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Author: Elizabeth Rosen Stone
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Elizabeth Rosen Stone
Publisher:
ISBN:
Category :
Languages : en
Pages :
Get Book Here
Book Description
Author: Elizabeth Rosen Stone
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 326
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Book Description
Nagarjunakonda is one of the richest sources of Buddhist narrative sculpture discovered in India during the twentieth century. The Buddhist Art of Nagarjunakonda is the first book to discuss Nagarjunakonda from the art historical point of view, and est
Author: V. V. Sudha Piratti
Publisher: Spotlight Poets
ISBN:
Category : Art
Languages : en
Pages : 104
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Book Description
Mithuna signifies as a couple- a male and female. It symobolises the procreative duality. All the creation emanates from the union of this couple, be it any being. Mithuna figures distinctly appear in the buddhist art from the 2nd C. B.C. onwards at a number of buddhist sites. In Andhra, Mithunas predominantly appear in Amravati, Goli and Nagarjunakonda site sculputed panels. Though some effort was made to unravel the significane of Mithuna art by hostorians, proper analysis was not made and hence the inadequacy. This endeavour Nagarjunakonda and Amravati art has the richest depiction of the Mithuna art. The Andhra art was studied as a whole by several scholars but emphasis was not given for studying the Mithuna art.
Author: Rama
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 352
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Book Description
This Beautifully And Profusely Illustrated Magnificient Document Projects To The Scholars And Connoisseurs Of Art And Architecture An Indepth Authentic Account Of The Diverse Subjects Of The Buddhist Thought Impeccably Delineated In The Nagarjunakonda Sculptures.
Author: John Guy
Publisher: Metropolitan Museum of Art
ISBN: 1588396932
Category : Art
Languages : en
Pages : 348
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Book Description
A pioneering study of the emergence of Buddhist art in southern India, featuring vibrant photography of rare works, many published here for the first time Named for two primary motifs in Buddhist art, the sacred bodhi tree and the protective snake, Tree & Serpent: Early Buddhist Art in India is the first publication to foreground devotional works produced in the Deccan from 200 BCE to 400 CE. Unlike traditional narratives, which focus on northern India (where the Buddha was born, taught, and died), this groundbreaking book presents Buddhist art from monastic sites in the south. Long neglected, this is among the earliest surviving bodies of Buddhist art, and among the most sublimely beautiful. An international team of researchers contributes new scholarship on the sculptural and devotional art associated with Buddhism, and masterpieces from recently excavated Buddhist sites are published here for the first time—including Kanaganahalli and Phanigiri, the most important new discoveries in a generation. With its exploration of Buddhism’s emergence in southern India, as well as of India’s deep commercial and cultural engagement with the Hellenized and Roman worlds, this definitive study expands our understanding of the origins of Buddhist art itself.
Author: G. C. Chauley
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 128
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Book Description
This Book Traces The History Of The Growth And Development Of The Art That Flourished At Sanchi Bharhut, Bodh-Gaya, Karla, Bhaja, Pithalkhora, Amaravati, Nagarjunakonda, Etc. Which Later Culminated In The Classical Art Of The Guptas.
Author: Denise Patry Leidy
Publisher: Shambhala Publications
ISBN: 1590306708
Category : Art
Languages : en
Pages : 239
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Book Description
As its teachings spread from the Indian subcontinent in all directions across Asia, Buddhism influenced every culture it touched—from Afghanistan to Korea, from Mongolia to Java. Buddhist art is a radiant reflection of the encounter of the Buddha’s teachings with the diverse civilizations that came under their sway. It is also an intriguing visual record of the evolution of Buddhist practice and philosophy over a period of more than two millennia. More than two hundred photographs provide the visual context for this tour of the world of Buddhist art. Included in the rich variety of forms are architecture and monumental art, statuary, paintings, calligraphy, fresco, brushwork, and textile arts. Denise Leidy’s guide is the perfect introductory text for all those intrigued by this splendid aesthetic tradition. It also an essential resource for all who seek to understand Buddhist art as teaching.
Author: K. Krishna Murthy
Publisher: Delhi : Concept Publishing Company
ISBN:
Category : Andhra Pradesh (India)
Languages : en
Pages : 422
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Book Description
On Nāgārjunakoṇḍā, a Buddhist archaeological monument in Palnad Taluk in Guntur District of Andhra Pradesh, and the cultural history of the Ikshvaku Dynasty.
Author: Sheila L. Weiner
Publisher: Univ of California Press
ISBN: 0520332571
Category : Art
Languages : en
Pages : 158
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Book Description
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1977.
Author: Vidya Dehejia
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 352
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Book Description
Illustrations: Numerous B/w Illustrations Description: Story-telling is an ever popular activity that occurs across space and time. Which child has not sat enthralled by the magic of story-tellers, and which adult has not succumbed to the seduction of reenactments of great legends? India's ancient Buddhists capitalized on the lure of stories, portraying them visually in stone reliefs and painted murals, to introduce viewers to the Buddhist faith and to confirm them in their belief. Commencing in the first century BC, Buddhist monasteries across the Indian subcontinent were extensively decorated with visual narratives of varying sizes, from a mere twelve inch panel to an extensive fifty foot wall. This book is a pioneering exploration of the manner in which stories are told. It identifies seven modes of visual story-telling used by the artist in early India, considers the reason for one mode being chosen over another, and explores how the effect of a story on the viewer varied according to the manner chosen to portray it. The book is a contribution to the expanding sphere of art, historical investigation and also to the field of Buddhist studies. Contents Preface Photographic Sources Discourse and Story 1. On Modes of Visual Narration 2. The Multivalent Sign in Early Buddhist Art 3. Text and Image II. Sites Of Narrative 4. Towards Narrative : Sanchi Stupa 5. Emergence of Visual Narrative : Bharhut Stupa 6. Narrative Achieves Assurance : Sanchi Stupa 7. Variations in Narrativity : Lesser Monasteries 8. Maturity of Narrative : Amaravati and Nagarjunakonda 9. Narrative Cycles at Gandhara 10. Ajanta's Painted Murals 11. The Narrative Tradition Recedes 12. Concluding Remarks
