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Author:
Publisher:
ISBN:
Category : Australia
Languages : en
Pages : 144
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Book Description
Author:
Publisher:
ISBN:
Category : Australia
Languages : en
Pages : 144
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Book Description
Author: Robyn Holmes
Publisher: National Library Australia
ISBN: 9780642107367
Category : Music
Languages : en
Pages : 162
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Book Description
During the past 150 years, sheet music has played an important role in the homes of many Australians, as a source of entertainment and self-expression. This publication reveals old favourites and rare treasures in the National Librarys sheet music collection and explores how Australias favourite songs and music reflect our sense of ourselves as a nation.
Author: Dobe Newton
Publisher:
ISBN: 9781743797846
Category :
Languages : en
Pages : 232
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Book Description
The words and music of some of the best-loved Australian songs - with a rich selection of traditional songs of the Australian outback.
Author: Jan Wositzky
Publisher:
ISBN: 9780908476770
Category : Songs, English
Languages : en
Pages : 136
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Book Description
Author: Marcus Breen
Publisher: Aboriginal Studies Press
ISBN: 0855751975
Category : Social Science
Languages : en
Pages : 187
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Book Description
Music of the Aboriginal people of Australia; divided into different regional areas; Cape York and the top end; the northwest; western and central desert regions; southwest Western Australia; northern South Australia; Adelaide region; The Riverland; the eastern outback; Queensland; New England; Sydney; Melbourne; western Victoria; Tasmania; contemporary music and musicians; includes numerous song words.
Author: Martin Buzacott
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 48
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Book Description
Author: Denis Crowdy
Publisher: Cambridge Scholars Publishing
ISBN: 1527561275
Category : Music
Languages : en
Pages : 225
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Book Description
This anthology emanated from a conference in St. John’s, Newfoundland, that brought together popular music scholars, folklorists and ethnomusicologists from Canada and Australia. Implicit in that conference and in this anthology is the comparability of the two countries. Their ‘post-colonial’ status (if that is indeed an appropriate modifier in either case) has some points of similarity. On the other hand, their ‘distance’ – from hegemonic centres, from colonial histories – is arguably more a matter of contrast than similarity. Canada and Australia are similar in various regards. Post-colonial in the sense that they are both former British colonies, they now each have more than a century of stature as nation states. By the beginning of the 21st century, they are each modest in size but rich in ethnocultural diversity. Nonetheless, each country has some skeletons in the closet where openness to difference, to indigenous and new immigrant groups are concerned. Both countries are similarly both experiencing rapid shifts in cultural makeup with the biggest population increases in Australia coming from China, India, and South Africa, and the biggest in Canada from Afro-Caribbean, South Asian countries, and China. The chapters in this anthology constitute an important comparative initiative. Perhaps the most obvious point of comparison is that both countries create commercial music in the shadow of the hegemonic US and British industries. As the authors demonstrate, both proximity (specifically Canada’s nearness to the US) and distance have advantages and disadvantages. As the third and fourth largest Anglophone music markets for popular music, they face similar issues relating to music management, performance markets, and production. A second relationship, as chapters in this anthology attest, is the significant movement between the two countries in a matrix of exchange and influence among musicians that has rarely been studied hitherto. Third, both countries invite comparison with regard to the popular music production of diverse social groups within their national populations. In particular, the tremendous growth of indigenous popular music has resulted in opportunities as well as challenges. Additionally, however, the strategies that different waves of immigrants have adopted to devise or localize popular music that was both competitive and meaningful to their own people as well as to a larger demographic bear comparison. The historical similarities and differences as well as the global positionality of each country in the early 21st century, then, invites comparison relating to musical practices, social organization, lyrics as they articulate social issues, career strategies, industry structures and listeners.
Author: Library of Congress
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 852
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Book Description
Author: Graeme Smith
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 276
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Book Description
Author: Warren Arthur Bebbington
Publisher: Melbourne : Oxford University Press
ISBN:
Category : History
Languages : en
Pages : 696
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Book Description
The Oxford Companion to Australian Music is a reference work that will be of interest to music lovers as well as of use to musicians, scholars and students. To date no volume has combined an account of Australia's music with biographical information about its musicians, a critical guide totheir works, publishers and recordings, and a guide to the burgeoning literature in the field. With more than 2,000 entries, the Companion ranges across a wide spectrum, from ancient Aboriginal traditions and European-derived orchestral, operatic and concert music, to Australian folk jazz, country, popular, rock, electronic and experimental music. It covers the music not only of mainstreamaudiences but also of Australia's religious denominations and recent migrant communities. Special attention is given to the distinctive features of Australian musical life: its reliance on government support rather than private or ecclesiastical patronage, its unquenchable appetite for eisteddfods,choral societies and bands; the shadow cast by European traditions; the vicissitudes of its attitudes towards composers; the late development of music criticism and scholarship; and the role of regional cities and towns. There are numerous entries on Aboriginal subjects and on key musical organizations and considerable space is given to a series of longer entries covering musical works, institutions, genres, instruments, terms, and many of the historical contexts of Australian music. These key essays offer anauthoritative framework for a better understanding of the shape and originality of music-making in Australia.
