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Author: Laura Hamer
Publisher: Cambridge University Press
ISBN: 1108470289
Category : Music
Languages : en
Pages : 357
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Book Description
An overview of women's work in classical and popular music since 1900 as performers, composers, educators and music technologists.
Author: Laura Hamer
Publisher: Cambridge University Press
ISBN: 1108470289
Category : Music
Languages : en
Pages : 357
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Book Description
An overview of women's work in classical and popular music since 1900 as performers, composers, educators and music technologists.
Author: Matthew Head
Publisher: Cambridge University Press
ISBN: 110848915X
Category : Music
Languages : en
Pages : 375
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Book Description
Exploring a diverse, distinguished repertoire, and transcending the rhetoric of neglect, this book transforms understanding of women composers.
Author: Jennifer Bain
Publisher: Cambridge University Press
ISBN: 1108471358
Category : Literary Criticism
Languages : en
Pages : 351
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Book Description
This volume explores the extraordinary life and works of Hildegard of Bingen, medieval writer, composer, visionary, and monastic founder.
Author: Nicholas Saul
Publisher: Cambridge University Press
ISBN: 0521848911
Category : History
Languages : en
Pages : 363
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Book Description
Explains the development of Romantic arts and culture in Germany, with both individual artists and key themes covered in detail.
Author: Lucy Green
Publisher: Cambridge University Press
ISBN: 9780521555227
Category : Music
Languages : en
Pages : 300
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Book Description
This book focuses on the role of education in relation to music and gender. Invoking a concept of musical patriarchy and a theory of the social construction musical meanings, Lucy Green shows how women's musical practices and gendered musical meanings have been reproduced, hand in hand, through history. Covering a wide range of music, including classical, jazz and popular styles, Dr Green uses ethnographic methods to convey the everyday interactions and experiences of girls, boys, and their teachers. She views the contemporary school music classroom as a microcosm of the wider society, and reveals the participation of music education in the continued production and reproduction of gendered musical practices and meanings.
Author: Joshua S. Walden
Publisher: Cambridge University Press
ISBN: 1107023459
Category : Music
Languages : en
Pages : 311
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Book Description
A global history of Jewish music from the biblical era to the present day, with chapters by leading international scholars.
Author: Joe Davies
Publisher: Cambridge University Press
ISBN: 1108489842
Category : Music
Languages : en
Pages : 329
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Book Description
Develops a holistic and gender-aware understanding of Clara Schumann as pianist, composer and teacher in nineteenth-century Germany.
Author: Laurie Stras
Publisher: Cambridge University Press
ISBN: 1107154073
Category : Music
Languages : en
Pages : 417
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Book Description
Rethinks and retells the history of music in sixteenth-century Ferrara, putting women, of the court and convent, at the narrative centre.
Author: Marcia J. Citron
Publisher: University of Illinois Press
ISBN: 9780252069161
Category : Music
Languages : en
Pages : 332
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Book Description
A classic in gender studies in music Marcia J. Citron's comprehensive, balanced work lays a broad foundation for the study of women composers and their music. Drawing on a diverse body of feminist and interdisciplinary theory, Citron shows how the western art canon is not intellectually pure but the result of a complex mixture of attitudes, practices, and interests that often go unacknowledged and unchallenged. Winner of the Pauline Alderman Prize from the International Alliance of Women in Music, Gender and the Musical Canon explores important elements of canon formation, such as notions of creativity, professionalism, and reception. Citron surveys the institutions of power, from performing organizations and the academy to critics and the publishing and recording industries, that affect what goes into the canon and what is kept out. She also documents the nurturing role played by women, including mothers, in cultivating female composers. In a new introduction, she assesses the book's reception by composers and critics, especially the reactions to her controversial reading of Cécile Chaminade's sonata for piano. A key volume in establishing how the concepts and assumptions that form the western art music canon affect female composers and their music, Gender and the Musical Canon also reveals how these dynamics underpin many of the major issues that affect musicology as a discipline.
Author: Julie Anne Sadie
Publisher: Univ of California Press
ISBN: 9780520214149
Category : Music
Languages : en
Pages : 596
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Book Description
The Companion to Baroque Music is an illuminating survey of musical life in Europe and the New World from 1600 to 1750. With informative essays on the social, national, geographical, and cultural contexts of the music and musicians of the period by such internationally known scholars as Peter Holman, Louise Stein, Michael Talbot, Julie Anne Sadie, Stanley Sadie, and David Fuller, the Companion offers a fresh perspective on the musical styles and performance practices of the Baroque era. The Companion to Baroque Music is an illuminating survey of musical life in Europe and the New World from 1600 to 1750. With informative essays on the social, national, geographical, and cultural contexts of the music and musicians of the period by such internationally known scholars as Peter Holman, Louise Stein, Michael Talbot, Julie Anne Sadie, Stanley Sadie, and David Fuller, the Companion offers a fresh perspective on the musical styles and performance practices of the Baroque era.
