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Author: Isaac Disraeli
Publisher:
ISBN:
Category : Authors
Languages : en
Pages : 426
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Book Description
Author: Isaac Disraeli
Publisher:
ISBN:
Category : Authors
Languages : en
Pages : 426
Get Book Here
Book Description
Author: Disraeli
Publisher:
ISBN:
Category :
Languages : en
Pages : 768
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Book Description
Author: Isaac Disraeli
Publisher: BoD – Books on Demand
ISBN: 3385212758
Category : Fiction
Languages : en
Pages : 354
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Book Description
Reprint of the original, first published in 1875.
Author: ISAAC DISRAELI
Publisher:
ISBN:
Category :
Languages : en
Pages : 566
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Book Description
Author: Isaac Disraeli
Publisher:
ISBN:
Category :
Languages : en
Pages : 776
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Book Description
Author: Isaac Disraeli
Publisher:
ISBN:
Category : Authors
Languages : en
Pages : 366
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Book Description
Author: Emily Ennis
Publisher: Bloomsbury Publishing
ISBN: 1350196207
Category : Literary Criticism
Languages : en
Pages : 227
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Book Description
At the turn of the 20th century, printing and photographic technologies evolved rapidly, leading to the birth of mass media and the rise of the amateur photographer. Demonstrating how this development happened symbiotically with great changes in the shape of British literature, Writing, Authorship and Photography in British Literary Culture, 1880-1920 explores this co-evolution, showing that as both writing and photography became tools of mass dissemination, literary writers were forced to re-evaluate their professional and personal identities. Focusing on four key authors-Thomas Hardy, Bram Stoker, Joseph Conrad and Virginia Woolf-each of which had their own private and professional connections to photographs, this book offers valuable historical contexts for contemporary cultural developments and anxieties. At first establishing the authors' response to developing technologies through their non-fiction, personal correspondences and working drafts, Ennis moves on to examine how their perceptions of photography extend into their major works of fiction: A Laodicean, Dracula, The Secret Agent, The Inheritors and The Voyage Out. Reflecting on the first 'graphic revolution' in a world where text and image are now reproduced digitally and circulated en masse and online, Ennis redirects our attention to when image and text appeared alongside each other for the first time and the crises this sparked for authors: how they would respond to increasingly photographic depictions of everyday life, and in turn, how their writing adapted to a distinctly visual mass media.
Author: Auckland Public Library
Publisher:
ISBN:
Category : New Zealand
Languages : en
Pages : 766
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Author:
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 574
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Book Description
Author: James Watt
Publisher: Cambridge University Press
ISBN: 1139426001
Category : Literary Criticism
Languages : en
Pages : 222
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Book Description
James Watt's historically grounded account of Gothic fiction, first published in 1999, takes issue with received accounts of the genre as a stable and continuous tradition. Charting its vicissitudes from Walpole to Scott, Watt shows the Gothic to have been a heterogeneous body of fiction, characterized at times by antagonistic relations between various writers or works. Central to his argument about these works' writing and reception is a nuanced understanding of their political import: Walpole's attempt to forge an aristocratic identity, the loyalist affiliations of many neglected works of the 1790s, a reconsideration of the subversive reputation of The Monk, and the ways in which Radcliffean romance proved congenial to conservative critics. Watt concludes by looking ahead to the fluctuating critical status of Scott and the Gothic, and examines the process by which the Gothic came to be defined as a monolithic tradition, in a way that continues to exert a powerful hold.
