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Author: David Martin
Publisher: Regent College Publishing
ISBN: 1573833827
Category : Social Science
Languages : en
Pages : 226
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Book Description
Author: David Martin
Publisher: Regent College Publishing
ISBN: 1573833827
Category : Social Science
Languages : en
Pages : 226
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Book Description
Author: Roxana Marcoci
Publisher: The Museum of Modern Art
ISBN: 9780870707094
Category : Architecture
Languages : en
Pages : 168
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Book Description
Foreword by Glenn D. Lowry. Text by Roxana Marcoci.
Author: Doug Aitken
Publisher: Distributed Art Publishers (DAP)
ISBN:
Category : Architects
Languages : en
Pages : 316
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Book Description
To the Chinese people, jade is a precious stone endowed with magical properties which encapsulated all that mankind aspires to in terms of character, elegance, tranquility, purity and virtue. The Chinese love jade not merely because of its rarity or its luster but because of a deeper aesthetic value. Chinese Jade: The Spiritual and Cultural Significance of Jade in China presents a comprehensive view of jade and its history in China from Neolithic times to the Qing dynasty. It illustrates pieces of jade that are on display not only in the Palace Museum in Beijing but in the many provincial and other museums across China. It will help the reader to understand what jade means to the Chinese in China; how it is classified and described and where it is found and worked and displayed. It has a value beyond that of a simple catalogue and places jade in its natural, and central, cultural context.
Author: Kevin Lynch
Publisher: MIT Press
ISBN: 9780262620017
Category : Architecture
Languages : en
Pages : 212
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Book Description
The classic work on the evaluation of city form. What does the city's form actually mean to the people who live there? What can the city planner do to make the city's image more vivid and memorable to the city dweller? To answer these questions, Mr. Lynch, supported by studies of Los Angeles, Boston, and Jersey City, formulates a new criterion—imageability—and shows its potential value as a guide for the building and rebuilding of cities. The wide scope of this study leads to an original and vital method for the evaluation of city form. The architect, the planner, and certainly the city dweller will all want to read this book.
Author: David A. Martin
Publisher:
ISBN:
Category : Christian sociology
Languages : en
Pages : 211
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Book Description
Author: Linda Mintle, Ph.D.
Publisher: Charisma Media
ISBN: 1599796910
Category : Religion
Languages : en
Pages : 112
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Book Description
DIV LORD, HELP ME TO SEE MYSELF THROUGH YOUR EYES! 8944 /div
Author: W. J. T. Mitchell
Publisher: University of Chicago Press
ISBN: 022624590X
Category : Art
Languages : en
Pages : 419
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Book Description
Why do we have such extraordinarily powerful responses toward the images and pictures we see in everyday life? Why do we behave as if pictures were alive, possessing the power to influence us, to demand things from us, to persuade us, seduce us, or even lead us astray? According to W. J. T. Mitchell, we need to reckon with images not just as inert objects that convey meaning but as animated beings with desires, needs, appetites, demands, and drives of their own. What Do Pictures Want? explores this idea and highlights Mitchell's innovative and profoundly influential thinking on picture theory and the lives and loves of images. Ranging across the visual arts, literature, and mass media, Mitchell applies characteristically brilliant and wry analyses to Byzantine icons and cyberpunk films, racial stereotypes and public monuments, ancient idols and modern clones, offensive images and found objects, American photography and aboriginal painting. Opening new vistas in iconology and the emergent field of visual culture, he also considers the importance of Dolly the Sheep—who, as a clone, fulfills the ancient dream of creating a living image—and the destruction of the World Trade Center on 9/11, which, among other things, signifies a new and virulent form of iconoclasm. What Do Pictures Want? offers an immensely rich and suggestive account of the interplay between the visible and the readable. A work by one of our leading theorists of visual representation, it will be a touchstone for art historians, literary critics, anthropologists, and philosophers alike. “A treasury of episodes—generally overlooked by art history and visual studies—that turn on images that ‘walk by themselves’ and exert their own power over the living.”—Norman Bryson, Artforum
Author: Martin
Publisher: Wiley-Blackwell
ISBN: 9780631130475
Category :
Languages : en
Pages :
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Book Description
Author: James Noyes
Publisher: Bloomsbury Publishing
ISBN: 0857734318
Category : Religion
Languages : en
Pages : 301
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Book Description
From false idols and graven images to the tombs of kings and the shrines of capitalism, the targeted destruction of cities, sacred sites and artefacts for religious, political or nationalistic reasons is central to our cultural legacy. This book examines the different traditions of image-breaking in Christianity and Islam as well as their development into nominally secular movements and paints a vivid, scholarly picture of a culture of destruction encompassing Protestantism, Wahhabism, and Nationalism. Beginning with a comparative account of Calvinist Geneva and Wahhabi Mecca, The Politics of Iconoclasm explores the religious and political agendas behind acts of image-breaking and their relation to nationhood and state-building. From sixteenth-century Geneva to urban developments in Mecca today, The Politics of Iconoclasm explores the history of image-breaking, the culture of violence and its paradoxical roots in the desire for renewal. Examining these dynamics of nationhood, technology, destruction and memory, a historical journey is described in which the temple is razed and replaced by the machine.
Author: Anandi Ramamurthy
Publisher: Routledge
ISBN: 0429685599
Category : Art
Languages : en
Pages : 303
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Book Description
First published in 2006, this volume provides the first in-depth analysis of the place of visual representations within the process of decolonisation during the period 1945 to 1970. The chapters trace the way in which different visual genres – art, film, advertising, photography, news reports and ephemera – represented and contributed to the political and social struggles over Empire and decolonisation during the mid-Twentieth century. The book examines both the direct visual representation of imperial retreat after 1945 as well as the reworkings of imperial and ‘racial’ ideologies within the context of a transformed imperialism. While the book engages with the dominant archive of artists, exhibitions, newsreels and films, it also explores the private images of the family album as well as examining the visual culture of anti-colonial resistance.
