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Author:
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 72
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Author:
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 72
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Book Description
Author:
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 504
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Author: Ernest William Hornung
Publisher:
ISBN: 9781473322059
Category :
Languages : en
Pages : 310
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Book Description
This early work by Ernest William Hornung was originally published in 1911 and we are now republishing it with a brand new introductory biography. 'The Camera Fiend' is a novel about a young man who travels to London to see a doctor for his asthma but while there becomes involved in a spot of trouble with unexpected consequences. Ernest William Hornung was born in Middlesbrough, England in 1866. After working briefly as a journalist, and publishing a series of poems in The Times, Hornung created the character for which he is best-remembered: A. J. Raffles, a "gentleman thief" plying his trade in Victorian London.
Author: Peter E. Palmquist
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 276
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Author:
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 500
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Author:
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 592
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Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 1726
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Author: Marina Dahlquist
Publisher: Indiana University Press
ISBN: 0253033667
Category : Performing Arts
Languages : en
Pages : 371
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Book Description
Corporeality in Early Cinema inspires a heightened awareness of the ways in which early film culture, and screen praxes overall are inherently embodied. Contributors argue that on- and offscreen (and in affiliated media and technological constellations), the body consists of flesh and nerves and is not just an abstract spectator or statistical audience entity. Audience responses from arousal to disgust, from identification to detachment, offer us a means to understand what spectators have always taken away from their cinematic experience. Through theoretical approaches and case studies, scholars offer a variety of models for stimulating historical research on corporeality and cinema by exploring the matrix of screened bodies, machine-made scaffolding, and their connections to the physical bodies in front of the screen.
Author: Noël Burch
Publisher: Univ of California Press
ISBN: 9780520071445
Category : Performing Arts
Languages : en
Pages : 328
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Book Description
Noel Burch's new book is a critique of the assumptions underlying 'classical' approaches to film history: the assumption that what we call the language of film was a natural, organic development, that it lay latent from the outset in the basic technology of the camera, waiting for the prescient pioneers to bring it into being; and the assumption that this language was a universal, neutral medium, innocent of any social or historical meaning in itself." "His major thesis is that, on the contrary, film language has a social and economic history, that it evolved in the way it did because of when and where it was constructed -- in the capitalist and imperialist west between 1892 and 1929." "The book examines the chronology of the emergence of what it defines as cinema's Institutional Mode of Representation and the socio-historical circumstances in which this took place. It examines the principles of visualisation -- camera placement and movement, lighting, editing, mise-en-scene -- that film-makers and audiences came to internalize over the first three decades. Special emphasis is laid on the allimportant change that occurred in the imaginary placing of the spectator, from a position of exteriority to the film image, implicit in both film-form and viewing conditions during the primitive era (pre-1909), to the imaginary centering of the spectator-subject, completed only with the generalisation of lip-synch sound after 1929. It is the contention of this book that this imaginary centering of a sensorily isolated spectator is the keystone of the cinematic illusion of reality, still achieved today by the same means as it was sixty years ago.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 522
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Book Description
