Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 76
Book Description
Vols. for 1959/1960-1968/1969 include the museum's Annual report for 1950/1960-1966/1967, 1968/1969.
Children's Museum Bulletin
Author: Brooklyn Institute of Arts and Sciences. Children's Museum
Publisher:
ISBN:
Category :
Languages : en
Pages : 158
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 158
Book Description
Children's Museum News
Author: Brooklyn Institute of Arts and Sciences. Children's Museum
Publisher:
ISBN:
Category : Natural history
Languages : en
Pages : 464
Book Description
Publisher:
ISBN:
Category : Natural history
Languages : en
Pages : 464
Book Description
The Obama Portraits
Author: Taína Caragol
Publisher: Princeton University Press
ISBN: 0691203288
Category : Art
Languages : en
Pages : 152
Book Description
Unveiling the unconventional : Kehinde Wiley's portrait of Barack Obama / Taína Caragol -- "Radical empathy" : Amy Sherald's portrait of Michelle Obama / Dorothy Moss -- The Obama portraits, in art history and beyond / Richard J. Powell -- The Obama portraits and the National Portrait Gallery as a site of secular pilgrimage / Kim Sajet -- The presentation of the Obama portraits : a transcript of the unveiling ceremony.
Publisher: Princeton University Press
ISBN: 0691203288
Category : Art
Languages : en
Pages : 152
Book Description
Unveiling the unconventional : Kehinde Wiley's portrait of Barack Obama / Taína Caragol -- "Radical empathy" : Amy Sherald's portrait of Michelle Obama / Dorothy Moss -- The Obama portraits, in art history and beyond / Richard J. Powell -- The Obama portraits and the National Portrait Gallery as a site of secular pilgrimage / Kim Sajet -- The presentation of the Obama portraits : a transcript of the unveiling ceremony.
Whitewalling
Author: Aruna D'Souza
Publisher:
ISBN: 9781943263141
Category : Art
Languages : en
Pages : 160
Book Description
In 2017, the Whitney Biennial included a painting by a white artist, Dana Schutz, of the lynched body of a young black child, Emmett Till. In 1979, anger brewed over a show at New York's Artists Space entitled The Nigger Drawings. In 1969, the Metropolitan Museum of Art's exhibition Harlem on My Mind did not include a single work by a black artist. In all three cases, black artists and writers and their allies organized vigorous responses using the only forum available to them: public protest. Whitewalling: Art, Race & Protest in 3 Acts reflects on these three incidents in the long and troubled history of art and race in America. It lays bare how the art world--no less than the country at large--has persistently struggled with the politics of race, and the ways this struggle has influenced how museums, curators and artists wrestle with notions of free speech and the specter of censorship. Whitewalling takes a critical and intimate look at these three "acts" in the history of the American art scene and asks: when we speak of artistic freedom and the freedom of speech, who, exactly, is free to speak? Aruna D'Souza writes about modern and contemporary art, food and culture; intersectional feminisms and other forms of politics; how museums shape our views of each other and the world; and books. Her work appears regularly in 4Columns.org, where she is a member of the editorial advisory board, as well as in publications including the Wall Street Journal, ARTnews, Garage, Bookforum, Momus and Art Practical. D'Souza is the editor of the forthcoming Making it Modern: A Linda Nochlin Reader.
Publisher:
ISBN: 9781943263141
Category : Art
Languages : en
Pages : 160
Book Description
In 2017, the Whitney Biennial included a painting by a white artist, Dana Schutz, of the lynched body of a young black child, Emmett Till. In 1979, anger brewed over a show at New York's Artists Space entitled The Nigger Drawings. In 1969, the Metropolitan Museum of Art's exhibition Harlem on My Mind did not include a single work by a black artist. In all three cases, black artists and writers and their allies organized vigorous responses using the only forum available to them: public protest. Whitewalling: Art, Race & Protest in 3 Acts reflects on these three incidents in the long and troubled history of art and race in America. It lays bare how the art world--no less than the country at large--has persistently struggled with the politics of race, and the ways this struggle has influenced how museums, curators and artists wrestle with notions of free speech and the specter of censorship. Whitewalling takes a critical and intimate look at these three "acts" in the history of the American art scene and asks: when we speak of artistic freedom and the freedom of speech, who, exactly, is free to speak? Aruna D'Souza writes about modern and contemporary art, food and culture; intersectional feminisms and other forms of politics; how museums shape our views of each other and the world; and books. Her work appears regularly in 4Columns.org, where she is a member of the editorial advisory board, as well as in publications including the Wall Street Journal, ARTnews, Garage, Bookforum, Momus and Art Practical. D'Souza is the editor of the forthcoming Making it Modern: A Linda Nochlin Reader.
The Museum News
Author: Brooklyn Institute of Arts and Sciences
Publisher:
ISBN:
Category : Natural history
Languages : en
Pages : 592
Book Description
Publisher:
ISBN:
Category : Natural history
Languages : en
Pages : 592
Book Description
Sensation: The Madonna, the Mayor, the Media, and the First Amendment
Author: Arnold Lehman
Publisher: Merrell
ISBN: 9781858946962
Category : Art
Languages : en
Pages : 240
Book Description
Death and bomb threats over an art exhibition! A major battle with the mayor of New York City and the New York Times! Looking back, Arnold Lehman, director of the Brooklyn Museum, and his colleagues were not prepared for what was to happen. No one could have anticipated that SENSATION: Young British Artists from the Saatchi Collection would become the biggest art story in the history of art history. It has taken him two decades to fully absorb and clearly reflect on what happened at the Brooklyn Museum in 1999-2000. The intense controversy swept the exhibition, the museum, and Chris Ofili's The Holy Virgin Mary painting to international attention for six months. While 175,000 people saw the exhibition and millions read and heard about it daily, they never knew of the threats and challenges that kept the museum staff awake at night. Mayor Rudy Giuliani, who never saw the painting, focused his rage at The Holy Virgin Mary; rescinded the museum's municipal funding to force it to close the exhibition; and attempted to evict it from its hundred-year-old landmark. The city's most conservative media and ultra-religious groups inflamed the conflict. SENSATION, selected from controversial collector Charles Saatchi's contemporary British art collection, was first shown at London's Royal Academy in 1997, to an outcry over the portrait of child murderer Myra Hindley. Its opening at the Brooklyn Museum in 1999 drew tabloid headlines such as "B'klyn gallery of horror―Gruesome museum show," and "Butchered animals, a dung-smeared Mary and giant genitalia." The New York Times accused the museum of wrongdoing in high-profile but often false and inaccurate investigative reports, most dismissed earlier by the court. In a story as gripping as a fictional thriller, the mayor and city eventually settled with the museum, awarding it a permanent injunction, the restoration of city money, and substantial funds for its new entrance.
Publisher: Merrell
ISBN: 9781858946962
Category : Art
Languages : en
Pages : 240
Book Description
Death and bomb threats over an art exhibition! A major battle with the mayor of New York City and the New York Times! Looking back, Arnold Lehman, director of the Brooklyn Museum, and his colleagues were not prepared for what was to happen. No one could have anticipated that SENSATION: Young British Artists from the Saatchi Collection would become the biggest art story in the history of art history. It has taken him two decades to fully absorb and clearly reflect on what happened at the Brooklyn Museum in 1999-2000. The intense controversy swept the exhibition, the museum, and Chris Ofili's The Holy Virgin Mary painting to international attention for six months. While 175,000 people saw the exhibition and millions read and heard about it daily, they never knew of the threats and challenges that kept the museum staff awake at night. Mayor Rudy Giuliani, who never saw the painting, focused his rage at The Holy Virgin Mary; rescinded the museum's municipal funding to force it to close the exhibition; and attempted to evict it from its hundred-year-old landmark. The city's most conservative media and ultra-religious groups inflamed the conflict. SENSATION, selected from controversial collector Charles Saatchi's contemporary British art collection, was first shown at London's Royal Academy in 1997, to an outcry over the portrait of child murderer Myra Hindley. Its opening at the Brooklyn Museum in 1999 drew tabloid headlines such as "B'klyn gallery of horror―Gruesome museum show," and "Butchered animals, a dung-smeared Mary and giant genitalia." The New York Times accused the museum of wrongdoing in high-profile but often false and inaccurate investigative reports, most dismissed earlier by the court. In a story as gripping as a fictional thriller, the mayor and city eventually settled with the museum, awarding it a permanent injunction, the restoration of city money, and substantial funds for its new entrance.
Objects of Myth and Memory
Author: Diana Fane
Publisher:
ISBN: 9780295971049
Category :
Languages : en
Pages : 320
Book Description
Publisher:
ISBN: 9780295971049
Category :
Languages : en
Pages : 320
Book Description
Georgia O'Keeffe
Author: Wanda M. Corn
Publisher: National Geographic Books
ISBN: 3791356011
Category : Art
Languages : en
Pages : 0
Book Description
Winner of the 2018 Dedalus Foundation Exhibition Catalogue Award This book explores how Georgia O’Keeffe lived her life steeped in modernism, bringing the same style she developed in her art to her dress, her homes, and her lifestyle. Richly illustrated with images of her art and views of the two homes she designed and furnished in New Mexico, the book also includes never before published photographs of O’Keeffe’s clothes. The author has attributed some of the most exquisite of these garments to O’Keeffe, a skilled seamstress who understood fabric and design, and who has become an icon in today’s fashion world as much for her personal style as for her art. As one of her friends stated, O’Keeffe "never allowed her life to be one thing and her painting another." This fresh and carefully researched study brings O’Keeffe’s style to life, illuminating how this beloved American artist purposefully proclaimed her modernity in the way she dressed and posed for photographers, from Alfred Stieglitz to Bruce Weber. This beautiful book accompanies the first museum exhibition to bring together photographs, clothes, and art to explore O’Keeffe’s unified modernist aesthetic. This book accompanies the show at the Peabody-Essex Museum, Georgia O’Keeffe: Art, Image, Style.
Publisher: National Geographic Books
ISBN: 3791356011
Category : Art
Languages : en
Pages : 0
Book Description
Winner of the 2018 Dedalus Foundation Exhibition Catalogue Award This book explores how Georgia O’Keeffe lived her life steeped in modernism, bringing the same style she developed in her art to her dress, her homes, and her lifestyle. Richly illustrated with images of her art and views of the two homes she designed and furnished in New Mexico, the book also includes never before published photographs of O’Keeffe’s clothes. The author has attributed some of the most exquisite of these garments to O’Keeffe, a skilled seamstress who understood fabric and design, and who has become an icon in today’s fashion world as much for her personal style as for her art. As one of her friends stated, O’Keeffe "never allowed her life to be one thing and her painting another." This fresh and carefully researched study brings O’Keeffe’s style to life, illuminating how this beloved American artist purposefully proclaimed her modernity in the way she dressed and posed for photographers, from Alfred Stieglitz to Bruce Weber. This beautiful book accompanies the first museum exhibition to bring together photographs, clothes, and art to explore O’Keeffe’s unified modernist aesthetic. This book accompanies the show at the Peabody-Essex Museum, Georgia O’Keeffe: Art, Image, Style.
The Brooklyn Museum Annual
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 76
Book Description
Vols. for 1959/1960-1968/1969 include the museum's Annual report for 1950/1960-1966/1967, 1968/1969.
Publisher:
ISBN:
Category :
Languages : en
Pages : 76
Book Description
Vols. for 1959/1960-1968/1969 include the museum's Annual report for 1950/1960-1966/1967, 1968/1969.
The Brooklyn Museum Annual Report
Author: Brooklyn Museum
Publisher:
ISBN:
Category :
Languages : en
Pages : 40
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 40
Book Description