The Book of Rumba Strums for Spanish, Classical and Flamenco Guitar PDF Download
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Author: Elysa Hochman
Publisher: Mel Bay Publications
ISBN: 1513471988
Category : Music
Languages : en
Pages : 125
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Book Description
Welcome to the exciting world of rumba strums and some of the most fun you can have with the guitar! In these pages, authoritative flamenco guitarist, founder of New York Guitar Academy, Quarantined Quartet and Jay & Lee Rumba Flamenca Group, Elysa Hochman demonstrates 25 rumba strumming patterns plus two combinations, giving each a name so that they might be accurately discussed and combined to form other hybrid patterns. Having originated among African slaves in Cuba, the term rumba can represent several unrelated musical styles; by the early 20th century, however, an up-tempo version had caught-on with flamenco musicians in Spain and the cultural cross-fertilization process was complete. Like the rasgueado techniques common to flamenco, rumba strumming has remained largely a mystery to non-flamenco guitarists— until now! Using standard notation, tablature and online audio and video recordings, Hochman clearly defines each rumba strumming pattern and illustrates them in typical chord progressions and voicings used in Spanish, classical, and flamenco guitar. This book is essential for any guitarist interested in becoming proficient in rhythm guitar and/or the nuevo flamenco genre of music. The book culminates with a useful “Index of Rumba Strums” enabling you to build your own rumba strumming patterns and bring your audience to their feet!
Author: Elysa Hochman
Publisher: Mel Bay Publications
ISBN: 1513471988
Category : Music
Languages : en
Pages : 125
Get Book Here
Book Description
Welcome to the exciting world of rumba strums and some of the most fun you can have with the guitar! In these pages, authoritative flamenco guitarist, founder of New York Guitar Academy, Quarantined Quartet and Jay & Lee Rumba Flamenca Group, Elysa Hochman demonstrates 25 rumba strumming patterns plus two combinations, giving each a name so that they might be accurately discussed and combined to form other hybrid patterns. Having originated among African slaves in Cuba, the term rumba can represent several unrelated musical styles; by the early 20th century, however, an up-tempo version had caught-on with flamenco musicians in Spain and the cultural cross-fertilization process was complete. Like the rasgueado techniques common to flamenco, rumba strumming has remained largely a mystery to non-flamenco guitarists— until now! Using standard notation, tablature and online audio and video recordings, Hochman clearly defines each rumba strumming pattern and illustrates them in typical chord progressions and voicings used in Spanish, classical, and flamenco guitar. This book is essential for any guitarist interested in becoming proficient in rhythm guitar and/or the nuevo flamenco genre of music. The book culminates with a useful “Index of Rumba Strums” enabling you to build your own rumba strumming patterns and bring your audience to their feet!
Author: Juan Martin
Publisher: Mel Bay Publications
ISBN: 1513455532
Category : Music
Languages : en
Pages : 141
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Book Description
The acclaimed first volume of this exciting series gave extensive insights into basic techniques of flamenco guitar playing and the two important rhythmic forms (palos) of Solea and Alegrias. This second volume continues on with an exploration of further essential rhythmic palos. The first of these is the Bulerias. Juan Martin brings his many years of experience as an internationally renowned flamenco soloist and accompanist for singers and dancers to unravelling its mysteries, explaining and demonstrating very clearly the different elements of its rhythmic structure and the various ways it may be accented and counted. He uses traditional and more modern examples of the different kinds of rhythm and melodic passages (falsetas) to provide an invaluable understanding of this wonderful palo. The second rhythmic form is devoted to the popular flamenco Rumba, then Tangos, Tientos and that most profound of all the palos, the deeply moving Seguiriyas. Juan's solo playing is complemented by demonstrations of the guitar's role in accompanying the flamenco dance (baile) and song (cante) with the help of outstanding dancers Raquel de Luna and Miguel Infante and singers Amparo Heredia (La Repompilla) and Carlos Brias. The music for solo guitar is transcribed in standard notation and tablature (cifra) and the online video contain nearly three hours of explanation and demonstrations. The series is complemented by two other best-selling Juan Martin volumes published by Mel Bay. These provide progressively graded solo material to extend the repertoire, from beginner to concert level. Includes access to online video.
Author: Elysa Hochman
Publisher:
ISBN: 9781513461380
Category : Guitar music
Languages : en
Pages : 72
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Book Description
Classical and Flamenco Guitar Solos and Etudes provides an introduction to classical and flamenco guitar techniques through 22 pieces. These short, melodic studies will increase your understanding of chord/harmonic shapes, and encompass a variety of styles: vals, classical etudes, malagueña, soleá, rumba, farruca, and bulerías. The five main techniques in classical and flamenco guitar are: pulgar (thumb rest stroke), arpeggio, picado (index and middle alternating strokes), rasgueo (strumming), and tremolo (flamenco) - which are applied throughout this book. Includes access to online audio and video.
Author: Kai Narezo
Publisher:
ISBN: 9781532362644
Category : Flamenco music
Languages : en
Pages : 150
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Book Description
Flamenco Explained, The Guitarist's Survival Guide, is the first book that breaks down the inner workings of flamenco and helps the guitarist truly understand this this amazing art form. Flamenco Explained presents the underlying architecture of flamenco in a new way that is accessible to all musicians and prepares the aspiring guitarist to accompany flamenco dance and Cante and communicate with other flamenco musicians. Flamenco Explained has already been used as the foundation for Berklee College of Music's first ever flamenco guitar class.
Author: Juan Martin
Publisher: Mel Bay Publications
ISBN: 1513455362
Category : Music
Languages : en
Pages : 141
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Book Description
This book and accompanying video provide a thorough introduction to flamenco guitar. What are the essential elements and techniques of flamenco guitar playing? How does one capture the real essence of authentic flamenco guitar? These are questions that Juan Martin, celebrated virtuoso flamenco guitarist and teacher, addresses in this first book of a projected three-volume series. The method is designed for the complete beginner and requires no prior knowledge of the guitar or flamenco music. It also provides invaluable insight and material for more advanced players who want to capture the essential sounds, rhythms and emotional power of true flamenco. The series begins with in-depth demonstrations of how the basic building blocks of flamenco guitar technique are used in actual flamenco music. The material then progresses to a detailed exploration of the individual rhythmic forms - the palos. In this book, the fundamental palos of Solea and Alegrias are presented to emphasize the basic rhythms and provide examples of falsetas - the melodic passages. Martin then shows how to apply these when collaborating with a dancer and singer. The music is transcribed in standard notation and tablature (cifra), and the online video contain over 3.5 combined hours of explanation and demonstrations. Provides a detailed introduction to basic techniques, using examples of authentic flamenco to show these techniques in action. Then progresses to demonstrations of the Solea and Alegrias, including music for the soloist and the guitar accompanying the dancing and singing. Includes access to online video.
Author: Juan Martin
Publisher: Mel Bay Publications
ISBN: 1513455699
Category : Music
Languages : en
Pages : 96
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Book Description
These Juan Martín compositions are for flamenco, classical and any type of guitar players at intermediate and more advanced stages who already have experience of the instrument and techniques like arpeggios, tremolo and correct left-hand fingering, but wish to extend their knowledge of thumb techniques like alzapua, the many forms of rasgueo and flamenco rhythms such as rumba, vituosic guajiras and the mysteriously beautiful rondeña, dissonant and deep. If you master these 8 solos, you will be well on the way to become a concert soloist. Transcribed by Angela Centola. Includes access to online audio. Éstas composiciones de Juan Martín son para guitarristas flamencos, clásicos y de cualquier tipo en niveles intermedios y más avanzados que ya tienen experiencia en instrumentos y técnicas como arpegios, trémolo y digitación correcta de la mano izquierda, pero desean ampliar su conocimiento de las técnicas de pulgar como alzapua, las muchas formas de rasgueo y palos flamencos como la rumba, las virtuosas guajiras y la misteriosamente bella rondeña, disonante y profunda. Si dominas étros 8 solos, estarás en camino de convertirte en solista de concierto. Transcrito por Angela Centola. Incluye acceso a audio en línea.
Author: Denis Martin
Publisher: African Minds
ISBN: 1920489827
Category : Music
Languages : en
Pages : 471
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Book Description
For several centuries Cape Town has accommodated a great variety of musical genres which have usually been associated with specific population groups living in and around the city. Musical styles and genres produced in Cape Town have therefore been assigned an "identity" which is first and foremost social. This volume tries to question the relationship established between musical styles and genres, and social - in this case pseudo-racial - identities. In Sounding the Cape, Denis-Constant Martin recomposes and examines through the theoretical prism of creolisation the history of music in Cape Town, deploying analytical tools borrowed from the most recent studies of identity configurations. He demonstrates that musical creation in the Mother City, and in South Africa, has always been nurtured by contacts, exchanges and innovations whatever the efforts made by racist powers to separate and divide people according to their origin. Musicians interviewed at the dawn of the 21st century confirm that mixture and blending characterise all Cape Town's musics. They also emphasise the importance of a rhythmic pattern particular to Cape Town, the ghoema beat, whose origins are obviously mixed. The study of music demonstrates that the history of Cape Town, and of South Africa as a whole, undeniably fostered creole societies. Yet, twenty years after the collapse of apartheid, these societies are still divided along lines that combine economic factors and "racial" categorisations. Martin concludes that, were music given a greater importance in educational and cultural policies, it could contribute to fighting these divisions and promote the notion of a nation that, in spite of the violence of racism and apartheid, has managed to invent a unique common culture.
Author: Terry E. Miller
Publisher: Routledge
ISBN: 113624171X
Category : Music
Languages : en
Pages : 617
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Book Description
Authors Terry E. Miller and Andrew Shahriari take students around the world to experience the diversity of musical expression. World Music: A Global Journey, now in its third edition, is known for its breadth in surveying the world’s major cultures in a systematic study of world music within a strong pedagogical framework. As one prepares for any travel, each chapter starts with background preparation, reviewing the historical, cultural, and musical overview of the region. Visits to multiple ‘sites’ within a region provide in-depth studies of varied musical traditions. Music analysis begins with an experimental "first impression" of the music, followed by an "aural analysis" of the sound and prominent musical elements. Finally, students are invited to consider the cultural connections that give the music its meaning and life. Features of the Third Edition Over 3 hours of diverse musical examples. with a third audio CD of new musical examples Listening Guides analyze the various pieces of music with some presented in an interactive format online Biographical highlights of performers and ethnomusicologists updated and new ones added Numerous pedagogical aids, including "On Your Own Time" and "Explore More" sidebars, and "Questions to Consider" Popular music incorporated with the traditional Dynamic companion web site hosts new Interactive Listening Guides, plus many resources for student and instructor. Built to serve online courses. The CD set is available separately (ISBN 978-0-415-89402-9) or with its Value Pack and book (ISBN 978 0415- 80823-1). For eBook users, MP3 files for the accompanying audio files are available only with the Value Pack of eBook & MP3 files (ISBN 978-0-203-15298-0). Please find instructions on how to obtain the audio files in the contents section of the eBook.
Author: Frederick M. Noad
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 320
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Book Description
Learn to play the guitar using this quick and easy guide. Whether you dream of playing classical guitar, a B.B. King lick, or just the opening bars to "Stairway to Heaven," this book can get you there. This easy-to-use guide introduces the beginning guitarist to all styles of playing, from classical to jazz and pop. Using basic exercises and a selection of popular tunes, it shows how to do everything from reading tablature and chord diagrams to performing simple accompaniment. This book is designed for the child or adult beginner who wants a "user-friendly" introduction to the most popular musical instrument. It contains numerous sidebars and illustrations, making learning the guitar fun and easy. Z Features exercises in all styles from classical to rock and jazz Z Includes checklists of popular books, videos and instrument dealers, and tips on purchasing and maintaining your instrument. Frederick Noad is an expert guitar teacher and author of dozens of guitar methods, including The Virtual Guitarist, Solo Guitar Playing and Playing the Guitar, all from Schirmer Books. He is the inventor of Speed Score, the computer notation software and is universally known as a master teacher of the instument.
Author: Martín Pedreira
Publisher: Mel Bay Publications
ISBN: 1513455877
Category : Music
Languages : en
Pages : 137
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Book Description
As the title of his book attests, guitarist and musicologist Martín Pedreira presents a methodical treatment addressing the most highly refined guitar techniques. In my opinion, we should not confuse the methodical with the routine, because the latter does not facilitate the completion of any task. We applaud Pedreira for his rigorous vision of instrumental practice and his meticulous attention to the physical-motor aspects of the instrumentalist. This reference book is worthy of frequent consultation for its valuable suggestions. Leo Brouwer This comprehensive reference book integrates the historical, structural, technical, and ergonomic aspects of classic guitar performance with the individual player’s cultural, intellectual, creative, and emotional facets in what the author calls a psychophysiological approach to interpretation. In addition to its emphasis on ergonomic posture and technique, the book includes over 200 short musical excerpts by Sor, Giuliani, Coste, Tárrega, Barrios, Montoya, Ponce, Pujol, Villa-Lobos, Rodrigo, Brouwer and others— illustrating practically every aspect of classic and flamenco guitar technique. This unique Wholistic Perspective of Technique Through Repertoire will be useful to teachers, aspiring composers, and to students and professionals forming recital and concert programs. Given the author’s extensive survey of technique and repertoire from an ergonomic point of view, it is likely that even seasoned concert artists and teachers will find something new of intense interest to share with their audiences and students. No classic guitarist’s library would be complete without this landmark book! The author’s goal in presenting this multifaceted approach is to provide theoretical and practical coordinates for improving guitar interpretation while acknowledging the player’s intellectual and emotional contributions. While there is no companion recording for this book, many of its examples can be heard in their entirety on YouTube. The inclusion of numerous quotes from renowned guitar virtuosos and other instrumentalists, plus statements by non-musician artists, scientists, and psychophysical experts from the Renaissance to the present day — emphasize the wholistic nature of this book. Readers are encouraged to put everything they have into their performances, including technique and musicianship, of course, but also general cultural knowledge and, yes – personal experience, feelings and even spirituality in order to: “… Enchant instead of astonishing the audience… [and] play more for the heart than for the eyes.” – Alexandre Lavignac, La Educación Musical
