The Canon in Contemporary Theatre PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download The Canon in Contemporary Theatre PDF full book. Access full book title The Canon in Contemporary Theatre by Lars Harald Maagerø. Download full books in PDF and EPUB format.
Author: Lars Harald Maagerø
Publisher: Taylor & Francis
ISBN: 1040029329
Category : Performing Arts
Languages : en
Pages : 194
Get Book Here
Book Description
This book explores the relationship between contemporary theatre, particularly contemporary theatre directors, and the dramatic canon of plays. Through focusing on productions of plays by three canonical playwrights (Shakespeare, Ibsen, and Brecht) by eight contemporary European directors (Michael Buffong, Joe Hill-Gibbins, and Emma Rice from the UK, Christopher Rüping from Germany, Thorleifur Örn Arnarsson from Iceland, and Kjeriski Hom, Alexander Mørk-Eidem, and Sigrid Strøm Reibo from Norway) the book investigates why and how the theatre continues to engage with canonical plays. In particular, the book questions the political and cultural implications of theatrical reproductions of the literary canon. Drawing on Chantal Mouffe’s theories of agonism and ‘critical art,’ the book investigates whether theatrical reproduction of the canon always reconstitutes the hegemonic values and ideologies of the canon, or whether theatrical interventions in the canon can challenge such values and ideologies, and thereby also challenge the dominant ideologies and hegemonies of contemporary culture and society. This study will be of great interest to academics and students in drama and theatre, particularly those who work with theatre in the twenty-first century, directors’ theatre, and the political impact of theatre.
Author: Lars Harald Maagerø
Publisher: Taylor & Francis
ISBN: 1040029329
Category : Performing Arts
Languages : en
Pages : 194
Get Book Here
Book Description
This book explores the relationship between contemporary theatre, particularly contemporary theatre directors, and the dramatic canon of plays. Through focusing on productions of plays by three canonical playwrights (Shakespeare, Ibsen, and Brecht) by eight contemporary European directors (Michael Buffong, Joe Hill-Gibbins, and Emma Rice from the UK, Christopher Rüping from Germany, Thorleifur Örn Arnarsson from Iceland, and Kjeriski Hom, Alexander Mørk-Eidem, and Sigrid Strøm Reibo from Norway) the book investigates why and how the theatre continues to engage with canonical plays. In particular, the book questions the political and cultural implications of theatrical reproductions of the literary canon. Drawing on Chantal Mouffe’s theories of agonism and ‘critical art,’ the book investigates whether theatrical reproduction of the canon always reconstitutes the hegemonic values and ideologies of the canon, or whether theatrical interventions in the canon can challenge such values and ideologies, and thereby also challenge the dominant ideologies and hegemonies of contemporary culture and society. This study will be of great interest to academics and students in drama and theatre, particularly those who work with theatre in the twenty-first century, directors’ theatre, and the political impact of theatre.
Author: Lars Harald Maagerø
Publisher:
ISBN: 9781032421780
Category : Canon (Literature)
Languages : en
Pages : 0
Get Book Here
Book Description
"This book explores the relationship between contemporary theatre, particularly contemporary theatre directors, and the dramatic canon of plays. Through focusing on productions of plays by three canonical playwrights (Shakespeare, Ibsen and Brecht) by six contemporary European directors (Emma Rice and Joe Hill-Gibbins from the UK, Christopher Rüping from Germany, Thorleifur Örn Arnarsson from Iceland and Sigrid Strøm Reibo and Alexander Mørk-Eidem from Norway) the book investigates why and how the theatre continues to engage with canonical plays. In particular, the book questions the political and cultural implications of theatrical reproductions of the literary canon. Drawing on Chantal Mouffe's theories of agonism and 'critical art', the book investigates whether theatrical reproduction of the canon always reconstitutes the hegemonic values and ideologies of the canon, or whether theatrical interventions in the canon can challenge such values and ideologies, and thereby also challenge the dominant ideologies and hegemonies of contemporary culture and society. This study will be great interest to academics and students in drama and theatre, particularly those who work with theatre in the 21st century, directors' theatre, and the political impact of theatre"--
Author: Lindsey Mantoan
Publisher: Routledge
ISBN: 1000486389
Category : Performing Arts
Languages : en
Pages : 227
Get Book Here
Book Description
Troubling Traditions takes up a 21st century, field-specific conversation between scholars, educators, and artists from varying generational, geographical, and identity positions that speak to the wide array of debates around dramatic canons. Unlike Literature and other fields in the humanities, Theatre and Performance Studies has not yet fully grappled with the problems of its canon. Troubling Traditions stages that conversation in relation to the canon in the United States. It investigates the possibilities for multiplying canons, methodologies for challenging canon formation, and the role of adaptation and practice in rethinking the field’s relation to established texts. The conversations put forward by this book on the canon interrogate the field’s fundamental values, and ask how to expand the voices, forms, and bodies that constitute this discipline. This is a vital text for anyone considering the role, construction, and impact of canons in the US and beyond.
Author: Alisa Solomon
Publisher: Routledge
ISBN: 1134728948
Category : Performing Arts
Languages : en
Pages : 217
Get Book Here
Book Description
Re-Dressing the Canon examines the relationship between gender and performance in a series of essays which combine the critique of specific live performances with an astute theoretical analysis. Alisa Solomon discusses both canonical texts and contemporary productions in a lively jargon-free style. Among the dramatic texts considered are those of Aristophanes, Ibsen, Yiddish theatre, Mabou Mines, Deborah Warner, Shakespeare, Brecht, Split Britches, Ridiculous Theatre, and Tony Kushner. Bringing to bear theories of 'gender performativity' upon theatrical events, the author explores: * the 'double disguise' of cross-dressed boy-actresses * how gender relates to genre (particularly in Ibsens' realism) * how canonical theatre represented gender in ways which maintain traditional images of masculinity and femininity.
Author: Elizabeth Alison Homan
Publisher:
ISBN:
Category : American drama
Languages : en
Pages : 516
Get Book Here
Book Description
This study explores how contemporary theatre practitioners approach the production of twentieth century canonical American drama in light of contemporary cultural contexts. Through a qualitative analysis of interviews with actors and directors involved in recent productions of Tennessee Williams's A Streetcar Named Desire, the project examines some of the conditions and variables that influence how theatre practitioners think about canonical drama. By further considering the strategies that actors and directors use to interpret canonical texts in production and, in turn, by exploring how these interpretations might communicate with contemporary audiences, this project articulates a theory intended to contribute to maintaining the vitality of major American works in the face of a drastically shifting contemporary social awareness.
Author: Oscar G. Brockett
Publisher: LSU Press
ISBN: 9780807124208
Category : Drama
Languages : en
Pages : 172
Get Book Here
Book Description
Contemporary theatre is nearly as controversial as the changing society it reflects. Much of its journalistic notoriety derives from its seeming advocacy of behavior, language, and ideas once considered unsuitable for public performance. In this overview, a noted authority takes a perceptive look at the radical trends in modern drama and provides us with a new awareness of the forces and ideas behind the current theatrical battle. Professor Brockett demonstrates that many of the puzzling aspects of contemporary theatre—such as obscenity, nudity, and propaganda—are rooted in the traditions of Western stage and society. He traces the sifts in values over the past century and shows how these changes have affected modern drama. This uncertainty about values, says the author, has been accompanied by new conceptions of structural unity in theatre. He points out the various structural innovations in drama from Aristotle through wide range of playwrights, including Sophocles, Ionesco, Ibsen, Brecht, Artaud, Beckett, and Jean-Claude van Itallie, and discusses the relationship of “relevance” to “universality.” He examines the most recent theatrical shift—from detachment to commitment—and compares the plays of the anxious 1950s, such as Beckett’s Waiting for Godot, with today’s committed theatre, including such productions as Chicago 70, Hair, and Che! Perspectives on Contemporary Theatre is a thoughtful guide for the reader who seeks a better understanding of the radical changes in the nature and function of dramatic art.
Author: Lyn Gardner
Publisher:
ISBN:
Category : Sex
Languages : en
Pages :
Get Book Here
Book Description
DT Associate Lyn Gardner explores contemporary theatre-makers' reinventions of classic texts and their impact on the canon. Gardner considers how the constant and radical reimagining of plays reaffirms their place in the canon by providing an opportunity.
Author: Jeffrey K. Coleman
Publisher: Northwestern University Press
ISBN: 0810141876
Category : Performing Arts
Languages : en
Pages : 234
Get Book Here
Book Description
The Necropolitical Theater: Race and Immigration on the Contemporary Spanish Stage demonstrates how theatrical production in Spain since the early 1990s has reflected national anxieties about immigration and race. Jeffrey K. Coleman argues that Spain has developed a “necropolitical theater” that casts the non-European immigrant as fictionalized enemy—one whose nonwhiteness is incompatible with Spanish national identity and therefore poses a threat to the very Europeanness of Spain. The fate of the immigrant in the necropolitical theater is death, either physical or metaphysical, which preserves the status quo and provides catharsis for the spectator faced with the notion of racial diversity. Marginalization, forced assimilation, and physical death are outcomes suffered by Latin American, North African, and sub-Saharan African characters, respectively, and in these differential outcomes determined by skin color Coleman identifies an inherent racial hierarchy informed by the legacies of colonization and religious intolerance. Drawing on theatrical texts, performances, legal documents, interviews, and critical reviews, this book challenges Spanish theater to develop a new theatrical space. Jeffrey K. Coleman proposes a “convivial theater” that portrays immigrants as contributors to the Spanish state and better represents the multicultural reality of the nation today.
Author: Jeremy Lopez
Publisher: Cambridge University Press
ISBN: 1107729327
Category : Literary Criticism
Languages : en
Pages : 245
Get Book Here
Book Description
For one hundred years the drama of Shakespeare's contemporaries has been consistently represented in anthologies, edited texts, and the critical tradition by a familiar group of about two dozen plays running from Kyd's Spanish Tragedy to Ford's 'Tis Pity She's a Whore by way of Dekker, Jonson, Middleton and Webster. How was this canon created, and what ideological and institutional functions does it serve? What preceded it, and is it possible for it to become something else? Jeremy Lopez takes up these questions by tracing a history of anthologies of 'non-Shakespearean' drama from Robert Dodsley's Select Collection of Old Plays (1744) through those recently published by Blackwell, Norton, and Routledge. Containing dozens of short, provocative readings of unfamiliar plays, this book will benefit those who seek a broader sense of the period's dazzling array of forms.
Author: Don Rubin
Publisher: Routledge
ISBN: 1136359281
Category : Performing Arts
Languages : en
Pages : 644
Get Book Here
Book Description
This new in paperback edition of World Encyclopedia of Contemporary Theatre covers the Americas, from Canada to Argentina, including the United States. Entries on twenty six countries are preceded by specialist introductions on Theatre in Post-Colonial Latin America, Theatres of North America, Puppet Theatre, Theatre for Young Audiences, Music Theatre and Dance Theatre. The essays follow the series format, allowing for cross-referring across subjects, both within the volume and between volumes. Each country entry is written by specialists in the particular country and the volume has its own teams of regional editors, overseen by the main editorial team based at the University of York in Canada headed by Don Rubin. Each entry covers all aspects of theatre genres, practitioners, writers, critics and styles, with bibliographies, over 200 black & white photographs and a substantial index. This Encyclopedia is indispensable for anyone interested in the cultures of the Americas or in modern theatre. It is also an invaluable reference tool for students and scholars of a wide range of disciplines including history, performance studies, anthropology and cultural studies.
