trump and his responses to six news events during his term in office. Natalia Mielczarek traces the mechanisms through which the drawings construct the president’s image and their potential rhetorical consequences for interpretation. Through this analysis, Mielczarek argues that the right-leaning cartoons largely erase the president’s likeness from their plotlines, acting as a shield against accountability for Trump. Left-leaning cartoons, on the other hand, tend to clone the president and exaggerate his image in most of their stories, often functioning as tools of symbolic censure and punishment. Through these de- and re-contextualization tactics that make President Trump either largely absent or hyper-present in the narrative, the cartoons construct inadvertent rhetorical paradoxes and coalesce around ideological heroes and villains. This result, Mielczarek posits, more closely resembles partisan propaganda, rather than political commentary and social critique. Scholars of communication, political science, and media studies will find this book of particular interest.
