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Author: Nicholas Vazsonyi
Publisher: Cambridge University Press
ISBN: 9781108795913
Category : Music
Languages : en
Pages : 899
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Book Description
Richard Wagner is one of the most controversial figures in Western cultural history. He revolutionized not only opera but the very concept of art, and his works and ideas have had an immeasurable impact on both the cultural and political landscapes of the late nineteenth and twentieth centuries. From "absolute music" to "Zurich" and from "Theodor Adorno" to "Hermann Zumpe," the vividly-written entries of The Cambridge Wagner Encyclopedia have been contributed by recognized authorities and cover a comprehensive range of topics. More than eighty scholars from around the world, representing disciplines from history and philosophy to film studies and medicine, provide fascinating insights into Wagner's life, career, and influence. Multiple appendices include listings of Wagner's works, historic productions, recordings, and addresses where he lived, to round out a volume that will be an essential and reliable resource for enthusiasts and academics alike.
Author: Nicholas Vazsonyi
Publisher: Cambridge University Press
ISBN: 9781108795913
Category : Music
Languages : en
Pages : 899
Get Book Here
Book Description
Richard Wagner is one of the most controversial figures in Western cultural history. He revolutionized not only opera but the very concept of art, and his works and ideas have had an immeasurable impact on both the cultural and political landscapes of the late nineteenth and twentieth centuries. From "absolute music" to "Zurich" and from "Theodor Adorno" to "Hermann Zumpe," the vividly-written entries of The Cambridge Wagner Encyclopedia have been contributed by recognized authorities and cover a comprehensive range of topics. More than eighty scholars from around the world, representing disciplines from history and philosophy to film studies and medicine, provide fascinating insights into Wagner's life, career, and influence. Multiple appendices include listings of Wagner's works, historic productions, recordings, and addresses where he lived, to round out a volume that will be an essential and reliable resource for enthusiasts and academics alike.
Author: Mark Berry
Publisher: Cambridge University Press
ISBN: 1108916139
Category : Music
Languages : en
Pages : 409
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Book Description
The Companion is an essential, interdisciplinary tool for those both familiar and unfamiliar with Wagner's Ring. It opens with a concise introduction to both the composer and the Ring, introducing Wagner as a cultural figure, and giving a comprehensive overview of the work. Subsequent chapters, written by leading Wagner experts, focus on musical topics such as 'leitmotif', and structure, and provide a comprehensive set of character portraits, including leading players like Wotan, Brünnhilde, and Siegfried. Further chapters look to the mythological background of the work and the idea of the Bayreuth Festival, as well as critical reception of the Ring, its relationship to Nazism, and its impact on literature and popular culture, in turn offering new approaches to interpretation including gender, race and environmentalism. The volume ends with a history of notable stage productions from the world premiere in 1876 to the most recent stagings in Bayreuth and elsewhere.
Author: David Crystal
Publisher: Cambridge University Press
ISBN: 9780521630993
Category : Reference
Languages : en
Pages : 1264
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Book Description
The Cambridge Biographical Encyclopedia is the authoritative single-volume reference work on people, both living and dead. In addition to its thousand or more pages of A-Z entries, the book offers an invaluable Ready Reference section with lists of political leaders and rulers, Nobel Prizewinners, patron saints, sports champions and many more. Acclaimed on its first publication in 1994 as a new kind of biographical reference book, the Encyclopedia is now established as a reliable source of information on over 26,000 people, fully cross-referenced. The book's international coverage and devotion to important figures - both historical and contemporary - in science and the arts as well as sports and popular personalities make it unique. This Second Edition has been comprehensively updated and supplemented with new entries.
Author: J. Ross Wagner
Publisher: Mohr Siebeck
ISBN: 9783161525575
Category : Bibles
Languages : en
Pages : 318
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Book Description
A translated text is laced with interpretive assumptions. By focusing on the Septuagint, J. Ross Wagner highlights the creative theology hidden in translation. His model couples patient investigation of the act of translation with careful attention to the translated texts' rhetorical features. Wagner focuses upon Isaiah's opening vision, clarifying its language, elucidating its character, and contextualizing its message. Reading the Sealed Book demonstrates how such translations serve as distinctive contributions to theology and reveal the contours of Jewish identity in the Hellenistic diaspora.
Author: Matthew Bribitzer-Stull
Publisher: Cambridge University Press
ISBN: 1107098394
Category : History
Languages : en
Pages : 357
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Book Description
Through analysis, Matthew Bribitzer-Stull explores the legacy of the leitmotif, from Wagner's Ring cycle to present-day Hollywood film music.
Author: Richard H. Bell
Publisher: Wipf and Stock Publishers
ISBN: 1498235735
Category : Music
Languages : en
Pages : 284
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Book Description
Wagner's Ring addresses fundamental concerns that have faced humanity down the centuries, such as power and violence, love and death, freedom and fate. Further, the work seems particularly relevant today, addressing as it does the fresh debates around the created order, politics, gender, and sexuality. In this second of two volumes on the theology of the Ring, Richard Bell argues that Wagner's approach to these issues may open up new ways forward and offer a fresh perspective on some of the traditional questions of theology, such as sacrifice, redemption, and fundamental questions about God. A linchpin for Bell's approach is viewing the Ring in the light of the Jesus of Nazareth sketches, which, he argues, confirms that the artwork does indeed address questions of Christian theology, both for those inside and those outside the church.
Author: Nicholas Vazsonyi
Publisher: Cambridge University Press
ISBN: 1139486462
Category : Music
Languages : en
Pages : 235
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Book Description
All modern artists have had to market themselves in some way. Richard Wagner may just have done it better than anyone else. In a self-promotional effort that began around 1840 in Paris, and lasted for the remainder of his career, Wagner claimed convincingly that he was the most German composer ever and the true successor of Beethoven. More significantly, he was an opera composer who declared that he was not composing operas. Instead, during the 1850s, he mapped out a new direction, conceiving of works that would break with tradition and be literally 'brand new'. This is the first study to examine the innovative ways in which Wagner made himself a celebrity, promoting himself using every means available: autobiography, journal articles, short stories, newspaper announcements, letters, even his operas themselves. Vazsonyi reveals how Wagner created a niche for his works in the crowded opera market that continues to be unique.
Author: Caryl Clark
Publisher: Cambridge University Press
ISBN: 9781107129016
Category : Music
Languages : en
Pages : 524
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Book Description
For well over two hundred years, Joseph Haydn has been by turns lionized and misrepresented - held up as celebrity, and disparaged as mere forerunner or point of comparison. And yet, unlike many other canonic composers, his music has remained a fixture in the repertoire from his day until ours. What do we need to know now in order to understand Haydn and his music? With over eighty entries focused on ideas and seven longer thematic essays to bring these together, this distinctive and richly illustrated encyclopedia offers a new perspective on Haydn and the many cultural contexts in which he worked and left his indelible mark during the Enlightenment and beyond. Contributions from sixty-seven scholars and performers in Europe, the Americas, and Oceania, capture the vitality of Haydn studies today - its variety of perspectives and methods - and ultimately inspire further exploration of one of western music's most innovative and influential composers.
Author: Mary Ingraham
Publisher: Routledge
ISBN: 1317444825
Category : Music
Languages : en
Pages : 281
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Book Description
Through historical and contemporary examples, this book critically explores the relevance and expressions of multicultural representation in western European operatic genres in the modern world. It reveals their approaches to reflecting identity, transmitting meaning, and inspiring creation, as well as the ambiguities and contradictions that occur across the time and place(s) of their performance. This collection brings academic researchers in opera studies into conversation with previously unheard voices of performers, critics, and creators to speak to issues of race, ethnicity, and culture in the genre. Together, they deliver a powerful critique of the perpetuation of the values and practices of dominant cultures in operatic representations of intercultural encounters. Essays accordingly cross methodological boundaries in order to focus on a central issue in the emerging field of coloniality: the hierarchies of social and political power that include the legacy of racialized practices. In theorizing coloniality through intercultural exchange in opera, authors explore a range of topics and case studies that involve immigrant, indigenous, exoticist, and other cultural representations and consider a broad repertoire that includes lesser-known Canadian operas, Chinese- and African-American performances, as well as works by Haydn, Strauss, Puccini, and Wagner, and in performances spanning three continents and over two centuries. In these ways, the collection contributes to the development of a more integrated understanding of the interdisciplinary fields inherent in opera, including musicology, sociology, anthropology, and others connected to Theatre, Gender, and Cultural Studies.
Author: Anna Elsner
Publisher: Taylor & Francis
ISBN: 1000790630
Category : Philosophy
Languages : en
Pages : 735
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Book Description
When Marcel Proust started to work on In Search of Lost Time in 1908, he wrote this question in his notebook: ‘Should I make it a novel, a philosophical study, am I a novelist?’ Throughout his famous multi-volume work, Proust directly engages several philosophers, and few novels are as thoroughly saturated with philosophical themes and concepts as In Search of Lost Time. The Proustian Mind is an outstanding reference source to the rich philosophical range of Proust’s work and the first major volume of its kind. Including 31 chapters by an international team of contributors, the volume is divided into seven clear parts: Proust’s life and works metaphysics and epistemology mind and language aesthetics ethics gender and sexuality predecessors, contemporaries and successors. Within these sections, key Proustian themes are explored from a philosophical standpoint, including time, the self, memory, imagination, jealousy, beauty, love, subjectivity and desire. The final section considers Proust in relation to important philosophers such as Schopenhauer, Nietzsche, Bergson, Merleau-Ponty, Sartre, de Beauvoir and Deleuze. The Proustian Mind is essential reading for those studying aesthetics, philosophy of literature, phenomenology and ethics, and will also be of interest to those in literature studying modernism, French literature and the relationship between literature and philosophy.
